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The Istanbul Conference Urban Mediations - Gratis Webserver

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Striking a Balance between Culture and Fun: ‘Quality’ Meets Hitman Genre in Bruges in In Bruges<br />

F4. (SUB)URBAN RELATIONSHIPS IN CINEMA<br />

Chair: Drehli Robnik (Vienna)<br />

Location: D-106<br />

Tarja Laine (Amsterdam)<br />

Entangled Life: La double vie de Véronique<br />

Richard Rushton (Lancaster)<br />

Antonioni Read by Deleuze, or, on the Subject of Cinema<br />

David Sorfa (Liverpool)<br />

Mysig in Action: Nostalgia for Community in Let the Right One In<br />

Cecilia Novero (Dunedin)<br />

Working through the European Map with the Cinema<br />

F5. AERIAL PERSPECTIVES<br />

Chair: Wanda Strauven (Amsterdam)<br />

Location: D-107<br />

Judith Keilbach (Utrecht)<br />

How Aerial Photography Transformed the Ground<br />

Jennifer Stob (New Haven)<br />

Une réalité en trompe l’oeil: Paris From Above in Two Films by Guy Debord<br />

Laura Schuster (Amsterdam)<br />

White Noise: Antennas, Static, Acousmatics<br />

Alexandra Schneider (Amsterdam)<br />

Mapping the World from Above: Airplane Travel and the Problem of Space and Place<br />

F6. QUEERING THE CITY<br />

Chair: Pepita Hesselberth (Copenhagen / Amsterdam)<br />

Location: D-114<br />

Aniko Imre (Los Angeles)<br />

<strong>Urban</strong> Sexualities, Rural Limits: Postsocialist Lesbian Films<br />

Jacky Collins (Newcastle)<br />

‘A Space of One’s Own’: Lesbian Sexuality and Migration<br />

Arnika Fuhrmann (Berlin)<br />

<strong>The</strong> <strong>Urban</strong> Fabric of Queerness: Contemporaneity in Bangkok Love Story and Syndromes and a<br />

Century

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