Scott King CV HS - Herald St
Scott King CV HS - Herald St
Scott King CV HS - Herald St
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<strong>Herald</strong> <strong>St</strong><br />
<strong>Scott</strong> <strong>King</strong><br />
Born 1969, Goole, UK<br />
Lives and works in London<br />
Education<br />
1989 - 1992 BA (hons) graphic design, hull college of art<br />
Solo Exhibitions<br />
2011 <strong>Herald</strong> <strong>St</strong>, London (with Matthew Darbyshire)<br />
Front Room, <strong>Scott</strong> <strong>King</strong> & Richard Serra, Contemporary Art Museum, <strong>St</strong> Louis,<br />
curated by Dominic Molon<br />
2008 The Penultimate <strong>St</strong>raw, <strong>Herald</strong> <strong>St</strong>, London<br />
The Trial Continues, Bortolami, New York<br />
Temporary Eyesore, Artists’ commission, Bankside, London (commissioned by<br />
the Architecture Foundation)<br />
Marxist Disco (Cancelled), Kunstverein Munich, Germany<br />
2006 And the Pylons <strong>St</strong>retched for Miles, <strong>Herald</strong> <strong>St</strong>, London<br />
<strong>Scott</strong> <strong>King</strong>, Frac Nord-Pas de Calais, Dunkerque, France<br />
Information, Bortolami Dayan, NYC<br />
Oh! Pylon Heaven, Sonia Rosso, Turin<br />
2005 <strong>St</strong>atements, Sonia Rosso, Basel 36, Switzerland<br />
2004 <strong>Scott</strong> <strong>King</strong>, Sonia Rosso, Turin, Italy<br />
<strong>Scott</strong> <strong>King</strong>, Millers Terrace, London<br />
2003 Issue Zero, CNEAI, Paris<br />
<strong>Scott</strong> <strong>King</strong>, Supportico Lopez, Naples, Italy<br />
2002 <strong>Scott</strong> <strong>King</strong>, Magnani, London<br />
2000 Flatplan, Magnani, London<br />
The Robin Hood Complex, Forde, Geneva<br />
Selected exhibitions<br />
2011 Commercial Break, Venice, curated by Neville Wakefield<br />
Backstage Riders, former Tagespiegel building, Berlin<br />
2010 Newspeak, Saatchi Gallery, London<br />
Re-dressing, Bortolami, New York<br />
2009 Martian Museum of Terrestrial Art, Barbican Art Gallery, London<br />
2008 100 Years, 100 Artists, 100 Works of Art, Rochelle School, London, UK<br />
Sound of Music, Tri Postal, Lille, France<br />
‘All That is Solid Melts into Air / Winston’s Children’, Jeremy Deller and<br />
<strong>Scott</strong> <strong>King</strong>, Palais de Tokyo, Paris, France<br />
Sympathy for the Devil: The Convergence of Art and Popular Music, Museum<br />
of Contemporary Art, Montreal, Canada<br />
Arum Gold, Centre Pasquart, Biel, Switzerland<br />
Art and Language, <strong>Scott</strong> <strong>King</strong>, LaMonte Young, (selection from Sound of<br />
Music), Espace 36, Saint-Omer, France<br />
That Was Then… This Is Now, PS1 Contemporary Art Centre, New York, USA<br />
Sympathy for the Devil: The Convergence of Art and Popular Music, Museum<br />
of Contemporary Art, Miami, USA<br />
The Fisters/<strong>Scott</strong> <strong>King</strong>, European Championships of Graphic Design, Museum<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
<strong>Herald</strong> <strong>St</strong><br />
of Graphic Design, Breda Netherlands<br />
Martian Museum of Terrestrial Art, Barbican Art Gallery, London<br />
Sound of Music, Marres CCC, Maastricht, Netherlands<br />
I have (No) Issues, Lawrence Eng Gallery, Vancouver, Canada<br />
Pieces, Artist’s project, commission by Tesesco foundation, Pisa, Italy<br />
Good News For People Who Love Bad News, <strong>St</strong>udio 495/Swiss Institute, New<br />
York, USA (curated by Gianni Jetzer)<br />
Pop Goes The Weasel!, Kunstverein Karlsruhe, Germany<br />
Publish & Be Damned, Ludlow 38, New York, USA<br />
