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Goucher College Registration Guidebook Spring 2013

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<strong>Goucher</strong> <strong>College</strong><br />

<strong>Registration</strong> <strong>Guidebook</strong><br />

<strong>Spring</strong><br />

<strong>2013</strong><br />

Student Administrative Services<br />

1021 Dulaney Valley Road, Baltimore, MD 21204<br />

410‐337‐6500/FAX 410‐337‐6504<br />

October 19, 2012


***IMPORTANT***<br />

The course schedule is available to you online.<br />

View the schedule on my<strong>Goucher</strong> at<br />

https://olympus.goucher.edu/SelfService/Search/SectionSearch.aspx<br />

My<strong>Goucher</strong> directly reflects the current course schedule and course enrollments.<br />

For additional information about Records and <strong>Registration</strong> please visit our web site at:<br />

http://www.goucher.edu/x1875.xml<br />

<strong>Goucher</strong> <strong>College</strong> reserves the right to change or cancel without notice programs of study,<br />

requirements, course offerings, policies, regulations, procedures, calendar, financial aid, fees, or other<br />

matters. Revision and additions to the class schedule are published at the beginning of each semester<br />

and are updated in a timely manner. Failure to read this booklet does not constitute a reason for<br />

noncompliance with the stated college policy. It is the responsibility of the student to keep apprised of<br />

all changes. The <strong>Goucher</strong> <strong>College</strong> Class Schedule Booklet is not to be regarded as a contract.<br />

It is the responsibility of each student to monitor his or her academic progress at <strong>Goucher</strong> <strong>College</strong>. The<br />

student is expected to know the graduation requirements pertinent to his or her program, to be<br />

cognizant of his or her grade point average, to make appropriate elective course selections, and to<br />

add/drop courses to best facilitate attainment of his or her educational goals. To assist in making<br />

these important decisions, the <strong>College</strong> provides each student with an Academic Advisor.<br />

2


<strong>Registration</strong> Information<br />

UNDERGRADUATE REGISTRATION – <strong>Spring</strong> <strong>2013</strong><br />

Dates for spring <strong>2013</strong> <strong>Registration</strong><br />

Academic advising begins for spring <strong>2013</strong> Monday, October 29<br />

<strong>Registration</strong> begins for spring <strong>2013</strong> Monday, November 12<br />

STEP 1: ACADEMIC ADVISING<br />

Advising for students is October 29 to November 9. Schedule an appointment with your adviser early.<br />

Advising sessions generally take a half hour, sometimes longer.<br />

Use the Academic Catalog (to note required courses) and the spring class schedule to start your planning<br />

process. The schedule will be posted on the web October 19. Bring to the advising session a completed<br />

course change form as a first draft of the courses you want/need to take. Many advisors require that<br />

advisees take this first step before starting an advising session.<br />

After the advising session (which must be in‐person, not via email, unless you are away from <strong>Goucher</strong> this<br />

semester) your adviser will release you for registration. If you need to add courses requiring signatures<br />

other than your advisers, a course change form should be signed by your adviser during the advising<br />

session. (The course change form is available at http://www.goucher.edu/x1893.xml)<br />

Select alternate courses during your advising session, in case your first choices are full.<br />

Prerequisites: You may only register for courses for which you have met the required prerequisites unless<br />

the instructor has signed a course change form to waive them.<br />

ICA’s require acceptance into the program to register. ICA registration will be done by the Registrar’s<br />

Office in SAS. Make sure you calculate the ICA credits into the total you are allowed when registering<br />

online.<br />

Instructors’ signatures are required for audits, closed courses, time overlaps and any course in which you<br />

are required to have the permission of the instructor to enroll. Instructor and department chair<br />

signatures are required for independent work. <strong>Registration</strong> for any of the above course types must be<br />

done in‐person in the Registrar’s Office (Mon‐Fri, 8:45 a.m.‐5 p.m.) after your assigned day and time for<br />

registration. A completed course change form must be submitted. Printed, attached emails will be<br />

accepted as signatures.<br />

When registering on‐line, pass/no pass can only be selected for courses required to be graded as such (PE<br />

activity etc.). Changing from a regular grade to pass/no pass can be done by completing a course change<br />

form and bringing it to SAS after your assigned registration time. See pass/no pass in the catalog at:<br />

http://www.goucher.edu/x1388.xmll (p. 55).<br />

<strong>Registration</strong> for internships requires the Internship Learning Agreement (ILA) be submitted to the Career<br />

Development Office for approval. (Be sure to check deadlines.) After approval by the CDO, the ILA is<br />

submitted to the Registrar’s Office for entry.<br />

<strong>Registration</strong> for senior thesis requires the Senior Thesis Guidelines and Form be submitted to the<br />

Associate Dean’s office for approval. (Be sure to check deadlines.) After approval by the Associate Dean’s<br />

office, the Senior Thesis <strong>Registration</strong> Form is submitted to the Registrar’s Office for entry.<br />

STEP 2: RESOLVE HOLDS<br />

Contact the appropriate office to resolve any stop flag (hold) placed on your account before your assigned<br />

registration start day and time, such as those noted by Billing, the Registrar’s Office, the Health Center,<br />

