Nicole Wermers CV HS - Herald St
Nicole Wermers CV HS - Herald St
Nicole Wermers CV HS - Herald St
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<strong>Herald</strong> <strong>St</strong><br />
<strong>Nicole</strong> <strong>Wermers</strong><br />
Born 1971 in Emsdetten, Germany<br />
Lives and works in London, UK<br />
2012 Fellowship, Villa Massimo Germany Academy in Rome<br />
2005 Residency, Camden Arts Centre, London<br />
2004 Residency Delfina <strong>St</strong>udio Trust, London<br />
2003 Travel grant for Sydney, Neue Kunst in Hamburg E.V.<br />
2002 Dorothea-von-<strong>St</strong>etten Art Prize, City of Bonn<br />
1999 MA Fine Art, Central <strong>St</strong>. Martins College of Art and Design, London<br />
1998 Scholarship of the DAAD (German Academic Exchange Service) for England<br />
1990-97 Hochschule für bildende Künste, Hamburg<br />
Solo Exhibitions<br />
2011 Buhuu Suite, <strong>Herald</strong> <strong>St</strong>, London<br />
Kunstverein für die Rheinlande und Westfalen Düsseldorf, Germany<br />
2009 Public Rain Fries, Georg Kargl Box, Vienna<br />
2008 Public Rain, <strong>Herald</strong> <strong>St</strong>, London<br />
Anti Baby Pille (with Alexandra Bircken), Aktualisierungsraum, Hamburg<br />
2007 Filialen, Produzentengalerie Hamburg (CAT.)<br />
Masse und Auflösung, Aspen Art Museum, Aspen, Colorado, USA<br />
Doors and Bouncers, Tanya Bonakdar Gallery, New York<br />
2006 Reiche Verwandte, <strong>Herald</strong> <strong>St</strong>, London<br />
Earring, Public Sculpture Project, Camden Arts Centre, London<br />
Iduna Nova, (mit Alexander Heim), c/o Anna Catharina Gebbers, Berlin<br />
2005 Residency, Camden Arts Centre, London (cat.)<br />
2004 Chemie, Secession, Vienna (cat.)<br />
Katzensilber, Millers Terrace, London<br />
2003 Galerie Borgmann-Nathusius, Cologne<br />
2002 French Junkies, Produzentengalerie Hamburg<br />
2000 Förderkoje, Art Cologne, Produzentengalerie Hamburg<br />
1998 -Laden, Gunther Resky, Berlin<br />
Selected Exhibitions<br />
2011 Arkhaiologia: Archeology in Contemporary Art, Centre PasquArt, Biel, CH<br />
A Darkness More Than Night, QUAD, Derby, UK<br />
Evasion, Lanchester Gallery, Coventry, UK<br />
Please go around the construction area by the lights and over the traffic island<br />
(and other stories), kuratiert von Ariane Müller and Martin Ebener, Kunstverein<br />
Schattendorf, Austria<br />
The shape we are in, 176 / Zabludowicz Collection, London (CAT.)<br />
2010 The New Décor, Hayward Gallery, London (CAT.)<br />
The New Décor, Garage Centre for Contemporary Arts, Moscow<br />
Library Of Babel / In And Out of Place, 176 / Zabludowicz Collection, London<br />
Fifteen, S1 Artspace, Sheffield<br />
2009 Natural Wonders, curated by Nick Hackworth, Baibakov Art Projects, Moscow<br />
Jonathan Viner’s Furniture exhibition, Fortescue Avenue, London<br />
Monument For <strong>St</strong>udy, <strong>Herald</strong> <strong>St</strong>, London<br />
Collider, Galeria Margini, Massa, Italy<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
<strong>Herald</strong> <strong>St</strong><br />
2008 Experimenta Folklore, Frankfurter Kunstverein, Frankfurt A.M.<br />
M25, Centre Cultural Andratx, curated by Barry Schwabsky, Mallorca<br />
Der Garten der Pfade, die sich verzweigen, curated by Heike Munder, Galerie<br />
Thaddeaus Ropac im Kunstraum der Deutschen Bank, Salzburg<br />
Art Sheffield 08, S1 Artspace, Sheffield (cat.)<br />
Cohabitation, Galeria Francesca Kaufmann, Mailand<br />
2007 The Office, Tanya Bonakdar Gallery, New York<br />
Fit for Print, Gagosian Gallery, New York<br />
Less is more – more could be less, Kerlin Gallery, Dublin<br />
What We Bought, Camera Austria, Kunsthaus Graz, Austria<br />
