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st. john of damascus (676-749 - Cristo Raul

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&quot;<br />

De<br />

&quot;<br />

THE FONS SCIENTLE.&quot; 85<br />

may seem to go to the Roman doctrine <strong>of</strong> transub<strong>st</strong>antiation,<br />

it is proper to add that, in its <strong>st</strong>rict and<br />

technical sense, that doctrine could not be deduced<br />

from it.<br />

So much space has been given to this important<br />

chapter <strong>of</strong> the<br />

Fide,&quot; that what remains mu<strong>st</strong> be<br />

briefly despatched. After a section in honour <strong>of</strong> the<br />

Virgin Mary, vindicating her right to the title <strong>of</strong><br />

Theotokos, or Mother <strong>of</strong> God, the author passes on to<br />

a favourite subject with him, the worship <strong>of</strong> images<br />

(c. Ixxxix). He meets the argument drawn from the<br />

absence <strong>of</strong> any direction for such worship in the Old<br />

Te<strong>st</strong>ament, by urging that it was the incarnation, the<br />

presence <strong>of</strong> God in visible form among men, that<br />

gave a motive and sanction for the practice. To<br />

make the life and actions <strong>of</strong> Jesus and his followers<br />

more intelligible to the ignorant, the Fathers <strong>of</strong> the<br />

Church, 1 he says, resolved to set them forth by this<br />

means, for the easier in<strong>st</strong>ruction <strong>of</strong> such as could not<br />

read. At the same time, John<br />

is careful to add that<br />

the honour we pay to images <strong>of</strong> the saints, or <strong>of</strong> the<br />

Holy Mother, or to the crucifix, is<br />

only an expression<br />

<strong>of</strong> the reverence we really feel for what they represent.<br />

The next chapter (c. xc.) is on Holy Scripture. The<br />

books <strong>of</strong> the Old Te<strong>st</strong>ament he makes to coincide<br />

:<br />

in number with the letters <strong>of</strong> the Hebrew alphabet<br />

that is to say, they amount to twenty-two, <strong>of</strong> which<br />

five<br />

are double ones, thus making twenty-seven in all,<br />

1<br />

Lequien, in his note on the passage,<br />

admits that for the<br />

fir<strong>st</strong> three centuries such a use <strong>of</strong> images (so far at lea<strong>st</strong> as any<br />

adoration <strong>of</strong> them went) was unknown ;<br />

and that in fact it did<br />

not begin to develope itself until the fifth century.

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