Herald St Nicole Wermers
Herald St Nicole Wermers Herald St Nicole Wermers
Herald St Nicole Wermers Born 1971 in Emsdetten, Germany Lives and works in London, UK 2005 Residency, Camden Arts Centre, London 2004 Residency Delfina Studio Trust, London 2003 Travel grant for Sydney, Neue Kunst in Hamburg E.V. 2002 Dorothea-von-Stetten Art Prize, City of Bonn 1999 MA Fine Art, Central St. Martins College of Art and Design, London 1998 Scholarship of the DAAD (German Academic Exchange Service) for England 1990-97 Hochschule für bildende Künste, Hamburg Solo Exhibitions 2011 Herald St, London Kunstverein Dusseldorf, Germany 2008 Public Rain Fries, Georg Kargl Box, Vienna Public Rain, Herald St, London Anti Baby Pille (with Alexandra Bircken), Aktualisierungsraum, Hamburg 2007 Filialen, Produzentengalerie Hamburg (CAT.) Masse und Auflösung, Aspen Art Museum, Aspen, Colorado, USA Doors and Bouncers, Tanya Bonakdar Gallery, New York 2006 Reiche Verwandte, Herald St, London Earring, Public Sculpture Project, Camden Arts Centre, London Iduna Nova, (mit Alexander Heim), c/o Anna Catharina Gebbers, Berlin 2005 Residency, Camden Arts Centre, London (cat.) 2004 Chemie, Secession, Vienna (cat.) Katzensilber, Millers Terrace, London 2003 Galerie Borgmann-Nathusius, Cologne 2002 French Junkies, Produzentengalerie Hamburg 2000 Förderkoje, Art Cologne, Produzentengalerie Hamburg 1998 -Laden, Gunther Resky, Berlin Selected Exhibitions 2011 Fifteen, S1 Artspace, Sheffield The Shape We’re In, 176 Gallery, London 2010 The New Décor, Hayward Gallery, London (Publication) The New Décor, Garage Centre for Contemporary Arts, Moscow Library Of Babel / In And Out of Place, 176 / Zabludowicz Collection, London 2009 Natural Wonders, curated by Nick Hackworth, Baibakov Art Projects, Moscow Jonathan Viner’s Furniture exhibition, Fortescue Avenue, London Monument For Study, Herald St, London Collider, Galeria Margini, Massa, Italy 2008 Experimenta Folklore, Frankfurter Kunstverein, Frankfurt A.M. M25, Centre Cultural Andratx, curated by Barry Schwabsky, Mallorca Der Garten der Pfade, die sich verzweigen, curated by Heike Munder, Galerie Thaddeaus Ropac im Kunstraum der Deutschen Bank, Salzburg Art Sheffield 08, S1 Artspace, Sheffield (cat.) Cohabitation, Galeria Francesca Kaufmann, Mailand Herald St, 2 Herald St, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
- Page 2 and 3: Herald St 2007 The Office, Tanya Bo
- Page 4: Herald St Zu schön um Kunst zu sei
<strong>Herald</strong> <strong>St</strong><br />
<strong>Nicole</strong> <strong>Wermers</strong><br />
Born 1971 in Emsdetten, Germany<br />
Lives and works in London, UK<br />
2005 Residency, Camden Arts Centre, London<br />
2004 Residency Delfina <strong>St</strong>udio Trust, London<br />
2003 Travel grant for Sydney, Neue Kunst in Hamburg E.V.<br />
2002 Dorothea-von-<strong>St</strong>etten Art Prize, City of Bonn<br />
1999 MA Fine Art, Central <strong>St</strong>. Martins College of Art and Design, London<br />
1998 Scholarship of the DAAD (German Academic Exchange Service) for England<br />
1990-97 Hochschule für bildende Künste, Hamburg<br />
Solo Exhibitions<br />
2011 <strong>Herald</strong> <strong>St</strong>, London<br />
Kunstverein Dusseldorf, Germany<br />
2008 Public Rain Fries, Georg Kargl Box, Vienna<br />
Public Rain, <strong>Herald</strong> <strong>St</strong>, London<br />
