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Song Character Analysis Worksheet - The University of North ...

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<strong>The</strong> song appears twice more as a plot device for Magnolia. It is used as a<br />

production number for the wedding in the Act I finale and as her audition song at the<br />

Trocadero Club in Act II. <strong>The</strong> audition reprise is sung first to a simple guitar accompani-<br />

ment as an old-fashioned “coon” song. <strong>The</strong>n it is modernized with a new ragtime beat<br />

accompaniment, as illustrated in Figure 2.<br />

a.<br />

b.<br />

Figure 2. “Can’t Help Lovin’ ‘dat Man” reprise, mm. 3-4 and 32-33. 55<br />

<strong>The</strong> original eighth-note rhythm pattern (a.) is sung in performance practice with a swing<br />

triplet feel that adheres to the blues style. This singing approach provides a languid<br />

quality to the text that reinforces the inevitability <strong>of</strong> the text metaphors–the woman<br />

cannot control her emotions or desires for they are a natural biological fact. <strong>The</strong> modern<br />

ragged rhythmic pattern (b.) demands a more frenetic, instrumental style <strong>of</strong> articulation.<br />

This approach trivializes the text with a non-committal attitude, like that <strong>of</strong> the 1920s<br />

New Woman. Though it is technically a “prop” song, Kern used it to good effect to<br />

summarize the emotional life and hegemonic ties <strong>of</strong> the two lead female characters to<br />

55 Show Boat Vocal/Piano score, 166, 169.<br />

106

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