1


Financial Aid, the Associate Dean’s Office, etc. <strong>Registration</strong> cannot occur unless the stop flag (hold) is<br />

removed. Your holds appear when you log on to my<strong>Goucher</strong>.<br />

STEP 3: REGISTRATION<br />

The deadline to initially register for <strong>Spring</strong> <strong>2013</strong> is Thursday, December 13. After this date, students will<br />

be charged a $100 fee late registration fee.<br />

The order of registration has been determined by the students’ number of completed credits. Students<br />

will be able to see their assigned registration start time on their my<strong>Goucher</strong> account on Monday, October<br />

22. Online registration groups will start in 30 minute intervals and can continue to make schedule changes<br />

from the assigned time through Monday, January 28 at midnight. Beginning January 29, students who<br />

have not registered or students who need to make schedule changes must do so in person in the Office of<br />

the Registrar.<br />

Through January 28, students will be able to make schedule changes online only if initial approval for<br />

registration was received from the adviser (approval is needed one time only). Your adviser will receive<br />

an e‐mail showing changes that are made each day they are processed. Closed courses, time overlaps,<br />

credit overloads, audits, independent work, and special permission courses will need to be registered for<br />

in person, as they require a manual override. Once a manual override is required for any reason, a manual<br />

override will be required for any subsequent schedule change, and these will have to be made in person<br />

in SAS.<br />

Course credit load is determined by your GPA and credits completed (catalog p.51). See course load in<br />

the catalogue at: http://www.goucher.edu/x1388.xml<br />

To register for credit overloads, an approved petition along with a course change form and all required<br />

approvals must be submitted to the Associate Dean for Undergraduate Studies. If approved, the petition<br />

and registration materials will be sent to the Office of the Registrar for entry. Students will be additionally<br />

charged the part‐time tuition rate for all credits over the limit of 18 credits per semester.<br />

If you encounter technical problems, please send an e‐mail message to the helpdesk@goucher.edu. The<br />

helpdesk e‐mail will be monitored for problems during registration.<br />

Credits completed as of Oct 19, 2012<br />

Your registration begins:<br />

87 or more credits completed Monday, November 12 (7:00 p.m.‐9:00 p.m. assigned<br />

start times). <strong>Registration</strong> and schedule changes<br />

continue online until Monday, January 28 at midnight.<br />

57‐86.99 credits completed Tuesday, November 13 (7:00 to 9:00 p.m. assigned<br />

start times). <strong>Registration</strong> and schedule changes<br />

continue on‐line until Monday, January 28 at midnight.<br />

27‐56.99 credits completed Wednesday November 14 (7:00 to 9:00 p.m. assigned<br />

start times). <strong>Registration</strong> and schedule changes<br />

continue on‐line until Monday, January 28 at midnight.<br />

0‐26.99 credits completed Thursday, November 15 (7:00 to 10:00 p.m. assigned<br />

start times). <strong>Registration</strong> and schedule changes<br />

continue on‐line until Monday, January 28 at<br />

midnight.<br />

All classes and<br />

Non‐Candidates<br />

Friday, November 16 (8:00 a.m.) <strong>Registration</strong> and<br />

schedule changes continue on‐line until Monday,<br />

January 28 at midnight.<br />

2


Important Information<br />

ADD/DROP PERIOD for spring semester will posted on Important Academic Dates at<br />

http://www.goucher.edu/x1393.xml. Any drops after this period will result in a “W” on the academic<br />

record. Students should always retain a copy of the course change form for their records.<br />

ADVISOR – The Associate Dean for Undergraduate Studies assigns and processes all changes of advisors.<br />

Students must consult with their advisors before making course selections. Course change forms must be<br />

signed by advisors prior to submission to SAS.<br />

AUDITING ‐ Election of the audit must be done at the point of registration for the course or within the<br />

deadline for adding courses. Auditing requires the signatures of the instructor and the advisor. Students<br />

may withdraw from an audit through the last day of classes. <strong>College</strong> policy prohibits changing an audit to<br />

credit or vice versa, after the add/drop deadline.<br />

BALTIMORE STUDENT EXCHANGE PROGRAM ENROLLMENTS – Schedules from BSEP colleges are available<br />

on the web. BSEP registration forms should be submitted to the SAS office with the appropriate<br />

signatures. Participating institutions process the BSEP forms at the end of their students' registration<br />

period. <strong>Goucher</strong> students are notified of acceptance as it occurs. Seniors expecting to graduate in May,<br />

and enrolling in a BSEP course in the spring, must have prior approval from the host college indicating that<br />

the final grade for the course will be submitted to the SAS office at <strong>Goucher</strong> by the published date. BSEP<br />

courses may only be taken in the fall or spring semester (not summer or winter semesters). Ordinarily<br />

only 2 courses may be taken per year. Courses must be taken for regular grade.<br />

INTERNSHIPS (OR OFF‐CAMPUS INDEPENDENT WORK) require separate forms, which are available in the<br />

Career Development Office. These courses will be added to students’ schedules upon receipt of the<br />

completed, approved forms from the CDO.<br />

LOCATION OF CLASSES – All classes meet at <strong>Goucher</strong> <strong>College</strong> unless otherwise indicated on my<strong>Goucher</strong>.<br />

MAJOR – Forms and instructions for declaring or changing majors are available in the Office of the<br />