Anti Baby Pille (with Alexandra Bircken), Aktualisierungsraum, Hamburg<br />
2007 Filialen, Produzentengalerie Hamburg (CAT.)<br />
Masse und Auflösung, Aspen Art Museum, Aspen, Colorado, USA<br />
Doors and Bouncers, Tanya Bonakdar Gallery, New York<br />
2006 Reiche Verwandte, <strong>Herald</strong> <strong>St</strong>, London<br />
Earring, Public Sculpture Project, Camden Arts Centre, London<br />
Iduna Nova, (mit Alexander Heim), c/o Anna Catharina Gebbers, Berlin<br />
2005 Residency, Camden Arts Centre, London (cat.)<br />
2004 Chemie, Secession, Vienna (cat.)<br />
Katzensilber, Millers Terrace, London<br />
2003 Galerie Borgmann-Nathusius, Cologne<br />
2002 French Junkies, Produzentengalerie Hamburg<br />
2000 Förderkoje, Art Cologne, Produzentengalerie Hamburg<br />
1998 -Laden, Gunther Resky, Berlin<br />
Selected Exhibitions<br />
2011 Fifteen, S1 Artspace, Sheffield<br />
The Shape We’re In, 176 Gallery, London<br />
2010 The New Décor, Hayward Gallery, London (Publication)<br />
The New Décor, Garage Centre for Contemporary Arts, Moscow<br />
Library Of Babel / In And Out of Place, 176 / Zabludowicz Collection, London<br />
2009 Natural Wonders, curated by Nick Hackworth, Baibakov Art Projects, Moscow<br />
Jonathan Viner’s Furniture exhibition, Fortescue Avenue, London<br />
Monument For <strong>St</strong>udy, <strong>Herald</strong> <strong>St</strong>, London<br />
Collider, Galeria Margini, Massa, Italy<br />
2008 Experimenta Folklore, Frankfurter Kunstverein, Frankfurt A.M.<br />
M25, Centre Cultural Andratx, curated by Barry Schwabsky, Mallorca<br />
Der Garten der Pfade, die sich verzweigen, curated by Heike Munder, Galerie<br />
Thaddeaus Ropac im Kunstraum der Deutschen Bank, Salzburg<br />
Art Sheffield 08, S1 Artspace, Sheffield (cat.)<br />
Cohabitation, Galeria Francesca Kaufmann, Mailand<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
<strong>Herald</strong> <strong>St</strong><br />
2007 The Office, Tanya Bonakdar Gallery, New York<br />
Fit for Print, Gagosian Gallery, New York<br />
Less is more – more could be less, Kerlin Gallery, Dublin<br />
What We Bought, Camera Austria, Kunsthaus Graz, Austria<br />
Weltempfänger, Galerie der Gegenwart, Hamburger Kunsthalle (cat.)<br />
Lines, Squares and Cubes, Produzentengalerie, Hamburg<br />
Wonderwall - Constructing the Sublime, Tomio Koyama Gallery, Tokyo<br />
Half Square, Half Crazy, curated by Vincent Pecoil, Villa Arson Centre d’Art,<br />
Nice (Cat.)<br />
Abstraction: Extracting from the World, curated by David Thorpe, Millennium<br />
Galleries, Sheffield (CAt.)<br />
2006 Friedrich, curated by Bruce Haines, Doggerfisher, Edinburgh<br />
Around The World In 80 Days, ICA, London (CAT.)<br />
100 Tage=100 Videos, Heidelberger Kunstverein, Heidelberg<br />
It is hard to touch the real, Grazer Kunstverein, Graz (CAT.)<br />
Iduna Nova (with Alexander Heim), c/o Anna Catharina Grebbers, Berlin<br />
Acht plastische Ansätze, Neuer Kunstverein Gießen e.v., Gießen<br />
Finding Neverland, curated by Juliane von Herz, Patricia Low Contemporary,<br />
Gstaad<br />
Wrong, curated by Jens Hoffmann, Galerie Klosterfelde, Berlin<br />
Tate Triennale, curated by Beatrix Ruf, Tate Britain, London (cat.)<br />
The Subversive Charm Of The Bourgeoisie, Van Abbe Museum, Eindhoven<br />