2007 Left Pop, Moscow Museum of Modern Art (2nd Moscow Biennale), Russia<br />
<strong>Scott</strong> <strong>King</strong> / Graphic Semantics, Il Ju Art Space, Seoul, Korea<br />
Sympathy For The Devil: The Convergence of Art and Popular Music, Museum<br />
of Contemporary Art, Chicago, USA<br />
Talk/Show, Tranzit, Bratislava, Slovakia (curated by <strong>St</strong>efan Kalmar & Daniel<br />
Pies)<br />
The Sound of Music, Kortrijk Museum, Belgium<br />
Deaf 2, Galerie Frank Elbaz, Paris, France (curated by Peter Coffin)<br />
The Word In Art: From Futurism to the Present Day, MART (Museo d'arte di<br />
Multiplex: Directions in Art, 1970 to Now, Museum of Modern Art, New York)<br />
2006 Defamation of Character, PS1, NYC, curated by Neville Wakefield,<br />
2005 Lee Brilleaux Memorial Bench, White Columns, NYC, USA<br />
Et Maintenant?, Crac Alsace , France<br />
Post No Bills, White Columns, NYC<br />
Bridge Freezes Before road, curated by Neville Wakefield, Gladstone<br />
gallery, NYC<br />
Inaugural, <strong>Herald</strong> <strong>St</strong>, London<br />
<strong>Herald</strong> <strong>St</strong> & The Modern Institute present, GBE, NYC<br />
Other People’s projects, White Columns, NYC\<br />
Regarding Terror: The RAF Exhibition, Kunst-Werke, Berlin, Germany<br />
2004 The Age Of Optimism, Kilchmann plus, Zurich,Switzerland<br />
Communicate: British Graphic Design Since The Sixties, The Barbican, London<br />
Inventory / <strong>Scott</strong> <strong>King</strong>/ Donald Urquhart presented by Wolfgang Tillmans,<br />
Portikus, Frankfurt, Germany<br />
Louder This Time, curated by Sonia Rosso, Pordenone, Italy<br />
The Black Album, Antonio Colombo Contemporary Art, Milan, Italy<br />
Power, Corruption and Lies, Roth Horowitz, New York<br />
2003 The Unique Phenomenon Of A Distance, Magnani, London<br />
2002 Framing My View, Galleria Maze, Torino, Italy<br />
Air Guitar, Milton Keynes Gallery, GB<br />
Face/Off, Kettle's Yard, Cambridge, GB<br />
2001 Part False Part True Like Everything, San Filippo Neri, Turin<br />
2000 Etat des Lieux #2, Centre d'Art Contemporain, Fribourg<br />
1999 How Shall We Behave?, Robert Prime, London<br />
CRASH!, ICA, London<br />
CRASH!, billboard, the Westway, London, commissioned by the ICA<br />
Urban Islands, Cubitt, London<br />
1998 London's Burning with Boredom Now, billboard, Cubitt, London<br />
1997 The Problem Is You, ICA, London<br />
Publications<br />
<strong>Scott</strong> <strong>King</strong>: Art Works<br />
Published by JRP | Ringier, October 2010<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
<strong>Herald</strong> <strong>St</strong><br />
Selected Bibliography<br />
Rose Wynne-Jones, 'Meet The Men Who Want To Kill Chris Evans', The Independent, August<br />
3 1997<br />
John O'Connell, 'Crash Landing', Time Out (London), November 1997<br />
Kate Mikhail, 'O Branded New World', The Independent, February 19 1999<br />
Dominic Lutyens, 'Join The Fashion Revolution', The Independent On Sunday, February 28<br />
1999<br />
Sally Weale, 'System C.R.A.S.H!', The Guardian, November 17 1999<br />
Jacques Peretti, 'Is Man And Machine', The Guardian Guide, Nov 27 1999<br />
Anthony Davies / Simon Ford, 'Kulturpartner im Network', Texte zu Kunst, Berlin 2000<br />
Ian Harrison, 'The 100 Best Album Covers Ever', (<strong>Scott</strong> <strong>King</strong> / Earl Brutus), Q Magazine,<br />
August 2001<br />
Helen Walters, '<strong>Scott</strong> <strong>King</strong>: Anti Fashion', Creative Review, November 2001<br />
Emily <strong>King</strong> & Christian Küsters, '<strong>Scott</strong> <strong>King</strong>' in 'Restart: New System in Graphic Design',<br />
Thames & Hudson 2001<br />