Associate Dean for Undergraduate Studies. All students must declare a major before registering for the<br />

first semester of their junior year. The completed forms are submitted to the Office of the Associate Dean<br />

for Undergraduate Studies.<br />

NON‐GOUCHER COURSES – Students may take pre‐approved courses at other institutions during the<br />

summer or winter by submitting the Non‐<strong>Goucher</strong> Course Approval Form to SAS. Only 15 hours in total,<br />

of non‐<strong>Goucher</strong> summer and winter work with a grade of C‐ or better are applicable to the degree.<br />

PASS/NO PASS – Pass is defined as A through C‐. The course will appear on the transcript, but the GPA<br />

will not be affected. Students receiving a grade of No Pass will not receive credit for the course. Students<br />

may elect to take two courses per academic year on a pass/no pass basis. This option is done on a course<br />

change form and can be changed until the pass/no pass deadline at week 10. Courses only offered<br />

pass/no pass are not included in the pass/no pass course limit. Honors courses cannot be taken pass/no<br />

pass. Students cannot elect courses in the major as pass/no pass unless the courses are graded only on a<br />

pass/no pass basis.<br />

REPEATED COURSES – Students may repeat any courses for which they received less than a C‐ grade.<br />

Both the original grade and the grade for the repeated course are included in the GPA, but the credits are<br />

counted only once. If a student repeats a course for which a passing grade of below C‐ was received the<br />

first time, the student will receive a grade of RA, RB, RC… the second time the course is taken.<br />

Departments decide if students must repeat courses in the major if the grades are below C‐, or if they will<br />

permit the students to substitute other courses for the major. Approval must be obtained from the<br />

appropriate department chair if a student wishes to repeat a course over this limit. If a student repeats a<br />

course for which a grade of C‐ or above was received the first time, the student will receive a grade of XA,<br />

XB, XC… the second time the course is taken. A student will not receive credit a second time, and X<br />

grades are not calculated into the GPA. The policy does not include courses which may be repeated for<br />

credit as listed in the catalogue.<br />

3


SEVEN‐WEEK COURSES – Subsession 01 indicates that the course meets for the entire semester. 02<br />

indicates that the course meets for the first seven weeks. 03 indicates that the course meets for the<br />

second seven weeks. Students should register for 7 week courses during registration. There is a special<br />

add/drop period for these classes.<br />

SENIOR THESIS – In order to register for a Senior Thesis, students must complete a Senior Thesis Form and<br />

obtain signatures from the faculty advisor selected by the student, the department chair, and advisor.<br />

The Senior Thesis form must be filed with the Associate Dean for Undergraduate Studies.<br />

4


General Education Requirements<br />

For ALL students who started attending <strong>Goucher</strong> <strong>College</strong> prior to Fall 2011. Students<br />

beginning at <strong>Goucher</strong> <strong>College</strong> in Fall 2011 or later should go by the Liberal Education<br />

Requirements. View General Education Requirements at:<br />

http://catalog.goucher.edu/content.php?catoid=3&navoid=620#General_Education_Re<br />

quirements<br />

Liberal Education Requirements (LERs)<br />

For ALL students beginning at <strong>Goucher</strong> <strong>College</strong> in Fall 2011 or later. Previously<br />

attending returning students should go by the General Education Requirements listed<br />

previously. View Liberal Education Requirements at:<br />

http://catalog.goucher.edu/content.php?catoid=3&navoid=620#Liberal_Education_Req<br />

uirements__LER)<br />

Lists of courses offered in <strong>Spring</strong> <strong>2013</strong> that satisfy general education and liberal<br />

education requirements will be posted at:<br />

http://www.goucher.edu/x1980.xml<br />

5


Writing Across the Curriculum (WAC)<br />

Writing across the curriculum courses are intended primarily for college writing proficiency, unless they<br />

also have been specifically designated as a writing proficiency in the major requirement by a department<br />

(see writing proficiency in the major). Students must sign a contract with the course instructor in order to<br />

take a course for <strong>College</strong> Writing Proficiency. Writing across the curriculum courses include:<br />

