Ballet Nacional de Cuba - Cuba Absolutely
Ballet Nacional de Cuba - Cuba Absolutely
Ballet Nacional de Cuba - Cuba Absolutely
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.COM<br />
PERFORMING ARTS<br />
Sala Teatro El Sótano<br />
Teatro Raquel Revuelta<br />
Tue, Wed &<br />
Thu, 6 pm<br />
Feb 1-10; Fri<br />
& Sat, 8:30<br />
pm; Sun, 5<br />
pm<br />
Esto es <strong>de</strong>masiado opening of this<br />
comedy play by <strong>Cuba</strong>n playwright Cary<br />
Cruz, and produced by Teatro Buscón.<br />
Sala Tito Junco. Centro Cultural Bertolt Bretch<br />
La pintura y otros lugares is based on<br />
the painting by French artist Alain<br />
Kleinmann. Estudio Teatral Aldaba<br />
company, directed by Irene Borges,<br />
evokes the memory and the passage of<br />
time through an attractive work that<br />
combines visual arts, theater, poetry,<br />
music and movement.<br />
Fri & Sat 6<br />
pm; Sun, 5<br />
pm<br />
Teatro Trianón<br />
Fri & Sat,<br />
8:30 pm;<br />
Sun, 5 pm<br />
Antigonón, un contingente épico<br />
(work in progress) by Rogelio<br />
Orizondo, staged by Teatro El Público.<br />
With only two actresses on the stage,<br />
this reworking of the myth of Antigone<br />
uses recourses such as dance,<br />
fragmentation of the discourse and the<br />
intersexuality to <strong>de</strong>lve into present-day<br />
concerns.<br />
Caligula El Público theater company<br />
reruns one of its most successful and<br />
provocative plays of their repertory, by<br />
French novelist, essayist, and dramatist,<br />
Albert Camus.<br />
EL PÚBLICO’S<br />
HOMOEROTIC TWELFTH<br />
NIGHT REACHES 100<br />
by Victoria Alcalá<br />
Carlos Diaz director of El Publico<br />
May 6, 2012 marked the 100th performance of El<br />
Público’s homoerotic Twelfth Night. This is one of the<br />
longest running <strong>Cuba</strong>n theatre productions and for<br />
most of these nights it has played to packed houses.<br />
Director Carlos Díaz’s version of the Shakespeare<br />
play is not for traditionalists with irreverent<br />
provocation dominating the Trianón Theater on<br />
Línea Street: cross-dressing, masquera<strong>de</strong>, farce and<br />
outspoken sarcasm; a <strong>de</strong>liberate mix of “high” and<br />
popular culture. Personally I think it was brilliant<br />
although don’t take grandma!<br />
Read full article<br />
page 15 | Feb<br />
www.<strong>Cuba</strong><strong>Absolutely</strong>.com