Patricia Bickers, '<strong>Scott</strong> <strong>King</strong>', 100 Reviews, London 2002<br />
Matthew Higgs, '<strong>Scott</strong> <strong>King</strong>', Artforum, January 2002<br />
Emily Pethick, '<strong>Scott</strong> <strong>King</strong>' in 'Air Guitar', Milton Keynes Gallery, 2002<br />
John O'Relly, 'No Brief: Graphic Designer's Personal Projects', Rotovision, 2002<br />
Penny Martin, '<strong>Scott</strong> <strong>King</strong>', Atmosphere, Autumn 2002<br />
Jonathan Wingfield, '<strong>Scott</strong> <strong>King</strong>', Numero Homme, Autumn/Winter 2002/2003<br />
Justin Quirk, '<strong>Scott</strong> <strong>King</strong>: I Like What I Bloody Well See!', Arena, December 2002<br />
Charlotte & Peter Fiell, 'Graphic Design For The 21st Century', Taschen, 2003<br />
Alexandra Marshall, 'Guerrilla Marketing', The New York Times, March 9 2003<br />
Aaron Hicklin, Hail Madonna’, Black Book magazine, Fall 2003<br />
Cruwell Konstanze, Politisch, kiritisch …’ Frankfurter Allgemeine Zeitung, May 8 2004<br />
Hortense Pisano, Nie Mehr Ein Sex Pistol!’, Frankfurt Journal, May 11 2004<br />
Silke Hohmann, <strong>St</strong>rapse, security und …’, Frankfurter Rundschau, May 26 2004<br />
Christoph Schutte, Portrat als Kuchendiagramm’, Allgemeine Zeitung, June 7 2004<br />
Roberta Smith,‘Power, Corruption & Lies’, The New York Times, July 2 2004<br />
Rick Poynor, Communicate: Independent British Graphic Design Since The Sixties’, Laurence<br />
<strong>King</strong> / Yale University Press<br />
Rick Poynor, The Graphic Grip’, The Guardian Weekend Magazine, August 28 2004<br />
Rick Poynor, Drawing Our Conclusions’, The Times, September 15 2004<br />
Hanno Rauterburg ‘In Captivity As A Hostage’, The Time, March 2005<br />
Dan Jonsson ‘Nu tar de <strong>St</strong>allning’, DN. Kultur, 25 March 2005<br />
Joachim Guentner ‘Killing Taste’, NZZ, 24 February, 2005<br />
Kirsten Grieshaber ‘Glorifying Terrorism…?’, The New York Times, February 1, 2005<br />
Markus Mittringer, ‘German Romance’, der <strong>St</strong>andard, June 26, 2005<br />
Thomas von Kramar ‘RAF’, Die Presse, June 28, 2005<br />
Neville Wakefield, ‘Bridge Freezes…’, Barbara Gladstone catalogue, July 2005<br />
Mark Gisbourne ‘Regarding Terror’, Art in America, July 2005<br />
Michael Wilson, ‘Post No Bills’, Artforum, October 2005<br />
Press Gazette, ‘The Top 40 Magazine Covers Of The Last 40 Years’, December 2005<br />
Ian Harrison, ‘From Canvey Island to NY!’, Mojo magazine, February 2006<br />
Hilde Teerlinck, ‘Et Maintenant’, CRAC Alsace, exhibition catalogue, 2006<br />
RC Baker, ‘<strong>Scott</strong> <strong>King</strong>’, The Village Voice, NYC, April 2006<br />
Michael Wilson, ‘<strong>Scott</strong> <strong>King</strong>’, (review) Artforum, Summer 2006<br />
Caroline Carfena, ‘People On Show’, L’Uomo Vogue, August 2006<br />
Trisha Ziff, ‘Che Guevara: Revolutionary and Icon’, V&A publications, 2006<br />
Rick Poynor, ‘Designing Pornotopia’, PA Press, 2006<br />
Eduardo Cicelyn and Mario Codognato, ‘People: Contemporary faces, bodies and signs from<br />
the collection of Ernesto Esposito’, Electa 2006<br />
<strong>St</strong>eve Lazrides, ‘The Expert’s Choice: Frieze Art Fair’, Evening <strong>St</strong>andard, October 20, 2006<br />
Philip Hoare and Chris Heath, ‘Pet Shop Boys Catalogue’, Thames & Hudson, 2006<br />
<strong>Scott</strong> <strong>King</strong>, ‘The Reprobates’ (artist’s project), Nero magazine, Italy, November 2006<br />
‘New Print Review’, Art on Paper, USA, Nov/Dec 2006<br />
Luca Beatrice, ‘Sound + Vision’, Damiani, 2006<br />
<strong>Scott</strong> <strong>King</strong>, ‘Jeff The Bastard’ (artist’s project), Mousse magazine, Italy, December 2006<br />
