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The Istanbul Conference Urban Mediations - Gratis Webserver

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D.3 FILM INDUSTRIES: BETWEEN COLLABORATION AND COMPETITION<br />

Chair: Petr Szczepanik (Brno)<br />

Location: D-98<br />

Mariana Liz (London)<br />

From European Co-productions to the ‘Euro-pudding’<br />

Marsha Siefert (Budapest)<br />

Co-producing Film in Post-Soviet Space: Patterns, Collaborations and the Historical Present<br />

Alejandro Pardo (Navarra)<br />

<strong>The</strong> US Majors’ Role in the European <strong>The</strong>atrical Distribution Sector: Commercial Strategies and<br />

Cultural Implications<br />

Michalis Kokonis (<strong>The</strong>ssaloniki)<br />

<strong>The</strong> Game vs. the Cinema Industries in the Digital Era: Tactics for Growth/Survival on the Cultural<br />

Scene and Prospects for the Future<br />

D4. THE LAYERED CITY: CINEMATIC TRAVERSALS<br />

Chair: Alexandra Schneider (Amsterdam)<br />

Location: D-106<br />

Jennifer Steetskamp (Amsterdam)<br />

Installation Art and the Logic of Layering: Küba’s Multiple Displacements<br />

Senta Siewert (Bochum)<br />

Mapping out the Walks of the Music-Flâneur in Crossing the Bridge<br />

Pepita Hesselberth (Copenhagen / Amsterdam)<br />

In No Time: Renegotiating the 4th Dimension: Rafael Lozano Hemmer’s Body Movies<br />

Wanda Strauven (Amsterdam)<br />

Tracking, Zapping, Zooming<br />

D5. ONTOLOGY, THEORY, CRITICISM<br />

Chair: Savas Arslan (<strong>Istanbul</strong>)<br />

Location: D-107<br />

Mattias Frey (Kent)<br />

Rudolf Arnheim’s <strong>Urban</strong> Film Criticism: Denounce and Recycle<br />

Sulgi Lie (Berlin)<br />

“Hors-champ,” “Hors-corps,” “Hors-lieu.” <strong>The</strong> Impossible Gaze in Antonioni and Rossellini<br />

Nicola Dusi (Modena)<br />

<strong>The</strong> Dance of a Skater Exploring the <strong>Urban</strong> Space<br />

Arild Fetveit (Copenhagen)<br />

<strong>The</strong> Precarious Aesthetics and Bazin’s Ontology of Photography

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