The Endless Summer, curated by Gyonata Bonvicini, West London Projects, London<br />
La Maison Gregoire, Brussels<br />
<strong>St</strong>ructure Unit, curated by Pablo Lafuente, Lisboa20, Lisbon<br />
2005 Jaybird, curated by Gyonaya Bonvincini, Galeria Zero, Milan<br />
The Addiction, curated by Anna-Catharina Gebbers, Gagosian Gallery, Berlin<br />
Contained, Tanka Bonakdar Gallery, New York<br />
The The, Modern art INC., London<br />
Alles. in einer Nacht, Tanya Bonakdar Gallery, New York<br />
Therefore Beautiful, curated by Vanessa Joan Müller, Ursula Blickle Foundation,<br />
Kraichtal, Germany (cat.)<br />
Other Peoples Projects, White Columns, New York<br />
2004 Pin Ups - Contemporary Collage and Drawing, Tate Modern, London<br />
The Future has a Silver Lining, Migros Museum, Zurich (cat.)<br />
Curb Your Enthusiasm, Millers Terrace, London<br />
9. Triennale Kleinplastik fellbach<br />
2 oder 3 Dinge die ich von Dir weiss, ProduzenteNGalerie Hamburg<br />
At The Palace at 4am, curated by Catherine Woods, Alison Jacques, London<br />
Reality Real, Galerie Gebrüder Lehmann, Dresden<br />
2003 A Nova Geometria, curated by Adriano Pedrosa Galeria Fortes Vilaça, Sao Paulo<br />
Reisefreiheit, curated by Rita Kersting, Neue Kunst in Hamburg, Kunsthaus<br />
Hamburg (cat.)<br />
Help, curated by Gary Webb, Els Hanappe Underground, Athens<br />
Cinepolis, Hamburger Architektursommer, Hamburger Botschaft<br />
Renderings, Delfina Gallery, London<br />
Handlungsräume, Halle für Kunst, Lüneburg (cat.)<br />
2002 Dorothea-von-<strong>St</strong>etten Kunstpreis, Kunstmuseum Bonn (cat.)<br />
Building Anxiety, Ten in One Gallery, New York<br />
Ich gin im Wald so vor mich hin, Galerie Borgmann- Nathusius, Cologne<br />
The Day After, Galerie Cookie Snoie, Rotterdam<br />
2001 Szenarien, Kunstverein Bonn, <strong>St</strong>adthaus Ulm (cat.)<br />
Selection of the Videonale Bonn, Museum Ludwig, Köln<br />
Szenenwechsel, Museum für Moderne Kunst, Frankfurt a.M. (Cat.)<br />
A Sport and A Pastime, Greene Naftali Gallery, New York<br />
Liminal, Minimal, Nominal, Architectual Traces, John Hansard Gallery,<br />
Southhampton (cat.)<br />
F, Produzentengalerie Hamburg<br />
German Leitkultur, Kunsthalle Friedericianum, Kassel (cat.)<br />
Videonale Bonn, Kunstverein Bonn (cat.)<br />
Zero Gravity, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (cat.)<br />
Hamburg <strong>St</strong>ipendiaten, Kunsthaus Hamburg (cat.)<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
<strong>Herald</strong> <strong>St</strong><br />
Sammlung Karl-Ernst-Osthaus Museum, City of Hagen<br />
2000 Auf Papier, Produzentengalerie Hamburg<br />
Include Me Out, Old <strong>St</strong>reet, London<br />
Pallisades, Centre D´Art, Bretigny-sur-Orge<br />
And If There Were No <strong>St</strong>ories, <strong>St</strong>ephen Friedman Gallery, London<br />
1999 New Contemporaries ´99, Liverpool Biennale, South London Gallery, London (cat.)<br />
Know What I Mean, Young German Artists in Britain, Goethe Institute, London (cat.)<br />
1998 Osygus, Produzenten galerie Hamburg<br />
Echopark, Biber-Haus, Hamburg<br />
Public Collections<br />
Tate Collection, London<br />
Museum of Modern Art, Frankfurt<br />
Karl-Ernst Osthaus Museum, City of Hagen<br />
Bundeskunstsammlung, Bonn<br />
