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Barbican Britten: The Sixteen, 22 Nov

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Welcome to <strong>Barbican</strong> <strong>Britten</strong><br />

At the climax of Benjamin <strong>Britten</strong>’s centenary<br />

year, this is a wide-ranging, thought-provoking<br />

examination of a composer who is central to the<br />

music of our time. Some composers’ reputations<br />

fade for a while after their death; <strong>Britten</strong>’s, on<br />

the contrary, has grown and grown. Alongside<br />

regular performances of his masterpieces and<br />

the international success of his operas, his work<br />

is now stimulating an increasing range of new<br />

responses from creative artists and performers.<br />

Over these two weeks we highlight bold new<br />

directions in <strong>Britten</strong> interpretation, and we are<br />

delighted to present Richard Alston Dance<br />

Company’s radical interpretations of <strong>Britten</strong>’s<br />

vocal works, Les illuminations, Phaedra and<br />

Sechs Hölderlin Fragmente, Netia Jones’s<br />

innovative staging of the church parable<br />

Curlew River with tenor Ian Bostridge; and<br />

concerts with <strong>Britten</strong> Sinfonia, <strong>The</strong> <strong>Sixteen</strong><br />

and the BBC Symphony Orchestra (who<br />

take us to the Royal Albert Hall for the War<br />

Requiem, and back here for Albert Herring).<br />

At the heart of the season is the Illuminating<br />

<strong>Britten</strong> weekend – an unmissable three days<br />

<strong>Barbican</strong> Classical Music Podcasts<br />

For more information about <strong>Barbican</strong> <strong>Britten</strong>, and to listen<br />

to our other <strong>Barbican</strong> <strong>Britten</strong> podcasts, visit www.barbican.<br />

org.uk/britten.<br />

Available on iTunes, Soundcloud and the <strong>Barbican</strong> website<br />

curated by <strong>Britten</strong> expert John Bridcut and<br />

generously supported by the <strong>Britten</strong>–Pears<br />

Foundation. Discussions, presentations, films,<br />

readings and music, with a wide range of<br />

speakers debating some of the controversial<br />

issues in <strong>Britten</strong>’s life and legacy, will allow us to<br />

see <strong>Britten</strong> anew and deepen our understanding<br />

of his work. A new drama by Iain Burnside,<br />

Journeying Boys, completes the weekend.<br />

This season demonstrates so much of what<br />

we want the <strong>Barbican</strong> to be: providing worldclass<br />

arts and learning for all, working closely<br />

with our artistic partners and the Guildhall<br />

School of Music & Drama. We are using the<br />

full range of superb venues that now surround<br />

us in this outstanding cultural area – from<br />

the Guildhall School’s new Milton Court to<br />

the <strong>Barbican</strong> Hall, <strong>The</strong>atre and cinemas,<br />

and the Church of St Giles Cripplegate – to<br />

produce a unique celebration of a genius.<br />

Enjoy the rich variety of <strong>Barbican</strong> <strong>Britten</strong>!<br />

Sir Nicholas Kenyon<br />

Managing Director, <strong>Barbican</strong> Centre<br />

3 Introduction

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