Weltempfänger, Galerie der Gegenwart, Hamburger Kunsthalle (cat.)<br />
Lines, Squares and Cubes, Produzentengalerie, Hamburg<br />
Wonderwall - Constructing the Sublime, Tomio Koyama Gallery, Tokyo<br />
Half Square, Half Crazy, curated by Vincent Pecoil, Villa Arson Centre d’Art,<br />
Nice (Cat.)<br />
Abstraction: Extracting from the World, curated by David Thorpe, Millennium<br />
Galleries, Sheffield (CAt.)<br />
2006 Friedrich, curated by Bruce Haines, Doggerfisher, Edinburgh<br />
Around The World In 80 Days, ICA, London (CAT.)<br />
100 Tage=100 Videos, Heidelberger Kunstverein, Heidelberg<br />
It is hard to touch the real, Grazer Kunstverein, Graz (CAT.)<br />
Iduna Nova (with Alexander Heim), c/o Anna Catharina Grebbers, Berlin<br />
Acht plastische Ansätze, Neuer Kunstverein Gießen e.v., Gießen<br />
Finding Neverland, curated by Juliane von Herz, Patricia Low Contemporary,<br />
Gstaad<br />
Wrong, curated by Jens Hoffmann, Galerie Klosterfelde, Berlin<br />
Tate Triennale, curated by Beatrix Ruf, Tate Britain, London (cat.)<br />
The Subversive Charm Of The Bourgeoisie, Van Abbe Museum, Eindhoven<br />
The Endless Summer, curated by Gyonata Bonvicini, West London Projects, London<br />
La Maison Gregoire, Brussels<br />
<strong>St</strong>ructure Unit, curated by Pablo Lafuente, Lisboa20, Lisbon<br />
2005 Jaybird, curated by Gyonaya Bonvincini, Galeria Zero, Milan<br />
The Addiction, curated by Anna-Catharina Gebbers, Gagosian Gallery, Berlin<br />
Contained, Tanka Bonakdar Gallery, New York<br />
The The, Modern art INC., London<br />
Alles. in einer Nacht, Tanya Bonakdar Gallery, New York<br />
Therefore Beautiful, curated by Vanessa Joan Müller, Ursula Blickle Foundation,<br />
Kraichtal, Germany (cat.)<br />
Other Peoples Projects, White Columns, New York<br />
2004 Pin Ups - Contemporary Collage and Drawing, Tate Modern, London<br />
The Future has a Silver Lining, Migros Museum, Zurich (cat.)<br />
Curb Your Enthusiasm, Millers Terrace, London<br />
9. Triennale Kleinplastik fellbach<br />
2 oder 3 Dinge die ich von Dir weiss, ProduzenteNGalerie Hamburg<br />
At The Palace at 4am, curated by Catherine Woods, Alison Jacques, London<br />
Reality Real, Galerie Gebrüder Lehmann, Dresden<br />
2003 A Nova Geometria, curated by Adriano Pedrosa Galeria Fortes Vilaça, Sao Paulo<br />
Reisefreiheit, curated by Rita Kersting, Neue Kunst in Hamburg, Kunsthaus<br />
Hamburg (cat.)<br />
Help, curated by Gary Webb, Els Hanappe Underground, Athens<br />
Cinepolis, Hamburger Architektursommer, Hamburger Botschaft<br />
Renderings, Delfina Gallery, London<br />
Handlungsräume, Halle für Kunst, Lüneburg (cat.)<br />
2002 Dorothea-von-<strong>St</strong>etten Kunstpreis, Kunstmuseum Bonn (cat.)<br />
Building Anxiety, Ten in One Gallery, New York<br />
Ich gin im Wald so vor mich hin, Galerie Borgmann- Nathusius, Cologne<br />
The Day After, Galerie Cookie Snoie, Rotterdam<br />
2001 Szenarien, Kunstverein Bonn, <strong>St</strong>adthaus Ulm (cat.)<br />
Selection of the Videonale Bonn, Museum Ludwig, Köln<br />
Szenenwechsel, Museum für Moderne Kunst, Frankfurt a.M. (Cat.)<br />
A Sport and A Pastime, Greene Naftali Gallery, New York<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
<strong>Herald</strong> <strong>St</strong><br />
Liminal, Minimal, Nominal, Architectual Traces, John Hansard Gallery,<br />
Southhampton (cat.)<br />
F, Produzentengalerie Hamburg<br />
German Leitkultur, Kunsthalle Friedericianum, Kassel (cat.)<br />
Videonale Bonn, Kunstverein Bonn (cat.)<br />
Zero Gravity, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (cat.)<br />
Hamburg <strong>St</strong>ipendiaten, Kunsthaus Hamburg (cat.)<br />
Sammlung Karl-Ernst-Osthaus Museum, City of Hagen<br />
2000 Auf Papier, Produzentengalerie Hamburg<br />
