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Islam: A Guide for Jews and Christians - Electric Scotland

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114 t CHAPTER FIVE<br />

The Quran Reads Itself:<br />

Abrogation, Emendation, Elaboration?<br />

It is a commonplace belief in the three monotheistic communities<br />

that Scripture interprets itself, that later verses sometimes elucidate<br />

<strong>and</strong> explain earlier ones. The latter books of the Bible often revert<br />

to the Torah, <strong>and</strong> the New Testament constantly reflects on the<br />

Old. Paul’s later letters revisit earlier ones to enlarge <strong>and</strong> clarify<br />

matters. Matthew <strong>and</strong> Luke “read” <strong>and</strong> edited Mark, <strong>and</strong> Mark<br />

himself, it has been argued, was revising the earlier Pauline “gospel”<br />

by supplying it with a narrative framework. The Quran too is<br />

its own primary exegete, though it represents a somewhat different<br />

case from the other Scriptures. It has been suggested, <strong>for</strong> example,<br />

that the Medina suras, which differ markedly in style <strong>and</strong> manner<br />

from what preceded them, are already a kind of “reading” of the<br />

“primary” revelation contained in the suras sent down during<br />

Muhammad’s twelve years at Mecca.<br />

To divide the Quran into a “primary” <strong>and</strong> a “secondary” stratum,<br />

even if both are called revelation, does violence to the Muslim<br />

tradition, but no one would deny that the work is the output of a<br />

single individual over some twenty-two years. There was no lack<br />

of opportunity, then, <strong>for</strong> that same individual, to offer revisions,<br />

emendations, or elaborations to what had already been promulgated.<br />

There is internal evidence that this is indeed what happened.<br />

In some early suras—74:31 is a good example—the internal rhythm<br />

<strong>and</strong> assonance scheme of the prose-poetry is abruptly interrupted<br />

by an intrusive prose passage that appears to be a later<br />

interpolation to explain a problematic word or concept in the preceding<br />

line, after which the original rhyme <strong>and</strong> rhythm resume.<br />

The Quran introduces, however, a radical <strong>for</strong>m of scriptural reinterpretation.<br />

The notion of inspiration, coupled with the conviction<br />

that God is both omniscient <strong>and</strong> unchanging, strongly argues<br />

that God’s Words are totally <strong>and</strong> simultaneously true, <strong>and</strong> the<br />

three monotheistic communities have generally regarded them as<br />

such. But where there were apparent contradictions or inconsistencies<br />

between two passages, these could be ironed out by careful<br />

application of a harmonizing exegesis. But at two points in the

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