31.12.2013 Views

Islam: A Guide for Jews and Christians - Electric Scotland

Islam: A Guide for Jews and Christians - Electric Scotland

Islam: A Guide for Jews and Christians - Electric Scotland

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

242 t CHAPTER NINE<br />

The learned authorities of our (Shafiite) school <strong>and</strong> others hold<br />

that painting a picture of any living thing is strictly <strong>for</strong>bidden, because<br />

it is threatened with grievous punishment as mentioned in the<br />

Prophetic traditions, whether it is intended <strong>for</strong> common domestic<br />

use or not. So the making of it is <strong>for</strong>bidden under every circumstance,<br />

because it implies a likeness to the creative activity of<br />

God.... On the other h<strong>and</strong>, the painting of a tree or of camel<br />

saddles <strong>and</strong> other things that have no life is not <strong>for</strong>bidden. Such is<br />

the decision on the actual making of a picture. ... In all this there<br />

is no difference between what casts a shadow <strong>and</strong> what does not<br />

cast a shadow. This is the decision of our school on the question,<br />

<strong>and</strong> the majority of the Companions of the Prophet <strong>and</strong> their immediate<br />

followers <strong>and</strong> the learned of succeeding generations accepted<br />

it.<br />

The practice of <strong>Islam</strong> <strong>for</strong>bade, then, figurative art as surely as it<br />

did the imbibing of wine <strong>and</strong> indulgence in homosexual love. “<strong>Islam</strong>ic”<br />

poetry is awash nevertheless with both wine <strong>and</strong> beloved<br />

boys, <strong>and</strong> not occasionally or slyly or embarrassedly, just as “<strong>Islam</strong>ic”<br />

art is filled, from its exquisite Persian miniatures to the<br />

“holy cards” of popular Shiite piety, with the likenesses of humans,<br />

mythic, historical, or the Muslim next door. The appearance<br />

of such themes in a religious culture that quite explicitly banned<br />

them seems not so much a willful flaunting of God’s law as the<br />

rising to consciousness of another, quite different sensibility that<br />

found accommodation in certain places <strong>and</strong> certain circles in<br />

<strong>Islam</strong>.<br />

The Word as Decoration<br />

<strong>Jews</strong> <strong>and</strong> Muslims have a particular attachment to the Word as<br />

expressed in terms of language. Hebrew <strong>and</strong> Arabic are both sacred<br />

languages, <strong>and</strong> both are in a sense the language of God himself.<br />

But there is an important difference. The <strong>Jews</strong> lost their<br />

Hebrew as a living language while the Bible was still in the process<br />

of <strong>for</strong>mation with the result that some of the last sections of the<br />

Book of Daniel are not in Hebrew but in Aramaic, the related

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!