Mont Blanc Collection, Hamburg<br />
DGZ Bank Collection, Düsseldorf<br />
Selected Bibliography<br />
2010 Bell, kirsty, “The New Décor”, Catalogue, Hayward Publishing<br />
Grosse, Julia, “Fisher in the <strong>St</strong>reams of Urban signs”, AD Architectural digest,<br />
No 111, July/August<br />
2009 Marston, Rebecca May, “<strong>Nicole</strong> <strong>Wermers</strong>”, Art World, Feb – March, 2009<br />
London Art at Baibakov Art Projects, Art Net Magazine, www.artnet.com<br />
2008 Searle, Adrian, Clocking Off – Art Sheffield 208, The Guardian G2, Feb.26, S./pp.<br />
23-25<br />
Asthoff, Jens, Glamour, bluhend, kalt, <strong>Nicole</strong> <strong>Wermers</strong>’ Filialen in der Hamburger<br />
Produzentengalerie, Kultur und Gespenster, No. 6, pp. 206-7<br />
2007 Asthoff, Jens,<strong>Nicole</strong> <strong>Wermers</strong>, Artforum Critics Picks, Nov-Dec, www.artforum.com<br />
Dee Mitchell, Charles, <strong>Nicole</strong> <strong>Wermers</strong> at Tanya Bonakdar Gallery, Art in America,<br />
Nov. p. 211<br />
Collin, Judith, Sculpture Today , Phaidon Press, London, pp. 404-5<br />
Zuckerman Jacobson, Heidi, The Play’s the Thing – <strong>Nicole</strong> <strong>Wermers</strong>, Aspen Magazine,<br />
Aspen pp. 72-4<br />
Zuckerman Jacobson, Heidi, Loss and Found, in: Masse und Auflösung, Aspen Art<br />
Museum<br />
Goodbody, Bridget L., <strong>Nicole</strong> <strong>Wermers</strong>; Doors and Bouncers, The New York Times,<br />
March 16 th<br />
2006 Downey, Anthony, <strong>Nicole</strong> <strong>Wermers</strong>-Reiche Verwandte, <strong>Herald</strong> <strong>St</strong>, Flash Art, Milan,<br />
July-Sept, pp. 120<br />
Januszczak, Waldemar, A Museum Missing in Action, Tate Trienial, The Times,<br />
London, 12 th March<br />
Brombacher, Coromandel, Retro in de kunsten, Spits, Amsterdam, March 23 rd<br />
Dijksterhuis, Edo, Ons verleden als niewe mens, Het Financieele, Dagblad,<br />
Amsterdam, April 22 nd , pp. 16-17<br />
Dorment, Richard, Haunted by Concepts of the Past, Tate Triennial, The Sunday<br />
Telegraph, London March 7 th<br />
Wallis, Clarrie, Tate Triennial, New British Art, Tate Publishing (cat.)<br />
2005 Eichler, Dominic, Frieze, September, pg 123<br />
Lafuente, Pablo, Display, Recent installation photographs from London galleries<br />
and venues, Rachmaninoff’s, (Hg. / ed.)<br />
Harrison, Sara, Pin Up: Contemporary Collage and Drawing. Tate Modern, in: Art<br />
Monthly Nr./ no. 283, S./ pp. 30-31<br />
Verwoert, Jan, Light, life and shiny things in: <strong>Nicole</strong> <strong>Wermers</strong>, File Notes, Camden<br />
Arts Centre (Hg. / ed.), S./ pp 1-6 (Kat./ cat.)<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
<strong>Herald</strong> <strong>St</strong><br />
Zu schön um Kunst zu sein, in: Der Spiegel, Nr. / no. 8, Februar, S. / p. 142<br />
Müller, Vannessa Joan, Therefore Beautiful, Ursula-Blickle <strong>St</strong>iftung (Hg. / ed.)<br />
(Kat. Cat.)<br />
<strong>St</strong>ewart, Christabel, <strong>Nicole</strong> <strong>Wermers</strong>, French Junkies #1-11, in; The Devil Hates<br />
Good Art, www.showstudio.com<br />
2004 Mueller, Vanessa Joan, Glamour and Geometry, Catalogue essay, Chemie,<br />
Secession, Vienna, December<br />
Holert, Tom, Manifestiations of Mistrust, Catalogue essay, Chemie, Secession,<br />