COG/PHL 275<br />

Epistemology<br />

DAN 250<br />

DAN 251<br />

DAN 255<br />

Twentieth Century Dance and Its Relation to Other<br />

Modern Art<br />

Great Choreographers and Dancers<br />

American Dance Tradition<br />

* ENG 219 Linguistics<br />

ENG/WS 222<br />

ENG 230<br />

ENG 240<br />

ENG 243<br />

ENG 260<br />

ENG 264<br />

ENG 276<br />

ENG 277<br />

ENG 285<br />

Women and Literature<br />

The Classical Tradition<br />

Medieval Literature<br />

Renaissance Literature<br />

The Early English Novel<br />

The Later English Novel<br />

Modern Poetry<br />

Contemporary American Poets<br />

Between Two Worlds<br />

* ENG 330 Special Topics in English Literature to 1700<br />

HIS 238<br />

Comparative History of Colonialism in Asia<br />

* MUS 313 Computer Music Seminar<br />

PHL 220<br />

PHL/RLG 226<br />

PHL/RLG 235<br />

PHL 260<br />

PSC 201<br />

Phenomenology<br />

Medieval & Renaissance Philosophy<br />

Hermeneutics & Deconstruction<br />

Ancient Philosophy<br />

Modern Political Thought<br />

* PSC 224 European Politics Today<br />

PSC 225<br />

PSC 227<br />

RLG 228<br />

SOC 217<br />

British Politics<br />

The Politics of Germany<br />

Philosophy of Religion<br />

Methods of Social Research<br />

6


THE 200<br />

WS/ENG 222<br />

WS 224<br />

Twentieth Century Theatre<br />

Women and Literature<br />

Gender, Identity, and Race in Caribbean Culture<br />

* WS 227 Becoming Visible: Fictions International Female<br />

WS 240<br />

WS 250<br />

WS /PHL 276<br />

Women, War, and Peace<br />

Selected Topics in Women's Studies<br />

Feminist Philosophy<br />

*asterisked courses are offered as WAC in spring <strong>2013</strong><br />

7


Writing Proficiency in the Major<br />

American Studies<br />

Consult department chair.<br />

Anthropology SOC 210<br />

Art<br />

Complete at least two 200 or 300‐level courses in Art History<br />

with a grade of C or better<br />

Biological Sciences BIO 214 BIO 240<br />

BIO 224 BIO 260<br />

Chemistry CHE 265L CHE 346<br />

CHE 266L CHE 356<br />

CHE 342 CHE 373<br />

Comunication & Media Studies<br />

COM 262‐ with a grade of B‐ or higher<br />

(Complete before second semester junior year)<br />

Computer Science CS 245 ENG 206<br />

CS Senior Thesis MA 260<br />

Dance<br />

Dan 390 – with a grade of B‐ or better<br />

Economics<br />

ENG 206 with a grade of C‐ or better<br />

Education ED 210 ENG 226<br />

ED 222 SPE 320<br />

English ENG 200<br />

French<br />

Any 300 level course in the major<br />

Historic Preservation HP 320/ART 347<br />

History HIS 338 HIS 387<br />

Individualized Interdisciplinary Major<br />

Consult IDS Chair.<br />

International Relations PSC 200 PSC 263<br />

PSC 224 PSC 257<br />

PSC 264 PSC 258/JS 258<br />

Any 200 or 300 level course with permission of instructor<br />

Management ENG 206<br />

Mathematics CS 245 MA 260<br />

ENG 206 MA Senior Thesis<br />

Music MUS 260 MUS 349<br />

Peace PCE 205<br />

Philosophy<br />

Consult department chair<br />

Physics ENG 206<br />

Political Science PSC 200 PSC 202<br />

PSC 258 PSC 207<br />

PSC 263 PCS 224<br />

PSC 264 PSC 225<br />

PSC 282 PSC 227<br />

Any 200 or 300 level course with permission of<br />

Instructor<br />

Psychology PSY 252 PSY 255<br />

Religion<br />

Consult department chair.<br />

Russian<br />

Any 300‐level course in the major.<br />

Sociology SOC 210<br />

Spanish<br />

Any 300‐level course in the major<br />

Special Education ED 210 ED 222<br />

SPE 320 SPE 324<br />

SPE 326 SPE 328<br />

Theatre THE 390/391<br />

Women’s Studies WS 224 WS 300<br />

WS 227 WS 320<br />

8


Descriptions for New and Special Topics Courses<br />

<strong>Spring</strong> <strong>2013</strong><br />

AFRICANA STUDIES<br />

AFR/HIS 205.001: Bad Spirits: The Atlantic Slave Trade in History and Memory (3 credits)<br />

Between 1500 and 1866, an estimated 12.5 million Africans were forcibly removed from their families<br />

and loved ones and shipped across the Atlantic Ocean to labor as slaves in the Americas. The vast scope<br />

of the slave trade – in terms of its human toll as well as its reach across the continents – left an indelible<br />

stamp on societies on both sides of the Atlantic. This course examines the slave trade and its lasting<br />

imprint on the modern psyche through three different lenses: through the experience of the slaves,<br />

slave traders, and other Atlantic contemporaries who lived through its growth and abolition; through<br />

the interpretations of historians who have studied the trade; and through the creative work of Atlantic<br />

“ancestors” – such as spiritual diviners, filmmakers, and writers – who have wrestled with its legacies<br />

and meanings in more recent history. By looking at the slave trade through these different perspectives,<br />

this course not only aims to introduce participants to some of the core themes in the history of the slave<br />

trade, but also to provide students with insight into the trades’ cultural impacts past and present.<br />

Prerequisite: Sophomore standing or permission of the instructor. Recommended: HIS 110, 116, 117 or<br />

AFR 200.<br />

AFR/HIS 207.001: Comparative History of Sub‐Saharan Africa (3 credits)<br />

This course offers a comparative examination of several of the diverse histories, cultures, and societies<br />

that have contributed to making of the African continent. Divided into five parts, the course begins with<br />

a broad overview of precolonial state formation in both “medieval” Africa and the era of the Atlantic<br />

slave trade, continue with an analysis of the transition to “legitimate” commerce and the onset of<br />

colonialism, and conclude with a discussion about anti‐colonial struggles and the rise of new postcolonial<br />

nation‐states in the 20 th century. After establishing this broad outline, the course will proceed<br />

by exploring three to four African countries in closer detail in an effort to draw out comparisons across<br />

linguistic, cultural, and national boundaries. Specific attention will be given to the social dimensions of<br />

changing relationships across ethnic, gender, and religious lines, strategies of dominance and resistance<br />

in the colonial era, and the intellectual and expressive contours of the post‐colonial conundrum.<br />

Prerequisite: Sophomore standing or permission of the instructor. Recommended: HIS 117 or AFR 200.<br />

