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Listing of Sessions and Abstracts of Papers - History of Science ...

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cal science, mainly mechanics, <strong>and</strong> its interdependence with the development <strong>of</strong> ancient societies.<br />

Schuster, John<br />

E-mail Address: j.a.schuster@unsw.edu.au<br />

Hydrostatics, Physico-Mathematics <strong>and</strong> the Origins <strong>of</strong> Micro-Mechanism: Or, What René <strong>and</strong><br />

Isaac Did in 1619<br />

In 1619 the twenty-three year old René Descartes <strong>and</strong> his thirty-one year old mentor, Isaac<br />

Beeckman, were trying to invent, <strong>and</strong> practice, a discipline they called hings, they spent a week trying to<br />

reduce to corpuscular-mechanical terms Simon Stevin’s recent remarkable findings concerning the<br />

hydrostatic paradox. This paper, based on research pursued with Stephen Gaukroger, argues that this<br />

little studied, <strong>and</strong> less understood episode opens for us a unique window on the beginnings <strong>of</strong> Descartes’<br />

long term agenda in micro-mechanism, <strong>and</strong> its attendant dynamical concepts, its promise <strong>and</strong> its pitfalls.<br />

Additionally, we argue that Descartes <strong>and</strong> Beeckman’s precocious posturing is a particular instance <strong>of</strong><br />

the more general early 17th century phenomenon <strong>of</strong> alternative natural philosophers variously striving to<br />

appropriate <strong>and</strong> comm<strong>and</strong> the findings <strong>and</strong> tools <strong>of</strong> the so-called ‘mixed mathematical sciences.’ The<br />

paper also throws light on some larger Scientific Revolution narratives, from Duhem to Dear, which<br />

partially misjudge the relations between the traditional mixed mathematical sciences <strong>and</strong> natural philosophical<br />

novelty in the 17th century.<br />

Secord, Anne<br />

E-mail Address: pas6@hermes.cam.ac.uk<br />

"Be what you would seem to be": Samuel Smiles, Thomas Edward, <strong>and</strong> the Making <strong>of</strong> a Working-class<br />

Scientific Hero<br />

Samuel Smiles is best known for his ideology <strong>of</strong> self-help, which he promoted as the basis <strong>of</strong> individual<br />

<strong>and</strong> national progress. His biographies <strong>of</strong> engineers <strong>and</strong> industrial entrepreneurs represent the<br />

conception <strong>of</strong> one culture expressed through shared moral values, <strong>and</strong> throw light on the function <strong>of</strong><br />

heroes for fostering progress. Less familiar are Smiles's biographies <strong>of</strong> working-class naturalists, which<br />

emphasise that progress, ensured primarily through soundness <strong>of</strong> character, was not always accompanied<br />

by commercial success or social mobility. By writing about the selfless devotion <strong>of</strong> poverty-stricken<br />

men to the pursuit <strong>of</strong> science, Smiles hoped to challenge accusations that his ideology valued only<br />

material success. I suggest, however, that working-class autodidacts who did not escape their own<br />

culture presented Smiles with especially acute problems as there was no guarantee that the values encapsulated<br />

by self-help were fully internalised <strong>and</strong> shared across class lines. Smiles's 1876 biography <strong>of</strong> the<br />

impoverished Scottish naturalist <strong>and</strong> shoemaker Thomas Edward allows us to explore this in unexpected<br />

ways. My paper will discuss the making <strong>of</strong> a Victorian scientific hero, who, in the process, came to feel<br />

that he had been robbed <strong>of</strong> his life.<br />

Secord, James<br />

E-mail Address: jas1010@hermes.cam.ac.uk<br />

Crowds <strong>and</strong> Celebrities: Faces <strong>of</strong> Knowledge in the Pictorial Press<br />

The rise <strong>of</strong> the large-format illustrated newspaper press in Europe, America, <strong>and</strong> Australia during the<br />

1840s <strong>and</strong> 1850s transformed perceptions <strong>of</strong> politicians, religious leaders, criminals, actors, singers, <strong>and</strong><br />

other 'men <strong>and</strong> women <strong>of</strong> the time'. The layouts for these journals juxtaposed pictures <strong>of</strong> massed urban<br />

crowds with finely detailed portraits <strong>of</strong> individuals. In this paper, I examine a number <strong>of</strong> crucial cases,<br />

ranging from accounts <strong>of</strong> the funeral <strong>of</strong> the chemist John Dalton to reports <strong>of</strong> national <strong>and</strong> international<br />

scientific meetings, to discuss the role <strong>of</strong> this new form <strong>of</strong> graphic journalism in creating the figure <strong>of</strong><br />

the scientist.

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