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Islam: A Guide for Jews and Christians - Electric Scotland

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252 t CHAPTER TEN<br />

grace. For the Muslim no less than the Christian, progress through<br />

the stations began as a jihad, a struggle against one’s worldly inclinations<br />

that reflected the ascetic tradition of the earliest Sufism.<br />

The sheikh led the novice through the stations by means of exercises<br />

like the examination of conscience, meditation, <strong>and</strong> the constant<br />

repetition of God’s name. Obedience was expected to be<br />

prompt <strong>and</strong> total.<br />

The spiritual master introduced the novice into two of the most<br />

common practices of Sufism, what were called “recollection”<br />

(dhikr) <strong>and</strong> the “hearing” (sama). The term dhikr has its spiritual,<br />

internal sense of recollecting God’s name (Quran 18:24; 33:41)<br />

<strong>and</strong> his blessings, but its more common <strong>for</strong>m in Sufism is the ritual<br />

repetition of set <strong>for</strong>mulas, notably the Muslim profession of faith<br />

or of the ninety-nine “Beautiful Names of God.” The dhikr was<br />

generally a community exercise, though it could be per<strong>for</strong>med privately,<br />

<strong>and</strong> it was preceded by the tariqa’s distinctive litany, or<br />

wird, the poetical prayers composed by the founder. The recollection<br />

was per<strong>for</strong>med in rhythmical unison by the brethren, <strong>and</strong> it<br />

was often accompanied by controlled breathing, as was the Jesus<br />

prayer used to the same end in Eastern Christianity.<br />

The objective of the dhikr was the praise <strong>and</strong> worship of God,<br />

but there was a practical end as well, the achievement of the ecstatic<br />

state of annihilation (fana), which was <strong>for</strong> the Sufi a natural<br />

antecedent of union with the Divine. There was also often an elaborate<br />

ritual of singing <strong>and</strong> dancing with which the dhikr might be<br />

commingled. This sama, as the latter was called, was a virtual<br />

“spiritual concert,” <strong>and</strong> though it was highly characteristic of certain<br />

Sufi associations such as the celebrated whirling dervishes<br />

who followed the teachings of the Persian mystic Jalal al-Din Rumi<br />

(1207–1273) at Konya in Turkey, the practice was not everywhere<br />

approved or accepted. There were extravagances, to be sure, in<br />

these rituals, <strong>and</strong> more than a few traditional <strong>and</strong> conservative<br />

Muslims were sc<strong>and</strong>alized at what had become, on the eve of modern<br />

times, highly theatrical per<strong>for</strong>mances rather than spiritual<br />

exercises.

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