ART<br />

ART 382.001 Cabinet of Wonders: Nature and Art Before the Age of Science: The seminar explores the<br />

Cabinet of Wonders as an important cultural phenomenon during the Early Modern Period (1500‐1800).<br />

The assemblages in these cabinets take as their principal theme the rivalry between nature and art in<br />

the creation of objects that generate excitement and wonder.<br />

Prerequisite: One 200 level art history course, junior standing or permission of the instructor.<br />

CHEMISTRY<br />

CHE 240.001 Biophysical Chemistry (3 credits)<br />

Exploration of the states of matter and laws of thermodynamics applied to chemical systems and rates<br />

of reactions. Emphasis will be placed on the physical chemistry of biological systems and the theoretical<br />

basis for various biophysical techniques.<br />

Prerequisites of MA180 and PHY115 or 125, Bio 210, CHE151 and CHE152 (or 152H).<br />

CHE 391H: Light and Life (3 credits)<br />

9


A seminar course offered to extend knowledge in the applications of the light to both chemical systems<br />

and daily life in the 21st century. Material will focus on topics such as medical imaging, light in the<br />

environment and biological systems, energy technology, data storage and retrieval, communications<br />

technology, and laser spectroscopy, as well as other areas of particular student interest. Students will be<br />

expected to complete assigned readings from the current literature, problem sets, and oral<br />

presentations. Prerequisite: CHE 235.<br />

COMUNICATIONS<br />

COM/ES 205.001: Debunked! Environmental Writing & Communication. (3 credits)<br />

This 200‐level environmental communication and writing class will focus on improving scientific literacy<br />

across a variety of media. We will prepare students to be intelligent consumers of popular<br />

environmental discourse, able to distinguish valid science‐based information from disinformation. As<br />

well, the course will stress competent science‐based environmental writing. Students will be expected<br />

to understand science‐based articles in newspapers, magazines, and journals; and scientifically‐themed<br />

television programming. Assignments will include a letter to the editor, a storyboard for a television<br />

episode, a corporate press release, an NGO white paper, and an in‐depth research article. The course<br />

will focus on environmental and sustainability‐based subjects.<br />

Prerequisite: <strong>College</strong> writing proficiency requirement.<br />

.<br />

COM 272PP.1BA: Intensive Course Abroad: Alternative Media and Culture in the Balkans – pre‐course (2<br />

credits) This course provides an international field experience in the arts, culture, and social activism in<br />

the recently‐independent nations of the former Yugoslavia. The program will be centered in Bosnia, and<br />

the cultural projects that have challenged political, social, and aesthetic conventions. Students will meet<br />

internet activists, filmmakers, event organizers, and others exploring innovative approaches to media.<br />

The course will explore the dynamics of alternative media and cultural production. Students enrolled in<br />

COM 272PP will complete the spring pre‐course, the summer trip and the fall post‐course for a total of 7<br />

credits<br />

COM 272PR.1BA: Intensive Course Abroad: Alternative Media and Culture in the Balkans – pre‐course (2<br />

credits) This course provides an international field experience in the arts, culture, and social activism in<br />

the recently‐independent nations of the former Yugoslavia. The program will be centered in Bosnia, and<br />

the cultural projects that have challenged political, social, and aesthetic conventions. Students will meet<br />

internet activists, filmmakers, event organizers, and others exploring innovative approaches to media.<br />

The course will explore the dynamics of alternative media and cultural production. Students enrolled in<br />

COM 272PR will complete the spring pre‐course, and the summer trip, but no fall post‐course.<br />

COM 301.001:Alternative Media (3 credits)<br />

This course will address the production and distribution of alternative forms of media in video, film,<br />

print, music and digital culture, from guerilla video groups using low-tech means to make<br />

documentaries to community radio stations. The course will explore innovations in aesthetics,<br />

production structures, and distribution methods and the ability of such work to represent groups<br />

and viewpoints which have been denied regular access to mainstream media.<br />

Prerequisite: at least two of the 200 level required theory/criticism and history courses,<br />

departmental and college writing proficiency, and junior or senior status; or permission of the<br />

instructor.<br />

COM 307.001 History of African‐American Film (4 credits)<br />

10


This survey course will examine the history and theory of African American filmmaking from the silent<br />

era to the present. This course will explore the political and aesthetic debates central to African<br />

American film by focusing on different genres and filmmakers. Independent and commercial films will<br />

be included with a focus on black directors, writers and producers. Students will consider the ways<br />

specific films and genres construct race, identity, and community (family) and the role that class, gender<br />

and sexuality play in this construction. Students will consider issues of access and ownership in the<br />

development of a black aesthetic in film. Issues of representation and authorship will be examined in<br />

addition to exploring the links between African American cinema and cinemas of the African Diaspora.<br />

Prerequisite: Writing proficiency in the major and the permission of the instructor.<br />

COM 307.001: Special Topics World Cinema: Film Noir (4 credits)<br />

Classical film noir was a highly stylized film cycle characterized by cynical, black‐and‐white movies of the<br />

