2000 HSS/PSA Program 1 - History of Science Society
2000 HSS/PSA Program 1 - History of Science Society
2000 HSS/PSA Program 1 - History of Science Society
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<strong>HSS</strong> Abstracts<br />
her husband, Heinrich Schombach, who had come to assist an alchemist Duke<br />
Julius had recently hired. Nonetheless, Zieglerin quickly found ample<br />
opportunity to pursue her own alchemical interests at Julius’s court. She had<br />
her own laboratory in which she carried out alchemical processes, and tried to<br />
interest the Duke in her work by presenting him with a booklet on the<br />
preparation <strong>of</strong> the Philosopher’s Stone in 1573. The centerpiece <strong>of</strong> Zieglerin’s<br />
career in Wolfenbüttel, however, was her claim to have a special relationship<br />
with a mysterious adept in the alchemical arts, Count Carl von Oettingen.<br />
This count, Zieglerin contended, was not only Paracelsus’s illegitimate son<br />
and thus had unique access to alchemy’s secrets he also had shared his<br />
knowledge with her over the course <strong>of</strong> a long amorous relationship in which<br />
he came to see Zieglerin as his partner in an alchemical project <strong>of</strong> great import.<br />
As I shall argue in this paper, Zieglerin’s account <strong>of</strong> her relationship with the<br />
fictional Count Carl served a tw<strong>of</strong>old purpose. First, she used the story quite<br />
successfully to attract attention and establish herself as a legitimate alchemist<br />
whose knowledge and expertise surpassed even that <strong>of</strong> her male colleagues at<br />
court. Second, the story played an equally important role in Zieglerin’s<br />
understanding <strong>of</strong> her personal life. By making herself out to be the fictional<br />
Count’s partner in nothing less than the alchemical regeneration <strong>of</strong> the world,<br />
she gave shape and meaning to her own life story as well. Ultimately, Zieglerin<br />
stands at the conjunction <strong>of</strong> science and self in early modern Europe, suggesting<br />
that legitimating the two were <strong>of</strong>ten part <strong>of</strong> the very same process.<br />
H<br />
S<br />
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Brian␣ W. Ogilvie University <strong>of</strong> Massachusetts, Amherst<br />
The Many Books <strong>of</strong> Nature:<br />
How Renaissance Botanists Created and Responded to Information<br />
Overload<br />
Formerly fact-poor, botany became a fact-rich discipline in the sixteenth<br />
century. As an unintended consequence <strong>of</strong> new attitudes and techniques in<br />
botany, the number <strong>of</strong> plants described in botanical books grew an order <strong>of</strong><br />
magnitude between 1530 and 1630, creating new problems <strong>of</strong> organization<br />
and classification. To humanistically-oriented naturalists, this phenomenon<br />
was as much a problem <strong>of</strong> words as <strong>of</strong> things: for every new plant at least one<br />
new name was coined, <strong>of</strong>ten more, and these new names appeared in a<br />
burgeoning variety <strong>of</strong> new books. Indeed, it soon became difficult to tell<br />
whether a new name corresponded to a new plant or whether it was simply a<br />
synonym for something already known, and naturalists had to master an<br />
increasingly large bibliography before they could themselves decide whether<br />
they had discovered something new. The solutions that were developed for<br />
this problem <strong>of</strong> information overload were effective, but they helped transform<br />
botany from an amalgam <strong>of</strong> humanism and medicine to an autonomous<br />
discipline which no longer attracted much interest from the broader culture.<br />
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