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Listing of Sessions and Abstracts of Papers - History of Science ...

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noise <strong>and</strong> inscriptions <strong>of</strong> nature. In my discussion <strong>of</strong> some specific cases (e.g. the scientific debate on the<br />

fluid photographs that were taken at the Parisian hospital La Salpêtrière) I'd like to show how it could<br />

become an act <strong>of</strong> declaration whether a certain inscription on a photographic plate should be treated as<br />

technical noise or as a trace <strong>of</strong> nature, how distinctions between 'facts' <strong>and</strong> 'artifacts' became problematic,<br />

how 'nature' <strong>and</strong> 'technology' could intersect.<br />

Gerson, Elihu<br />

E-mail Address: gerson@ieee.org<br />

The Origins <strong>of</strong> Natural <strong>History</strong><br />

The early modern origins <strong>of</strong> natural history are to be found as much (or more) in the humanistic<br />

disciplines as in the sciences traditionally conceived. Natural history as a way <strong>of</strong> underst<strong>and</strong>ing nature<br />

developed as one <strong>of</strong> a group <strong>of</strong> disciplines (along with the ancestors <strong>of</strong> philology, history, <strong>and</strong> geography)<br />

devoted to describing the world rather than underst<strong>and</strong>ing the causes <strong>of</strong> things (the province <strong>of</strong><br />

natural philosophy) or for appreciation <strong>and</strong> imitation <strong>of</strong> exemplary works (the province <strong>of</strong> rhetoric <strong>and</strong><br />

the fine arts). Comparative biology <strong>and</strong> other disciplines rooted in the descriptive tradition are thus<br />

different from those rooted in the experimental-mechanical tradition. Over time, natural history developed<br />

concern with causal analysis, so that we may reasonably bracket natural history with the sciences<br />

by the beginning <strong>of</strong> the nineteenth century. But the differences in origin remain clear in the development<br />

<strong>of</strong> the two traditions.<br />

Gilbert,James<br />

E-mail Address: James_B_Gilbert@umail.umd.edu<br />

Popularizing Darwin<br />

In 1925, during the Scopes Trial in Dayton, Tennessee, Edgar Rice Burroughs was asked by the<br />

Hearst newspaper chain to comment on the argument between creationism <strong>and</strong> evolution. There was<br />

nothing odd about this request, with its assumption that the author <strong>of</strong> the Tarzan books <strong>and</strong> scores <strong>of</strong><br />

science fiction <strong>and</strong> adventure stories had something important to add to the debate. Hearst recognized<br />

that Burroughs was one <strong>of</strong> the 20th Century's major popularizers <strong>of</strong> Darwinian theory. His writings<br />

were filled with extended discussions <strong>and</strong> windy expositions <strong>of</strong> evolution, hereditarian theories, <strong>and</strong><br />

ideas about eugenics. Given the very uneven teaching <strong>and</strong> the rise <strong>and</strong> fall <strong>of</strong> Darwinism in American<br />

public schools, it is arguable that a great many Americans (in particular boys <strong>and</strong> young men who were<br />

his avid fans) had their most thoroughgoing <strong>and</strong> explicit exposure to the concepts <strong>of</strong> evolutionary theory<br />

through reading science fiction <strong>and</strong> other works written by Burroughs over the first half <strong>of</strong> the 20th<br />

Century. Even in the first Tarzan novel, <strong>and</strong> far more explicitly in later stories, Mendelian hereditarian<br />

<strong>and</strong> Darwinian evolutionary theory are central elements <strong>of</strong> the plot <strong>and</strong> recurrent themes. This paper<br />

will briefly discuss the teaching <strong>of</strong> Darwinian theory in public <strong>and</strong> Catholic high schools before 1960 as<br />

a background for exploring what Burroughs had to say about evolution <strong>and</strong> the peculiar eccentricities <strong>of</strong><br />

his interpretations. I will pay particular attention to The L<strong>and</strong> That Time Forgot, a trilogy <strong>of</strong> stories in<br />

which Burroughs explores in considerable detail ideas <strong>of</strong> evolution, eugenics, heredity, <strong>and</strong> reproduction.<br />

My purpose will be to determine what young readers might have concluded from this intensive<br />

exposure to ideas (however inaccurate a portrayal <strong>of</strong> science) that they only occasionally encountered in<br />

school. My conclusion is that Burroughs should be taken seriously as one <strong>of</strong> the important science<br />

popularizers <strong>of</strong> the 20th century. In more general terms, his case suggests the larger conclusion that<br />

elementary science education (for better or worse) has been conveyed through popular culture as much<br />

as in the classroom.<br />

Gingras, Yves

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