1940s and 1950s‐‐often melodramas about private eyes, femme fatales, criminal gangs, and lovers on<br />

the run. Grounded in existentialism, these shadowy films characteristically followed the doomed lives<br />

and relationships of their disillusioned characters in a post‐war world of anxiety. As such, the films<br />

revealed the dark side of American life. Following the classical period, more contemporary "neo‐noirs"<br />

continue to explore the underbelly of the American dream. This course analyses this unique film style<br />

from its inception in the 1940s up to the present.<br />

Prerequisite: COM 239 and/or COM 245, departmental and college writing proficiency, and junior or<br />

senior status; or permission of the instructor<br />

COM 312.003: Issues in Broadcasting and the Electronic Media: Writing and Producing for the Web (3)<br />

This course is intended to provide students with the skills to use digital and social media to<br />

communicate effectively. Along with learning those hands‐on skills, students will also be provided with a<br />

theoretical grounding in the social responsibilities connected with using those skills in a way that helps<br />

provide citizens with reliable, verified and trustworthy information. In line with that goal, there will be a<br />

strong focus early in the course on media ethics and the role of new media in democratic societies. This<br />

will include issues of privacy, free speech and libel. There will be emphasis on the standards and<br />

practices of responsible and professional communication.<br />

Prerequisite: completion of two of the 200‐level required theory/criticism and history courses,<br />

departmental and college writing proficiency, and junior or senior status; or permission of the<br />

instructor.<br />

COM/WS 325.001: Women and Film (4 credits)<br />

This course will examine the relationship between women and the film industry, from the days of silent<br />

film to the 21st century. We will look at the roles women have played, both in front of and behind the<br />

camera‐from the female star of the classical Hollywood "woman's" film of the 1930's‐1940's, and the<br />

iconic stereotypes that have pervaded Hollywood gendered discourse, to the re‐emergent role of<br />

women as directors, screenwriters, and producers in contemporary Hollywood and world cinemas.<br />

Interrogating the role of women as icons, producers, and consumers, we will try to understand where<br />

we came from and how we got to the here and now. Hollywood, independent, and international film will<br />

be examined.<br />

Prerequisites: COM 239 and/or 245, or WS 230; departmental and college writing proficiency; junior or<br />

senior status; or permission of the instructor.<br />

ECONOMICS<br />

EC 325.001: Economics of Global Food Production (new course)<br />

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ENVIRONMENTAL SCIENCE<br />

ES/COM 205.001: Debunked! Environmental Writing & Communication. (3 credits)<br />

This 200‐level environmental communication and writing class will focus on improving scientific literacy<br />

across a variety of media. We will prepare students to be intelligent consumers of popular<br />

environmental discourse, able to distinguish valid science‐based information from disinformation. As<br />

well, the course will stress competent science‐based environmental writing. Students will be expected<br />

to understand science‐based articles in newspapers, magazines, and journals; and scientifically‐themed<br />

television programming. Assignments will include a letter to the editor, a storyboard for a television<br />

episode, a corporate press release, an NGO white paper, and an in‐depth research article. The course<br />

will focus on environmental and sustainability‐based subjects.<br />

Prerequisite: <strong>College</strong> writing proficiency requirement.<br />

FRENCH<br />

FR 330.001: Special Topics in French Literature:Writing Secrets: (4 credits)<br />

Exploring texts that both mask and reveal secrets in French and Francophone literature.<br />

Prerequisite: FR 245 or FR 256<br />

GERMAN<br />

GER 240.001: Introduction to German Childrens Literature: The course will introduce you to German<br />

Children’s and Youth Literature from the 19 th to 21 st century. Starting with an early example of a<br />

German comic strip (“Max & Moritz” by Wilhelm Busch, 1865) we will discuss different concepts of<br />

childhood, explore how these texts reflect the historical contexts in which they were written, and<br />

analyze their narrative structures. Special attention is given to reading strategies, introduction to<br />

textual analysis, and improving speaking and listening skills. Students will produce short papers (e.g.<br />

response papers, book reviews, film reviews), and give short presentations in German. Taught in<br />

German. May be repeated if topic is different.<br />

Prerequisite: GER 130 with a minimum grade of C‐ (or equivalent).<br />

HISTORY<br />

HIS/AFR 205.001: Bad Spirits: The Atlantic Slave Trade in History and Memory: (3 credits)<br />

Between 1500 and 1866, an estimated 12.5 million Africans were forcibly removed from their families<br />

and loved ones and shipped across the Atlantic Ocean to labor as slaves in the Americas. The vast scope<br />

of the slave trade – in terms of its human toll as well as its reach across the continents – left an indelible<br />

stamp on societies on both sides of the Atlantic. This course examines the slave trade and its lasting<br />

imprint on the modern psyche through three different lenses: through the experience of the slaves,<br />

slave traders, and other Atlantic contemporaries who lived through its growth and abolition; through<br />

the interpretations of historians who have studied the trade; and through the creative work of Atlantic<br />

“ancestors” – such as spiritual diviners, filmmakers, and writers – who have wrestled with its legacies<br />

and meanings in more recent history. By looking at the slave trade through these different perspectives,<br />

this course not only aims to introduce participants to some of the core themes in the history of the slave<br />

trade, but also to provide students with insight into the trades’ cultural impacts past and present.<br />

Prerequisite: Sophomore Standing or permission of instructor. Recommended: HIS 110, 116, 117, or AFR<br />

200.<br />

HIS/AFR 207.001: Comparative History of Sub‐Saharan Africa (3 credits)<br />

This course offers a comparative examination of several of the diverse histories, cultures, and societies<br />

that have contributed to making of the African continent. Divided into five parts, the course begins with<br />

a broad overview of pre‐colonial state formation in both “medieval” Africa and the era of the Atlantic<br />