Vienna, December<br />
<strong>St</strong>ewart, Christabel, The Devil Hates Good Art, www.showstudio.com, December<br />
Asthoff, Jens, <strong>Nicole</strong> <strong>Wermers</strong> bei Borgmann-Nathusius, Review, Kunst-Bulletin,<br />
Zürich, Jan/Feb p. 48<br />
2003 Jahn, Wolf, Review, French Junkies, Artforum Magazine, New York, January<br />
Verwoert, Jan, Review, French Junkies, Frieze Magazine, London, no. 72, p. 94-95<br />
Asthoff, Jens, Critics Picks, <strong>Nicole</strong> <strong>Wermers</strong>, Galerie Borgmann-Nathusius,<br />
www.artforum.com, November<br />
2002 Kisters, Jürgen, Die Kunst fragt nach Wirklichkeit, Review, Galerie Borgmann-<br />
Nathusius, Kölner <strong>St</strong>adtanzeiger, February<br />
Kersting, Rita, <strong>Nicole</strong> <strong>Wermers</strong>, Catalogue essay, Dorothea-von-<strong>St</strong>etten<br />
Kunstpreis, Kunstmuseum Bonn<br />
Jahn, Wolf, Skulpturale Ascher, Review, Hamburger Abendblatt, Sept 18<br />
Danek, Sabine, Französisch Rauchen, Review, Szene Hamburg, September<br />
Möntmann, Nina, Critics Picks, French Junkies, www.artforum.com, October<br />
Föll, Heike, Was wir vom Aschenbecher wissen, Review, Texte zur Kunst, Berlin,<br />
December<br />
Lübbke, Maren, Review, Camera Austria, Graz, no.80/2002, p. 93-94<br />
2001 Huneke, Helena, Old Karrieresaun ging für´n Schuhgeschäft flöten, Catalogue<br />
essay, Hamburg Scholarship 2000<br />
Tollmann, Vera, Catalogue essay, Zero Gravity, Kunsthalle Düsseldorf<br />
Review, Zero Gravity, Frankfurter Allgemeine Zeitung, May 5 th , Frankfurt<br />
Backhaus, Katrin, Review, Zero Gravity, www.blitzreview.de, no.687<br />
Verwoert, Jan, Catalogue essay, Videonale Bonn, Bonner Kunstverein<br />
Tollmann, Vera, Review, Videonale Bonn, Springerin, Hefte zur Gegenwartskunst,<br />
Summer Issue<br />
2000 Forum, Camera Austria, no. 70, p. 59-61<br />
Herbert, Martin, Review, And If There Were No <strong>St</strong>ories, Time Out, March 22-29, p.<br />
48, London<br />
Exley, Roy, Review, And If there Were No <strong>St</strong>ories, Untitled, no.3, p. 25, London<br />
Gebberts, Anna Catharina, Über <strong>Nicole</strong> <strong>Wermers</strong>, Artist, Bremen, no. 4, p. 4-7<br />
Lamm, April, Review, Oh Cologne, Young artist Programme at the Art Cologne 2000,<br />
www.artnet.com<br />
1999 Dany, H.C., & <strong>Wermers</strong>, <strong>Nicole</strong>, Punktuelle Üppigkeit, Wiederstände, Kunst<br />
Cultural-<strong>St</strong>udies-Neue Medien, Folio Verlag, Vienna<br />
Negrotti, Rosanna, Review, Know What I Mean, What´s On, July 21 st , p. 25, London<br />
Caplan, Nina, Review, The New Contemporaries, Metro, Nov 15 th , London<br />
Barrets, David, Review, The New Contemporaries, Art Monthly, no. 23, p. 30-32<br />
London<br />
Review, New Contemporaries, The Independent on Sunday, Oct. 10 th<br />
1998 Hopf, Judith, Der Kiosk als Produktionsverfahren, DeBug, March, Berlin<br />
Schiff, Hajo, Kulissen im Freistil, Review, Taz Hamburg, Sept. 8 th<br />
Gerlach, Gunnar F, Freischwimmer, Review, Szene Hamburg, September<br />
1997 Dany, H.C., & <strong>Wermers</strong>, <strong>Nicole</strong>, Punktuelle Üppigkeit, Springerin, Hefte zur<br />
Gegenwartskunst, no.4, p. 56-59<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
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