The Istanbul Conference Urban Mediations - Gratis Webserver
The Istanbul Conference Urban Mediations - Gratis Webserver
The Istanbul Conference Urban Mediations - Gratis Webserver
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K1. FROM JEWISH SHTETLS TO POST-COMMUNIST 'BLOKOWISKO': REPRESENTATION OF A 'CITY' IN<br />
POLISH CINEMA<br />
Chair: Malgorzata Radkiewicz (Krakow)<br />
Location: D-105<br />
Malgorzata Radkiewicz (Krakow)<br />
Re-Construction of Jewish Shtetls in Polish Cinema and Photo Art Projects<br />
Izabela Kalinowska (Stony Brook)<br />
Existential Uses of Communist-style Architecture (Blokowisko) in Jacek Skorski’s I Want to<br />
Scream and Marek Koterski’s Day of the Freak: A Comparison<br />
Elzbieta Wiacek (Krakow)<br />
Films in Krakow and Krakow in Films<br />
K2. BLOCKBUSTER MENTALITY<br />
Chair: Melis Behlil (<strong>Istanbul</strong>)<br />
Location: Movie <strong>The</strong>atre A<br />
Eleonora Benecchi (Lugano)<br />
Hits Still Matters: <strong>The</strong> Case of the TV Series Glee<br />
Chwen Chwen Chen (Lugano)<br />
Blockbuster Battle in Contemporary China<br />
Marco Cucco (Lugano)<br />
Spectacular Movies for a Global Audience: <strong>The</strong> Avatar Case Study<br />
Vincenzo De Masi (Zurich)<br />
Discovering Blockbuster Animation: <strong>The</strong> Astroboy Case Study<br />
K3. GOVERNING SPACE AND GOVERNING BY SPACE: ARCHITECTURE AS TECHNOLOGY OF<br />
COMMODIFICATION<br />
Chair: Andrea Braidt (Vienna)<br />
Location: Movie <strong>The</strong>atre B<br />
Ulrike Bergermann (Braunschweig)<br />
Autostadt Wolfsburg: ‘Space On’<br />
Petra Löffler (Vienna)<br />
Screening the Public. Dan Graham’s Models of Public Viewing<br />
Andrea Seier (Vienna)<br />
Space Tricks: <strong>The</strong> Home as Dispositif in Current Reality Television<br />
Kathrin Peters (Braunschweig)<br />
Compatible, Non-Compatible: Cedric Price’s ‘Generator’
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