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2000 HSS/PSA Program 1 - History of Science Society

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<strong>HSS</strong> Abstracts<br />

and 1940s. This paper analyzes the choices Keliher and her colleagues made<br />

in selecting films and film clips for educational purposes, and the issues<br />

educators identified in the study guides. More than that, it seeks to expand<br />

current understanding <strong>of</strong> science popularization in the first part <strong>of</strong> the twentieth<br />

century by examining the reception <strong>of</strong> popular films featuring heroic scientists,<br />

both fictional and historical. By historicizing the pedagogical utility <strong>of</strong> such<br />

films as Pasteur, this paper suggests ways to enrich contemporary teaching in<br />

the history <strong>of</strong> science using popular films depicting scientists and the process<br />

<strong>of</strong> scientific discovery.<br />

Wolfgang Lefèvre Max Planck Institute for the <strong>History</strong> <strong>of</strong> <strong>Science</strong><br />

Drawings in Ancient Treatises on Mechanics<br />

Up to and including the time when our modern critical editions <strong>of</strong> the ancient<br />

treatises on mechanics appeared, around 1900, scholars did not treat the<br />

drawings in these treatises with the same historical spirit as the text. Even in<br />

cases where such drawings were undoubtedly derivates <strong>of</strong> the original ancient<br />

figures, they were regarded as being awkward and evidence <strong>of</strong> a poor level <strong>of</strong><br />

drawing techniques. This paper tries to show, on the contrary, that we can still<br />

recognize in these derivates features <strong>of</strong> highly elaborate drawing techniques<br />

used by the ancients. The thesis <strong>of</strong> the paper is that these features add up to a<br />

particular syntax <strong>of</strong> drawing that was characteristic <strong>of</strong> ancient mechanics.<br />

118<br />

Timothy Lenoir Stanford University<br />

Accelerating Discovery: Bioinformatics and Interdisciplinarity<br />

From the 1960s through the 1990s leading biologists and program <strong>of</strong>ficers <strong>of</strong><br />

major funding agencies such as the NIH emphasized the need for biologists to<br />

emulate the models <strong>of</strong> interdisciplinary research and multi-disciplinary<br />

teamwork in successful physics projects such as the Manhattan Project and<br />

other big science projects. The field <strong>of</strong> bioinformatics is one <strong>of</strong> the successful<br />

<strong>of</strong>fspring <strong>of</strong> these campaigns. Bioinformatics is a new highly interdisciplinary<br />

field deriving from work in biological disciplines such as molecular biology,<br />

genetics, and evolutionary systematics. The concepts and experimental data<br />

<strong>of</strong> these areas have been radically extended and operationalized through the<br />

infusion <strong>of</strong> tools from a wide array <strong>of</strong> areas in computer science and<br />

engineering, such as information theory, statistics and probability, graph theory,<br />

algorithms, artificial intelligence, data bases, machine learning, and robotics.<br />

These tools and technologies more than anything else have shaped biology as<br />

an information science. On the one hand the tools and technologies <strong>of</strong><br />

information science have driven an exponential explosion <strong>of</strong> new data. On the

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