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slave trade, continue with an analysis of the transition to “legitimate” commerce and the onset of<br />

colonialism, and conclude with a discussion about anti‐colonial struggles and the rise of new postcolonial<br />

nation‐states in the 20 th century. After establishing this broad outline, the course will proceed<br />

by exploring three to four African countries in closer detail in an effort to draw out comparisons across<br />

linguistic, cultural, and national boundaries. Specific attention will be given to the social dimensions of<br />

changing relationships across ethnic, gender, and religious lines, strategies of dominance and resistance<br />

in the colonial era, and the intellectual and expressive contours of the post‐colonial conundrum.<br />

Prerequisite: Sophomore standing or permission of the instructor. Recommended: HIS 117 or AFR 200.<br />

HIS 289.001 Great Libraries of Baltimore (3 credits)<br />

This course will explore the rich history of Baltimore libraries through readings, discussion and site visits.<br />

We will consider questions such as: what exactly IS a library? is it simply a collection of books? what role<br />

do books and other containers of information play in libraries? how do libraries reflect changing ideas<br />

about books and society? Class sessions will include field trips to Baltimore libraries. Each field trip will<br />

involve a tour, lecture, and prior readings.<br />

HIS 320.001: Routes of Black Thought: Exploring the Intellectual History of the African Diaspora (4<br />

credits)<br />

This course examines the ways in which activists, writers, essayists, artists, and scholars have wrestled<br />

with what it means to be black in a global world from the 1850s onward. The course will begin with a<br />

discussion of some of the key analytical frameworks for understanding the categories of "race,"<br />

"diaspora," and the "black Atlantic," and proceed with a rich analysis of both famous thinkers and lesserknown<br />

individuals who have influenced ideas about black modernity. Readings will include works by<br />

Matin Delany, Edward Wilmot Blyden, Marcus Garvey, W.E.B. DuBois, George Padmore, Hubert<br />

Harrison, Langston Hughes, Kwame Nkrumah, Julius Nyerere, and others. Participants are expected to<br />

work closely with the class and professor to develop a research paper. Sophomore standing and/or<br />

permission of instructor are required.<br />

Prerequisite: Sophomore standing and/or permission of instructor are required.<br />

JUDAIC STUDIES<br />

JS 225.001: Jewish Comedy in Theory and Practice (3 credits)<br />

Jewish comedy is accused of perpetuating antisemitic stereotypes and misogyny, but it is also celebrated<br />

as a source of cultural criticism. In this course we will analyze works by Heinrich Heine, Franz Kafka,<br />

Sholem Aleichem, Mel Brooks, Woody Allen, Lenny Bruce, Philip Roth, Larry David, Sarah Silverman, and<br />

many more. We will also study theories of humor, along with critical and historical analyses of “Jewish<br />

humor.” We will ask: what makes Jewish comedy “Jewish”? Is Jewish comedy connected to<br />

modernization? Secularization? How does Jewish comedy relate to the stigmatization of Jewishness?<br />

Prerequisites: One 100‐ or 200‐level course in Judaic Studies, sophomore standing, or permission of the<br />

instructor.<br />

LATIN AMERICAN STUDIES<br />

LAM 310.001: The Art of Portraying Space and Place: Latin America and the Natural World (3 credits)<br />

One of the fundamental ideas of ecocriticism is that human culture is connected to its natural<br />

surroundings. In this course, through the study of essays, literature, film and contemporary debates on<br />

environmental preservation and sustainability, we will critically examine the relationship between<br />

humans and the physical world in Latin America. Some of the questions we will be considering are: What<br />

is the connection between environmental experience and the representation of the environment in<br />

cultural texts? How is the environment valued by various writers and other producers of culture? How<br />

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do gender, ethnicity and/or national identity impact one's representation of the land? What the critical<br />

environmental issues currently facing Latin America?<br />

Prerequisite: SP 235 , LAM 105 or LAM 268 , or permission of instructor.<br />

PEACE STUDIES<br />

PCE/SP 272Y: The Basque in Spain: A Peace History (2 credit pre‐course)<br />

This interdisciplinary, combined Peace Studies and Spanish course will examine Basque identity and<br />

nationalism historically. In particular, we will study the identity‐based separatist claims of dominant<br />

political groups, the rise and decline of armed groups, and the development of a counter‐narrative<br />

leading to a peace movement. In May, the class will travel to the Basque capital Bilbao for intensive<br />

Spanish study and meetings with leaders of peace organizations in Bilbao, Gernika and San Sebastian.<br />

Instruction will be primarily in English during the semester and exclusively in Spanish during the three<br />

weeks in Spain.<br />

Prerequisite: PCE 110, 124 or 148, and SP 130 and/or permission of the instructor.<br />

PCE 340.001: Transitional Justice: Truth Seeking, Revenge, and Reconciliation (3 credits)<br />

