14.01.2014 Views

2000 HSS/PSA Program 1 - History of Science Society

2000 HSS/PSA Program 1 - History of Science Society

2000 HSS/PSA Program 1 - History of Science Society

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Juliet␣ M. Burba University <strong>of</strong> Minnesota<br />

<strong>HSS</strong> Abstracts<br />

Collecting for the “<strong>Science</strong> <strong>of</strong> Man”:<br />

Expeditions and Expositions in Physical Anthropology, 1912-1915<br />

This paper will focus on physical anthropologist Ales Hrdlicka’s work for the<br />

1915-1916 Pacific-California Exposition (San Diego) and examine his use <strong>of</strong><br />

this public arena to define and promote his discipline. In the early twentieth<br />

century, anthropologists sought to expand the institutional support for their<br />

discipline. Ales Hrdlicka, a curator at the U. S. National Museum, was <strong>of</strong>ten<br />

at the center <strong>of</strong> activities aimed at pr<strong>of</strong>essionalizing and promoting physical<br />

anthropology. He founded the American Journal <strong>of</strong> Physical Anthropology in<br />

1918, led the effort to form the Association <strong>of</strong> American Physical<br />

Anthropologists (which first met in 1930), and wrote countless articles for<br />

popular audiences, in addition to his copious scientific publications. During<br />

his early career at the Parisian Broca Institute, Hrdlicka saw that in Europe<br />

physical anthropology was an established and respected science, a status he<br />

hoped it might achieve in the United States. The Exposition provided Hrdlicka<br />

with an opportunity to further his plans. The organizers chose as one principle<br />

theme “The <strong>Science</strong> <strong>of</strong> Man.” Anthropological exhibits would be a centerpiece<br />

<strong>of</strong> the fair, and the Smithsonian Institution was contacted to assist in creating<br />

them. Ales Hrdlicka received $30,000 from the Exposition corporation to carry<br />

out research and create exhibits that would become the core <strong>of</strong> the show. For<br />

Hrdlicka, this funding was a windfall. He saw the Exposition as an excellent<br />

venue to define physical anthropology and display the progress researchers<br />

had made in understanding human evolution, diversity, and individual<br />

development. Perhaps more importantly, the funding enabled Hrdlicka to direct<br />

expeditions to Alaska, the Philippines, the Ukraine, Africa, and Australia, and<br />

to personally conduct fieldwork in Peru and Siberia. The exhibition project<br />

allows me to explore the influence that Hrdlicka’s popularizing work had on<br />

his research through the funding it provided and the requirements <strong>of</strong> presenting<br />

the discipline to a general audience.<br />

H<br />

S<br />

S<br />

Richard␣ W. Burkhardt, Jr. University <strong>of</strong> Illinois at Urbana, Champaign<br />

The School for Naturalist-Voyagers<br />

Among the multiple interactions between governments and museums that were<br />

so important for the growth <strong>of</strong> natural history in the 19th century, there may<br />

have been none that looked more promising at its inception than did the special<br />

“school for naturalist-voyagers” that was established at the Museum <strong>of</strong> Natural<br />

<strong>History</strong> in Paris in 1819. Proposed initially by the French Minister <strong>of</strong> the Interior,<br />

who also promised to fund the operation, the idea <strong>of</strong> the school was to train<br />

young naturalists who could then be sent <strong>of</strong>f to the far corners <strong>of</strong> the globe in<br />

59

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!