Mette Sandbye
Mette Sandbye
Mette Sandbye
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4<br />
mis-succeeded French balloon expedition to the Northpole in the late 19 th Century, this time<br />
also with no text reflecting on the images.<br />
From my point of view Koester’s conceptual projects is in danger of confirming our<br />
visual image of the Arctic experience instead of making us reflect critically on it.<br />
In a both similar and different way the photographer Pia Arke investigates almost the same<br />
story as Koester does in Canada and Greenland, namely the story of the Danish<br />
colonialization of Greenland and its consequences today. As half-native Greenlander who has<br />
lived in Denmark since the age of twelve, she at the same time works with her own<br />
background as a form of self therapy or auto-biography. The art of balancing between the<br />
different identities and backgrounds is the subject of her art. Compared to Koester she has<br />
followed the same themes and issues in all her career as an artist, and she has more and more<br />
combined her photographs with other sorts of collected material and with text. One could call<br />
her collected works a kind of mapping of the post-colonial, Greenlandish experience. She<br />
shows how the colonial past creates a culturally fragmented subject and how the actual act of<br />
remembrance can create new positions for being a subject. A lot of her work consist of<br />
montages of appropriated photographs, both private family photographs and images from for<br />
example books by Arctic explorers.<br />
She also seeks out places outside Greenland that contain knowledge, such as for<br />
example Danish museums and archives, in order to unfold the story that was told by the<br />
colonizers and other outsiders.<br />
Pia Arke uses inspiration from anthropological methods. In 2003 she published a<br />
book project about her native town Scoresbysund/Ittoqqortoormit. It is Denmark’s most<br />
northern post and populated by 600 people. The town is totally isolated and only twice a year<br />
food and material is brought there by ship. Similarly to Koester’s story about Resolute this<br />
town was artificially constructed in 1925 where 87 Inuits were transported 1000 kilometers<br />
north to form a Danish post in the northeastern Greenland before the Norwegians claimed the<br />
area. They didn’t know where they were going and why. The official story is that the Danish<br />
government moved the people to prevent an over-population in Angmassalik, where they<br />
came from. Today this isolated town suffers from heavy problems with alcohol,<br />
unemployment, suicide, even murder. This story is more or less unknown both to the Danes<br />
and to the local people of today. They don’t speak about it as they don’t speak about the<br />
suicides. It is a town with no collective memory. She got the idea to make the book after<br />
having read an article in a Greenlandish paper saying “Close the town with no future”.