Song Character Analysis Worksheet - The University of North ...
Song Character Analysis Worksheet - The University of North ...
Song Character Analysis Worksheet - The University of North ...
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<strong>The</strong> song appears twice more as a plot device for Magnolia. It is used as a<br />
production number for the wedding in the Act I finale and as her audition song at the<br />
Trocadero Club in Act II. <strong>The</strong> audition reprise is sung first to a simple guitar accompani-<br />
ment as an old-fashioned “coon” song. <strong>The</strong>n it is modernized with a new ragtime beat<br />
accompaniment, as illustrated in Figure 2.<br />
a.<br />
b.<br />
Figure 2. “Can’t Help Lovin’ ‘dat Man” reprise, mm. 3-4 and 32-33. 55<br />
<strong>The</strong> original eighth-note rhythm pattern (a.) is sung in performance practice with a swing<br />
triplet feel that adheres to the blues style. This singing approach provides a languid<br />
quality to the text that reinforces the inevitability <strong>of</strong> the text metaphors–the woman<br />
cannot control her emotions or desires for they are a natural biological fact. <strong>The</strong> modern<br />
ragged rhythmic pattern (b.) demands a more frenetic, instrumental style <strong>of</strong> articulation.<br />
This approach trivializes the text with a non-committal attitude, like that <strong>of</strong> the 1920s<br />
New Woman. Though it is technically a “prop” song, Kern used it to good effect to<br />
summarize the emotional life and hegemonic ties <strong>of</strong> the two lead female characters to<br />
55 Show Boat Vocal/Piano score, 166, 169.<br />
106