What happens in the aftermath of dictator regimes, genocide, war or mass violence? Should societies<br />

confront the legacies of the past? Should there be focus on unraveling the truth or pursuing justice on<br />

behalf of victims? What are the social, economical and political implements of each? What if the<br />

perpetrators of violence are states? This class challenges student to consider the complicated moral,<br />

political and philosophical questions which shape efforts to promote post‐conflict justice. We begin with<br />

theories and explore cases which led to the advancement in the broader field of transitional justice from<br />

global perspectives. Drawing on readings, literature and documentaries we will look are various<br />

methods of reconciliation from amnesties, revenge, forgiveness, truth commissions, memorials,<br />

apologizing and trials.<br />

Prerequisite: PCE 110 and a 200‐level course in peace studies or permission of the instructor.<br />

PHYSICAL EDUCATON<br />

PE 156.001: American Red Cross Life Guard Training (0 credits)<br />

Trains individual as a non‐surf lifeguard. Red Cross certification earned in CPR for the Professional<br />

Rescuer, First Aid, and Lifeguard Training with successful completion. Prerequisites: 15 years old by<br />

completion of course. Swim test (swim 300 yards continuously using each of the following strokes for<br />

100 yards ‐ front crawl, 100 yards ‐ breaststroke 100 yards mix; swim 20 yards, submerge to a minimum<br />

depth of 7‐10 feet, retrieve a brick and return to surface, swim 20 yards).<br />

Special Dates and Times. April 7, 14, 21, 28 ‐ 10:00am‐5:00pm<br />

Prerequisite: Permission of instructor<br />

SOCIOLOGY<br />

SOC 280.001 Medicine, Pathology, and New Normalities (4 credits)<br />

The field of medicine defines increasing numbers of human experiences as pathological. The<br />

definition and diagnosis of illnesses such as ADHD, Depression, and Anxiety have defined a new<br />

normality for Americans. Happiness, attention, and calmness are considered normal states to<br />

which we ought to aspire. In physical health, normalities of weight, blood pressure, and<br />

cholesterol structure whether or not our bodies and in consequence our selves are considered<br />

pathological. In this course, we will examine the ways in which the pathologies defined by the<br />

medical field and the medical model more broadly influence changing conceptualizations of<br />

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normality. Since pathologies are generally handled with medical intervention, this course also<br />

looks at the control and production of normality through testing, drugs, and enhancements.<br />

Prerequisite: SOC 106 or ANT 107 and one 200 level social science course, or permission of the<br />

instructor<br />

SPANISH<br />

SP/PCE 272Y.1GR: The Basque in Spain: A Peace History (2 credit pre‐course)<br />

This interdisciplinary, combined Peace Studies and Spanish course will examine Basque identity and<br />

nationalism historically. In particular, we will study the identity‐based separatist claims of dominant<br />

political groups, the rise and decline of armed groups, and the development of a counter‐narrative<br />

leading to a peace movement. In May, the class will travel to the Basque capital Bilbao for intensive<br />

Spanish study and meetings with leaders of peace organizations in Bilbao, Gernika and San Sebastian.<br />

Instruction will be primarily in English during the semester and exclusively in Spanish during the three<br />

weeks in Spain.<br />

Prerequisite: PCE 110, 124 or 148, and SP 130 and/or permission of the instructor.<br />

SP 345.001: Special Topics: The Latin American Story (3 credits)<br />

In this class we will explore the development of the genre of the short story in Latin American. We will<br />

read major authors from various countries and see how their powerful blend of magic and realism has<br />

resonated in the Spanish‐speaking world and beyond.<br />

Prerequisites: SP 254 or SP 294<br />

WOMEN AND GENDER STUDIES<br />

WS 225.001: Gender and Sexuality Studies (3 credits)<br />

An interdisciplinary examination of theories of sexuality and their impact on specific historical and<br />

contemporary sociopolitical movements and issues, such as marriage equality, sexual identity,<br />

motherhood, prostitution, race and sexual politics, formations of femininity and masculinity, youth<br />

access to sexual health education, and constructions of desire. With an emphasis on racial and cultural<br />

diversity in a US context, this course will engage with history and theory, expressions in the arts,<br />

personal narratives, contemporary social debates, and legal discourses.<br />

Prerequisite: WS 100 or 150 or sophomore standing.<br />

WS 300.001: Selected Topics: Women, Art, and Culture (3 credits)<br />

This course is and interdisciplinary examination of women’s creative power as expressed through the<br />

mediums of visual art, music, theater, film, drama, dance, poetry, and literature. We will examine<br />

diverse and complex expressions by employing methods of inquiry from art history, cultural criticism,<br />

studies of race and racialization, feminist theory, Black feminist thought, queer theory, and popular<br />

culture discourses. This course will explore art and creativity both in a US context and transnationally<br />

with an emphasis on women of color and art activism.<br />

Prerequisite: WS 100 or WS 150<br />

WS/COM 325.001: Women and Film (4 credits)<br />

This course will examine the relationship between women and the film industry, from the days of silent<br />

film to the 21st century. We will look at the roles women have played, both in front of and behind the<br />

camera‐from the female star of the classical Hollywood "woman's" film of the 1930's‐1940's, and the<br />

iconic stereotypes that have pervaded Hollywood gendered discourse, to the re‐emergent role of<br />

women as directors, screenwriters, and producers in contemporary Hollywood and world cinemas.<br />

15


Interrogating the role of women as icons, producers, and consumers, we will try to understand where<br />

we came from and how we got to the here and now. Hollywood, independent, and international film will<br />

be examined.<br />

Prerequisites: COM 239 and/or 245, or WS 230; departmental and college writing proficiency; junior or<br />

senior status; or permission of the instructor.<br />

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