Include Me Out, Old <strong>St</strong>reet, London<br />
Pallisades, Centre D´Art, Bretigny-sur-Orge<br />
And If There Were No <strong>St</strong>ories, <strong>St</strong>ephen Friedman Gallery, London<br />
1999 New Contemporaries ´99, Liverpool Biennale, South London Gallery, London (cat.)<br />
Know What I Mean, Young German Artists in Britain, Goethe Institute, London (cat.)<br />
1998 Osygus, Produzenten galerie Hamburg<br />
Echopark, Biber-Haus, Hamburg<br />
Public Collections<br />
Tate Collection, London<br />
Museum of Modern Art, Frankfurt<br />
Karl-Ernst Osthaus Museum, City of Hagen<br />
Bundeskunstsammlung, Bonn<br />
Galerie der Gegenwart, Kunsthalle Hamburg<br />
Mont Blanc Collection, Hamburg<br />
DGZ Bank Collection, Düsseldorf<br />
Selected Bibliography<br />
2010 Bell, Kirsty, “The New Décor”, Catalogue, Hayward Publishing<br />
Grosse, Julia, “Fisher in the <strong>St</strong>reams of Urban signs”, AD Architectural digest,<br />
No 111, July/August<br />
2009 Marston, Rebecca May, “<strong>Nicole</strong> <strong>Wermers</strong>”, Art World, Feb – March, 2009<br />
London Art at Baibakov Art Projects, Art Net Magazine, www.artnet.com<br />
2008 Searle, Adrian, Clocking Off – Art Sheffield 208, The Guardian G2, Feb.26, S./pp.<br />
23-25<br />
Asthoff, Jens, Glamour, bluhend, kalt, <strong>Nicole</strong> <strong>Wermers</strong>’ Filialen in der Hamburger<br />
Produzentengalerie, Kultur und Gespenster, No. 6, pp. 206-7<br />
2007 Asthoff, Jens,<strong>Nicole</strong> <strong>Wermers</strong>, Artforum Critics Picks, Nov-Dec, www.artforum.com<br />
Dee Mitchell, Charles, <strong>Nicole</strong> <strong>Wermers</strong> at Tanya Bonakdar Gallery, Art in America,<br />
Nov. p. 211<br />
Collin, Judith, Sculpture Today , Phaidon Press, London, pp. 404-5<br />
Zuckerman Jacobson, Heidi, The Play’s the Thing – <strong>Nicole</strong> <strong>Wermers</strong>, Aspen Magazine,<br />
Aspen pp. 72-4<br />
Zuckerman Jacobson, Heidi, Loss and Found, in: Masse und Auflösung, Aspen Art<br />
Museum<br />
Goodbody, Bridget L., <strong>Nicole</strong> <strong>Wermers</strong>; Doors and Bouncers, The New York Times,<br />
March 16 th<br />
2006 Downey, Anthony, <strong>Nicole</strong> <strong>Wermers</strong>-Reiche Verwandte, <strong>Herald</strong> <strong>St</strong>, Flash Art, Milan,<br />
July-Sept, pp. 120<br />
Januszczak, Waldemar, A Museum Missing in Action, Tate Trienial, The Times,<br />
London, 12 th March<br />
Brombacher, Coromandel, Retro in de kunsten, Spits, Amsterdam, March 23 rd<br />
Dijksterhuis, Edo, Ons verleden als niewe mens, Het Financieele, Dagblad,<br />
Amsterdam, April 22 nd , pp. 16-17<br />
Dorment, Richard, Haunted by Concepts of the Past, Tate Triennial, The Sunday<br />
Telegraph, London March 7 th<br />
Wallis, Clarrie, Tate Triennial, New British Art, Tate Publishing (cat.)<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
<strong>Herald</strong> <strong>St</strong><br />
2005 Eichler, Dominic, Frieze, September, pg 123<br />
Lafuente, Pablo, Display, Recent installation photographs from London galleries<br />
and venues, Rachmaninoff’s, (Hg. / ed.)<br />
Harrison, Sara, Pin Up: Contemporary Collage and Drawing. Tate Modern, in: Art<br />
Monthly Nr./ no. 283, S./ pp. 30-31<br />
Verwoert, Jan, Light, life and shiny things in: <strong>Nicole</strong> <strong>Wermers</strong>, File Notes, Camden<br />
Arts Centre (Hg. / ed.), S./ pp 1-6 (Kat./ cat.)<br />
Zu schön um Kunst zu sein, in: Der Spiegel, Nr. / no. 8, Februar, S. / p. 142<br />
Müller, Vannessa Joan, Therefore Beautiful, Ursula-Blickle <strong>St</strong>iftung (Hg. / ed.)<br />
(Kat. Cat.)<br />
<strong>St</strong>ewart, Christabel, <strong>Nicole</strong> <strong>Wermers</strong>, French Junkies #1-11, in; The Devil Hates<br />