Charlotte and Peter Friell ‘Contemporary Graphic Design’, Taschen 2007<br />
‘Playground’ magazine, (artist’s project), New York, 2007<br />
Erik Kessels, ‘<strong>Scott</strong> <strong>King</strong>/The Rolling <strong>St</strong>ones’, Campaign (Dutch), September 2007<br />
Laura Clayton ‘<strong>Scott</strong> <strong>King</strong>/Roisin Murphy’, Grafik magazine, October 2007<br />
Helga Marsala, ‘How I’d Sink American Vogue / <strong>Scott</strong> <strong>King</strong>’, Mood magazine, Milan, Italy,<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
<strong>Herald</strong> <strong>St</strong><br />
December 2007<br />
Grigori Punanov ‘How I’d Sink American Vogue / <strong>Scott</strong> <strong>King</strong>’, Big City magazine, Moscow,<br />
Russia, December 2007<br />
Charlotte Rivers. ‘CD-Art’, Rotovision, 2008<br />
Jonathan Wingfield, ‘<strong>Scott</strong> <strong>King</strong>/Marxist Disco Cancelled’, Numero magazine, Paris, March<br />
2008<br />
Charlotte Rivers, ‘Design In The Music Industry’, Computer Arts magazine, March 2008<br />
Joanna Pitman, ‘It’s a Gallery Space, Jim ...’ The Times, 5 March 2008<br />
Patrick Burgoyne (ed), ‘Creative Review Annual 2007’ (for Roisin Murphy campaign),<br />
Centaur 2008<br />
Ian Harrison, ‘A <strong>St</strong>alin Sane’, Mojo magazine, March 2008<br />
Francesco Manacorda (ed), ‘Martian Museum of Terrestrial Art’ (exhibition catalogue),<br />
Barbican Art Gallery/Merrell, 2008<br />
Morgan Falconer, ‘Out of This World’, Art Review (Issue 20), March 2008<br />
Kaspar Renner, ‘<strong>Scott</strong> <strong>King</strong>: Marxist Disco’, Sueddeutsche, 18 March 2008<br />
Justin Quirk, ‘<strong>Scott</strong> <strong>King</strong>: I Make Juvenile Art’, The Guardian, 31 March 2008<br />
Partrick Burgoyne, ‘Overpowered’, Creative Review, May 2008<br />
D&AD, ‘Roisin Murphy campaign’, D&AD Annual 2008<br />
<strong>St</strong>oltze Design, ‘1000 Music Graphics’, Rockport, 2008<br />
Michael Hamersly, ‘Sympathy For The Devil’, Miami <strong>Herald</strong>, 18 June 2008<br />
Peter Nesbett, ‘Artist’s Book Covers’, Art on Paper magazine, July 2008<br />
Emeyele, ‘Great British Editorial’, Index Books, 2008<br />
‘Temporary Eyesore: <strong>Scott</strong> <strong>King</strong>’, Design Week, 31 July 2008<br />
John L Walters, ‘Polyphonic Playground’, Eye magazine, July 2008<br />
KesselsKramer, ‘European Championship of Graphic Design’ (cat.), Netherlands, 2008<br />
Ken Johnson, ‘<strong>Scott</strong> <strong>King</strong>: The Trial Continues’ (review), The New York Times,<br />
8 August 2008<br />
Michele D’Aurizio, ‘<strong>Scott</strong> <strong>King</strong>’, Kaleidoscope, October 2010<br />
Alex Rayner, ‘<strong>Scott</strong> <strong>King</strong>: Top Marx’, The Guardian, 2 November 2010<br />
‘<strong>Scott</strong> <strong>King</strong>: Graphic Critique’, Interview Magazine, 30 November 2010<br />
Oliver Basciano, ‘Feature: <strong>Scott</strong> <strong>King</strong>’, Art Review, December 2010<br />
Awards<br />
D&AD Nomination for i-D '15th. Anniversary Issue', September 1996<br />
Total Publishing Award for 'Best Designed Cover Of The Year', for 'Cher Guevara',<br />
Sleazenation, February 2001<br />
Total Publishing Award for 'Best Designed Feature Of The Year', for '<strong>St</strong>epford Lives',<br />
Sleazenation, February 2001<br />
D&AD Nomination for Sleazenation 'Absolut Sell Out' cover, September 2002<br />
Public Collections<br />
The Museum of Modern Art, New York, USA<br />
FRAC – Nord-Pas de Calais, Dunkerque, France<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
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