Song Character Analysis Worksheet - The University of North ...
Song Character Analysis Worksheet - The University of North ...
Song Character Analysis Worksheet - The University of North ...
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usiness. She was responsible for the bookkeeping duties and harvesting supervision in<br />
her husband’s absence, in addition to her regular duties: maintaining the gardens,<br />
supervising the domestic servants, providing medical care for the servants, and religious<br />
education. 37 Chastity was also <strong>of</strong> supreme importance for the Southern female as a<br />
“certification <strong>of</strong> racial purity and <strong>of</strong> her husband’s prestige.” 38 <strong>The</strong> Southern male’s<br />
masculinity was identified with his personal honor, and many duels were fought over<br />
such reputations. According to Margaret R. Wolfe, the stereotype <strong>of</strong> the Southern Belle<br />
is based in the standards <strong>of</strong> seventeenth-century English etiquette as a counterpoint to the<br />
aristocratic male. Her characteristics were “modesty, chastity, meekness, godliness, and<br />
compassion.” 39 <strong>The</strong> Southern Belle should be “a submissive wife whose reason for being<br />
is to love, honor, obey, and occasionally amuse her husband, bring up his children, and<br />
manage his household.” 40<br />
After the Civil War (or the “War <strong>of</strong> <strong>North</strong>ern Aggression” for this stereotype), the<br />
subservience <strong>of</strong> the Southern Belle gave way to a stronger, more outspoken woman as a<br />
result <strong>of</strong> her trials <strong>of</strong> survival, and the emotional and psychological defeat <strong>of</strong> the men who<br />
did return home. Unlike the New England Victorian, the Southern Belle was skeptical <strong>of</strong><br />
the suffragist movement and its implicit female independence. From their experiences <strong>of</strong><br />
being left behind to take care <strong>of</strong> business during the war, they were convinced that inde-<br />
pendence meant “intolerable burdens.” For those whose men did not return, an “ethos”<br />
37 Pleck, 1952.<br />
38 Pleck, 1952.<br />
39 “<strong>The</strong> Southern Lady: Long Suffering Counterpart <strong>of</strong> the Good Ol’ Boy,” Journal <strong>of</strong> Popular<br />
Culture 11 (summer 1977): 18.<br />
40 Wolfe, 18.<br />
48