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Ballet Nacional de Cuba - Cuba Absolutely

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.COM<br />

PERFORMING ARTS<br />

Sala Teatro El Sótano<br />

Teatro Raquel Revuelta<br />

Tue, Wed &<br />

Thu, 6 pm<br />

Feb 1-10; Fri<br />

& Sat, 8:30<br />

pm; Sun, 5<br />

pm<br />

Esto es <strong>de</strong>masiado opening of this<br />

comedy play by <strong>Cuba</strong>n playwright Cary<br />

Cruz, and produced by Teatro Buscón.<br />

Sala Tito Junco. Centro Cultural Bertolt Bretch<br />

La pintura y otros lugares is based on<br />

the painting by French artist Alain<br />

Kleinmann. Estudio Teatral Aldaba<br />

company, directed by Irene Borges,<br />

evokes the memory and the passage of<br />

time through an attractive work that<br />

combines visual arts, theater, poetry,<br />

music and movement.<br />

Fri & Sat 6<br />

pm; Sun, 5<br />

pm<br />

Teatro Trianón<br />

Fri & Sat,<br />

8:30 pm;<br />

Sun, 5 pm<br />

Antigonón, un contingente épico<br />

(work in progress) by Rogelio<br />

Orizondo, staged by Teatro El Público.<br />

With only two actresses on the stage,<br />

this reworking of the myth of Antigone<br />

uses recourses such as dance,<br />

fragmentation of the discourse and the<br />

intersexuality to <strong>de</strong>lve into present-day<br />

concerns.<br />

Caligula El Público theater company<br />

reruns one of its most successful and<br />

provocative plays of their repertory, by<br />

French novelist, essayist, and dramatist,<br />

Albert Camus.<br />

EL PÚBLICO’S<br />

HOMOEROTIC TWELFTH<br />

NIGHT REACHES 100<br />

by Victoria Alcalá<br />

Carlos Diaz director of El Publico<br />

May 6, 2012 marked the 100th performance of El<br />

Público’s homoerotic Twelfth Night. This is one of the<br />

longest running <strong>Cuba</strong>n theatre productions and for<br />

most of these nights it has played to packed houses.<br />

Director Carlos Díaz’s version of the Shakespeare<br />

play is not for traditionalists with irreverent<br />

provocation dominating the Trianón Theater on<br />

Línea Street: cross-dressing, masquera<strong>de</strong>, farce and<br />

outspoken sarcasm; a <strong>de</strong>liberate mix of “high” and<br />

popular culture. Personally I think it was brilliant<br />

although don’t take grandma!<br />

Read full article<br />

page 15 | Feb<br />

www.<strong>Cuba</strong><strong>Absolutely</strong>.com

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