Good Art, www.showstudio.com<br />
2004 Mueller, Vanessa Joan, Glamour and Geometry, Catalogue essay, Chemie,<br />
Secession, Vienna, December<br />
Holert, Tom, Manifestiations of Mistrust, Catalogue essay, Chemie, Secession,<br />
Vienna, December<br />
<strong>St</strong>ewart, Christabel, The Devil Hates Good Art, www.showstudio.com, December<br />
Asthoff, Jens, <strong>Nicole</strong> <strong>Wermers</strong> bei Borgmann-Nathusius, Review, Kunst-Bulletin,<br />
Zürich, Jan/Feb p. 48<br />
2003 Jahn, Wolf, Review, French Junkies, Artforum Magazine, New York, January<br />
Verwoert, Jan, Review, French Junkies, Frieze Magazine, London, no. 72, p. 94-95<br />
Asthoff, Jens, Critics Picks, <strong>Nicole</strong> <strong>Wermers</strong>, Galerie Borgmann-Nathusius,<br />
www.artforum.com, November<br />
2002 Kisters, Jürgen, Die Kunst fragt nach Wirklichkeit, Review, Galerie Borgmann-<br />
Nathusius, Kölner <strong>St</strong>adtanzeiger, February<br />
Kersting, Rita, <strong>Nicole</strong> <strong>Wermers</strong>, Catalogue essay, Dorothea-von-<strong>St</strong>etten<br />
Kunstpreis, Kunstmuseum Bonn<br />
Jahn, Wolf, Skulpturale Ascher, Review, Hamburger Abendblatt, Sept 18<br />
Danek, Sabine, Französisch Rauchen, Review, Szene Hamburg, September<br />
Möntmann, Nina, Critics Picks, French Junkies, www.artforum.com, October<br />
Föll, Heike, Was wir vom Aschenbecher wissen, Review, Texte zur Kunst, Berlin,<br />
December<br />
Lübbke, Maren, Review, Camera Austria, Graz, no.80/2002, p. 93-94<br />
2001 Huneke, Helena, Old Karrieresaun ging für´n Schuhgeschäft flöten, Catalogue<br />
essay, Hamburg Scholarship 2000<br />
Tollmann, Vera, Catalogue essay, Zero Gravity, Kunsthalle Düsseldorf<br />
Review, Zero Gravity, Frankfurter Allgemeine Zeitung, May 5 th , Frankfurt<br />
Backhaus, Katrin, Review, Zero Gravity, www.blitzreview.de, no.687<br />
Verwoert, Jan, Catalogue essay, Videonale Bonn, Bonner Kunstverein<br />
Tollmann, Vera, Review, Videonale Bonn, Springerin, Hefte zur Gegenwartskunst,<br />
Summer Issue<br />
2000 Forum, Camera Austria, no. 70, p. 59-61<br />
Herbert, Martin, Review, And If There Were No <strong>St</strong>ories, Time Out, March 22-29, p.<br />
48, London<br />
Exley, Roy, Review, And If there Were No <strong>St</strong>ories, Untitled, no.3, p. 25, London<br />
Gebberts, Anna Catharina, Über <strong>Nicole</strong> <strong>Wermers</strong>, Artist, Bremen, no. 4, p. 4-7<br />
Lamm, April, Review, Oh Cologne, Young artist Programme at the Art Cologne 2000,<br />
www.artnet.com<br />
1999 Dany, H.C., & <strong>Wermers</strong>, <strong>Nicole</strong>, Punktuelle Üppigkeit, Wiederstände, Kunst<br />
Cultural-<strong>St</strong>udies-Neue Medien, Folio Verlag, Vienna<br />
Negrotti, Rosanna, Review, Know What I Mean, What´s On, July 21 st , p. 25, London<br />
Caplan, Nina, Review, The New Contemporaries, Metro, Nov 15 th , London<br />
Barrets, David, Review, The New Contemporaries, Art Monthly, no. 23, p. 30-32<br />
London<br />
Review, New Contemporaries, The Independent on Sunday, Oct. 10 th<br />
1998 Hopf, Judith, Der Kiosk als Produktionsverfahren, DeBug, March, Berlin<br />
Schiff, Hajo, Kulissen im Freistil, Review, Taz Hamburg, Sept. 8 th<br />
Gerlach, Gunnar F, Freischwimmer, Review, Szene Hamburg, September<br />
1997 Dany, H.C., & <strong>Wermers</strong>, <strong>Nicole</strong>, Punktuelle Üppigkeit, Springerin, Hefte zur<br />
Gegenwartskunst, no.4, p. 56-59<br />
<strong>Herald</strong> <strong>St</strong>, 2 <strong>Herald</strong> <strong>St</strong>, London E2 6JT, +44 (0)20 7168 2566 - mail@heraldst.com - www.heraldst.com
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