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The Istanbul Conference Urban Mediations - Gratis Webserver

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A5. FRENCH CINEMA IN BRITAIN<br />

Chair: Lucy Mazdon (Southampton)<br />

Location: D-106<br />

Lucy Mazdon (Southampton)<br />

French Cinema in Britain in the 1930s: A Heyday for the “Continentals”<br />

Catherine Wheatley (Southampton)<br />

“A New Low in French Films”: Changing British Perceptions of French Cinema in the 1970s<br />

Cécile Renaud (Southampton)<br />

Artificial Eye’s ‘<strong>The</strong> French Collection’: Challenging Notions of the French Auteur in British<br />

Distribution<br />

A6. STILL / MOVING<br />

Chair: Mattias Frey (Kent)<br />

Location: D-105<br />

Thomas Waitz (Cologne)<br />

Empty Spaces, Empty Images? Stephen Shore’s Photographies of Suburban America and a<br />

Mediality of Emptiness<br />

Ludovic Cortade (New York)<br />

From Stillness to Movement in post-1968 Paris: <strong>The</strong> Man Who Sleeps by Georges Perec and<br />

Bernard Queysanne<br />

Aurore Fossard (Lyon)<br />

<strong>The</strong> Paparazzi in Western Cinema: From the Mediator to the Enemy<br />

Rainer Hillrichs (Bonn)<br />

Unfinishing the Metropolis: Daily Photo Blogs of New York City<br />

A7. NON-FICTION MEDIA<br />

Chair: Britta Hartmann (Bonn)<br />

Location: D-114<br />

Will Straw (Montreal)<br />

<strong>The</strong> Kiosk and the Newshawker<br />

Melinda Blos-Ján (Cluj Napoca)<br />

In and Out of Context: On the Evidentiary Status of Home Movies and Autobiographical Films<br />

Stefano Odorico (Cork)<br />

<strong>The</strong>y Are Wonderful Human Beings (Werner Herzog)<br />

Yesim Burul Seven (<strong>Istanbul</strong>)<br />

Mediating Cityscapes: <strong>Urban</strong> Images in Transnational Documentaries

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