Listing of Sessions and Abstracts of Papers - History of Science ...
Listing of Sessions and Abstracts of Papers - History of Science ...
Listing of Sessions and Abstracts of Papers - History of Science ...
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have begun to engage seriously with the role <strong>of</strong> print culture as a source for public participation in the<br />
scientific revolution, as well as an important epistemological framework <strong>of</strong> the new philosophy. This<br />
paper attempts to approach the transformations between 'low' <strong>and</strong> 'high' mathematical traditions by an<br />
examination <strong>of</strong> the ways in which mathematicians utilized the market <strong>of</strong> printed books. The production<br />
<strong>of</strong> mathematical books, like many other genres, rested between a new market imperative <strong>and</strong> an older<br />
structure <strong>of</strong> patronage relationships. In both cases, novelty was dem<strong>and</strong>ed, although this novelty <strong>of</strong>ten<br />
took the inconspicuous form <strong>of</strong> translations, re-drawn diagrams, <strong>and</strong> new commentaries on old texts.<br />
Nevertheless, the transformative nature <strong>of</strong> these printed "novelties" made possible transformations in the<br />
way mathematical knowledge could be packaged <strong>and</strong> traded. I will examine the variety <strong>of</strong> mathematical<br />
texts available to early modern readers, <strong>and</strong> identify meeting points between mathematical traditions.<br />
The field <strong>of</strong> mathematical texts, placed well within the social world <strong>of</strong> early modern actors, can illuminate<br />
the ways in which the increased availability <strong>of</strong> mathematical texts, <strong>and</strong> an attendent<br />
autodidacticism, fostered both the appropriation <strong>of</strong> artisanal knowledge by erudite curiosi, <strong>and</strong> the<br />
advancement <strong>of</strong> mathematicians as philosophers <strong>and</strong> sages.<br />
H<strong>of</strong>er, Veronika<br />
E-mail Address: Veronika.H<strong>of</strong>er@eunet.at<br />
Physiology gains space. On the meaning <strong>of</strong> Sigmund Exner's Founding <strong>of</strong> the Phonogrammarchiv<br />
This paper addresses the encounter between science <strong>and</strong> aesthetics as two sides <strong>of</strong> a characteristic<br />
trait <strong>of</strong> Vienna at the turn <strong>of</strong> the century. Sigmund Exner's foundation <strong>of</strong> the world's first sound archive<br />
in 1899 represented not just another deed <strong>of</strong> a member <strong>of</strong> a family <strong>of</strong> scientific founders. In order to<br />
underst<strong>and</strong> what distinguished the Phonogrammarchiv from similar institutions founded quickly thereafter,<br />
we must consider it within the intellectual history <strong>of</strong> Central Europe. While the Berlin<br />
Phonogrammarchiv laid emphasis on creating a systematic musicology, the Viennese aimed at languages,<br />
music, sound portraits <strong>of</strong> renowned personalities, as well as the voices <strong>of</strong> animals <strong>and</strong> the cries<br />
<strong>of</strong> children. In search <strong>of</strong> the idea <strong>of</strong> culture that stood behind this innovation, we have to take into<br />
account that the particular scientific atmosphere <strong>of</strong> the Habsburg Empire strongly favoured the use <strong>of</strong><br />
methods from the natural sciences for research in the humanities <strong>and</strong> the arts. In Vienna, empiricism had<br />
eventually become a significant movement through the influence <strong>of</strong> Franz Brentano, Johann Friedrich<br />
Herbart, <strong>and</strong> Ernst Mach. To be sure, Sigmund Exner was the head <strong>of</strong> the world-renowned Physiology<br />
Department <strong>of</strong> the University <strong>of</strong> Vienna, an outst<strong>and</strong>ing researcher in the field <strong>of</strong> perception, <strong>and</strong> the<br />
respective brain functions. But there was also a specific focus to his research, which induced him to<br />
found the Phonogrammarchiv in order to collect the recordings <strong>of</strong> "acoustical phenomena" originating<br />
from nature <strong>and</strong> culture.<br />
Hook, Ernest<br />
E-mail Address: ebhook@socrates.berkeley.edu<br />
Different Voices were Heard: Geneticists' Views in the 1930s <strong>and</strong> 1940s on the Consequences <strong>of</strong><br />
Race Crossing<br />
During the 1930’s <strong>and</strong> 1940’s in the USA <strong>and</strong> Britain William B. Provine (1973) claimed that geneticists<br />
changed their minds about the biological effects <strong>of</strong> race crossing not because <strong>of</strong> scientific evidence<br />
but because <strong>of</strong> repugnance to Nazi doctrines. I suggest in contrast that there is no evidence that anyone<br />
changed their minds about the scientific consequences <strong>of</strong> race crossing, in response to Nazi doctrines or<br />
anything else, but rather, in the USA <strong>and</strong> Britain different voices spoke up or became silent. Elderly<br />
geneticists whom I surveyed could recall no one altering beliefs about any putative adverse consequences<br />
<strong>of</strong> race crossing. Julian Huxley cited evidence that under some circumstances race-crossing<br />
could have adverse effects. Thus an alternative more complex view is that: i) there was wide variation