Song Character Analysis Worksheet - The University of North ...
Song Character Analysis Worksheet - The University of North ...
Song Character Analysis Worksheet - The University of North ...
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aising the age <strong>of</strong> consent, child custody laws, property rights, and the temperance<br />
movement. 34<br />
Second to the chastity stereotype was a divine dictate to nurture and train one’s<br />
children well for society praised or blamed the mother for the child’s success in life. For<br />
the first time, a son bonded with his mother as she instilled her vision <strong>of</strong> morality and<br />
self-restraint. This was evident in the practice <strong>of</strong> sons writing letters to the mother rather<br />
than to the father after leaving home. 35 As stated earlier, these mothers were not treated<br />
well in contemporary literature. William James described the Victorian need to dominate<br />
her children in 1907 as the “bitch goddess syndrome” which formed two new stereotypes:<br />
the “bitch <strong>of</strong> conscience” (moral tyranny) and the “bitch <strong>of</strong> avarice” (a greed to<br />
possess). 36 <strong>The</strong> resulting picture <strong>of</strong> the New England Victorian woman is a stoic, rigidly<br />
moralistic but conniving female who achieves her own agenda through her husband and<br />
children. This stereotype is represented in Show Boat by Parthenia Ann Hawkes, the wife<br />
<strong>of</strong> the boat’s captain and mother <strong>of</strong> Magnolia.<br />
<strong>The</strong> Post-Bellum Southern Belle<br />
Before the Civil War, the Southern plantation wife enjoyed her domestic sphere<br />
within a patriarchal community where the master ruled over the house and slaves as part<br />
<strong>of</strong> his business sphere. Like her <strong>North</strong>ern sister, the Southern woman was in charge <strong>of</strong><br />
the home and her children. She also became the master-in-absentia for the family<br />
34 Lasch, 163.<br />
35 Pleck, 1951.<br />
36 Freibert, “Images <strong>of</strong> Women in American Literature.”<br />
47