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Adverbial Morphemes in Tactile ASL - Gallaudet University

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PDE – Steven D. Coll<strong>in</strong>s<br />

F<strong>in</strong>d<strong>in</strong>gs and Interpretations<br />

_________________________________________________________________________________________________________<br />

4.1.3.2. Example Two (Duration)<br />

Gloss from Transcription:<br />

UP-TIL-NOW NONE++++ WHY(rh) PRO1 LOOK-FOR++ MY<br />

FAVORITE BALTIMORE RITENOFF PRO1 BUY(from Ritenoff)+++++<br />

COME(to me) ORDER (from Ritenoff) TIME PRO1 SEND-TO (Ritenoff)<br />

CALL-TO (Ritenoff) /// SAY O-W-N-E-R QUIT / SELL OTHER NEW O-W-<br />

N-E-R LOOK-AT WEAVING / THROW-OUT DON’T-KNOW HOW<br />

IX(new owner) THROW-OUT / NONE EMPTY // PRO1 DISAPPOINTED<br />

GIVE-UP WOOD BUY++++ IX(Baltimore)<br />

English Translation:<br />

I [haven’t bought] any for a while because I was look<strong>in</strong>g for my favorite<br />

[vendor] <strong>in</strong> Baltimore, Ritenoff, that I bought from all the time. I ordered it<br />

and it came to me. One time, I called them…They said the owner quit, sold<br />

[the bus<strong>in</strong>ess] to a new owner who took one look at the weav<strong>in</strong>g [supplies] and<br />

threw them out. I don’t know how he did it but he threw it all out—there’s<br />

noth<strong>in</strong>g left. I’m disappo<strong>in</strong>ted that I have to give up buy<strong>in</strong>g it <strong>in</strong> Baltimore.<br />

Visual <strong>ASL</strong>:<br />

The signer uses a non-tactile production of the sign by rais<strong>in</strong>g the eyebrows<br />

and tilt<strong>in</strong>g the head back slightly. Additionally, there is a movement of the<br />

sign UP-TIL-NOW <strong>in</strong> a small arc.<br />

<strong>Tactile</strong> <strong>ASL</strong>:<br />

In the production of the sign, a Deaf-Bl<strong>in</strong>d <strong>in</strong>dividual signs UP-TIL-NOW<br />

with a bigger and more pronounced movement <strong>in</strong> a larger arc.<br />

Analysis of Variation:<br />

The primary difference <strong>in</strong> the sign<strong>in</strong>g of UP-TIL-NOW <strong>in</strong> this example, is<br />

that a <strong>Tactile</strong> <strong>ASL</strong> signer follows a far more pronounced movement <strong>in</strong> a larger<br />

arc. A visual <strong>ASL</strong> user signs with a smaller arc.<br />

4.1.3.3. Summary (Duration)<br />

This series of examples of adverbs of the type duration demonstrates that one of the<br />

features that characterizes many of the <strong>Tactile</strong> <strong>ASL</strong> variations of the sign is the use of an<br />

extended hold segment often accompanied by the use of a larger sign space. Duration is also<br />

shown <strong>in</strong> <strong>Tactile</strong> <strong>ASL</strong> by use of a specific sign such as UP-TIL-NOW, not just with the use of<br />

extended holds.<br />

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