2000 HSS/PSA Program 1 - History of Science Society
2000 HSS/PSA Program 1 - History of Science Society
2000 HSS/PSA Program 1 - History of Science Society
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␣<br />
<strong>HSS</strong> Abstracts<br />
earlier morphologic thought. I will also say something about the impact <strong>of</strong><br />
these transformations on the thesis <strong>of</strong> human recency—the idea that pre-sapiens<br />
hominids were not “human” in some deep and interesting sense. Some<br />
comments will also be made about the stability <strong>of</strong> the Acheulean and its<br />
relevance to the thesis <strong>of</strong> human recency.<br />
Karen␣ A. Rader Sarah Lawrence College<br />
Teaching “<strong>Science</strong> and Film:”<br />
Visual Representation as a Pedagogical Window<br />
on Artistic and Scientific Practice<br />
This paper will draw on the author’s experience teaching a course devoted<br />
exclusively to “<strong>Science</strong> and Film”. Many history <strong>of</strong> science scholars have<br />
successfully incorporated film into their teaching <strong>of</strong> topical courses. But few<br />
have explored the history <strong>of</strong> film itself as a topic that enables exploration <strong>of</strong> a<br />
broader set <strong>of</strong> issues related to the political and cultural meanings <strong>of</strong> visual<br />
representation, both in science and society-at-large. These issues include: how<br />
technological advances in film (still photography and motion pictures) have<br />
contributed to new understandings <strong>of</strong> scientific knowledge why film has been<br />
such a potent resource for shaping public understandings <strong>of</strong> the scientific<br />
enterprise and ultimately, what have been, are, and could be the relations<br />
between science and art as cultural activities. Specific pedagogical strategies<br />
for addressing such themes will be discussed, along with suggestions for how<br />
to encourage students to incorporate their study <strong>of</strong> these themes practically<br />
across the <strong>of</strong>ten-competing curriculums <strong>of</strong> science and creative arts.<br />
144<br />
Peter␣ J. Ramberg Max Planck Institute for the <strong>History</strong> <strong>of</strong> <strong>Science</strong><br />
Making Instruments “Transparent” in Organic Chemistry:<br />
The Case <strong>of</strong> Halogen Addition Reactions<br />
In presenting the experimental results in support <strong>of</strong> the new principles <strong>of</strong><br />
stereochemistry, the organic chemist Johannes Wislicenus (1835-1902) entered<br />
disputes with both Rudolf Fittig (1835-1910) and Arthur Michael (1853-1942)<br />
about the correct reaction conditions for the addition <strong>of</strong> halogens to multiple<br />
bonds. Whereas Fittig and Michael disagreed with Wislicenus for different<br />
reasons, both accused Wislicenus <strong>of</strong> performing chemical reactions under the<br />
wrong external conditions. Wislicenus returned this accusation, claiming that<br />
it was Michael and Fittig who executed these reactions under “abnormal”<br />
conditions. In this paper, I will briefly recount this episode and its eventual<br />
resolution, and explore the parallels between this story and several recently<br />
published case studies treating the historical processes behind giving authority