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the attic stelai - The American School of Classical Studies at Athens

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222 W. KENDRICK PRITCHETT<br />

<strong>The</strong>y would be large and low, for <strong>the</strong> sails could be folded one directly on top <strong>of</strong><br />

ano<strong>the</strong>r, and shelves, which would be necessary for a high cupboard with front<br />

openings, would only be a useless expense. If <strong>the</strong> tops <strong>of</strong> <strong>the</strong>se chests were open <strong>the</strong>ir<br />

contents would be visible for a passing inspection, as <strong>the</strong> inscription provides.72 It may<br />

be noted th<strong>at</strong> Marstrand 7 has reconstructed <strong>the</strong> kibotoi <strong>of</strong> <strong>the</strong> armory with open<br />

grillwork panels set in <strong>the</strong>ir sides; <strong>the</strong>re is no evidence for such a detail in <strong>the</strong> words <strong>of</strong><br />

<strong>the</strong> inscription, but openings <strong>of</strong> some sort would be effective in discouraging mildew in<br />

<strong>the</strong> sails, and Marstrand's notion is interesting in connection with <strong>the</strong> chest <strong>of</strong> our<br />

list which is called thyridotos, 'having apertures.'<br />

At any r<strong>at</strong>e, Budde does not cite <strong>the</strong> chests <strong>of</strong> Philo as examples <strong>of</strong> his Greek<br />

armaric. He admits th<strong>at</strong> represent<strong>at</strong>ions <strong>of</strong> cupboards are extremely rare in Greek<br />

art but he believes th<strong>at</strong> he has found some in <strong>the</strong> fifth-century reliefs from Lokroi<br />

Epizephyrioi.74 In <strong>the</strong>se scenes <strong>the</strong>re is frequently shown wh<strong>at</strong> seems to be a chest<br />

placed on ra<strong>the</strong>r long legs so th<strong>at</strong> it <strong>at</strong>tains <strong>the</strong> height <strong>of</strong> a table. <strong>The</strong>se are highly<br />

decor<strong>at</strong>ed pieces, and on <strong>the</strong> vertical face which is shown in full <strong>the</strong>re are usually two<br />

panels set <strong>of</strong>f in <strong>the</strong> carving; <strong>the</strong>se Budde supposes to be <strong>the</strong> doors <strong>of</strong> <strong>the</strong> cabinet. It<br />

is easy to appreci<strong>at</strong>e -his interpret<strong>at</strong>ion <strong>of</strong> <strong>the</strong> function <strong>of</strong> <strong>the</strong> panels, and yet no one<br />

<strong>of</strong> <strong>the</strong> many reliefs <strong>of</strong>fers clinching evidence. <strong>The</strong> panels are never shown ajar or<br />

being opened; never can we see anything which might have been meant to suggest<br />

hinge, knob or fastening, although this is <strong>the</strong> sort <strong>of</strong> detail which Greek artists were<br />

usually careful to reproduce. Sometimes <strong>the</strong> raised outline <strong>of</strong> <strong>the</strong> panel is so continued<br />

by <strong>the</strong> decor<strong>at</strong>ive scheme th<strong>at</strong> a break in it would be necessary if <strong>the</strong> panel were to<br />

open as a door, and yet <strong>the</strong> border is shown as perfectly continuous.75 And we know<br />

th<strong>at</strong> some <strong>of</strong> <strong>the</strong> panels certainly did not open, for <strong>the</strong>y are shown on a table with a<br />

very deep facing around <strong>the</strong> top,76 and again, and this is a strong point against Budde,<br />

<strong>the</strong> same sort <strong>of</strong> panel is shown on <strong>the</strong> side <strong>of</strong> a chest, <strong>the</strong> top <strong>of</strong> which a woman is in<br />

<strong>the</strong> act <strong>of</strong> raising.77 One fact which Budde might note but does not is th<strong>at</strong> <strong>the</strong> tops <strong>of</strong><br />

<strong>the</strong>se small chests or tables are <strong>of</strong>ten laden with objects; however, <strong>the</strong> presence <strong>of</strong> <strong>the</strong>se<br />

objects discourages <strong>the</strong> idea <strong>of</strong> a top opening only if we must believe th<strong>at</strong> <strong>the</strong> chests<br />

were frequently opened; and since <strong>the</strong>se particular reliefs show cult scenes, it may be<br />

supposed th<strong>at</strong> <strong>the</strong> chests contained sacred objects which were not <strong>of</strong>ten brought out.<br />

Two <strong>of</strong> <strong>the</strong> Locrian chests had on <strong>the</strong>ir paired front panels represent<strong>at</strong>ions <strong>of</strong> a pair<br />

<strong>of</strong> tiny, double-leaved doors, complete with lintels and consoles.8 <strong>The</strong>se were thought<br />

72<br />

I.G., II2, 1668, lines 85 ff.<br />

73 Arsenalet i Piraeus og Oldtidens byggeregler, Kopenhagen, 1922, pp. 116 ff.<br />

74 Ausonia, III, 1908, pp. 136 ff.<br />

75 Ibid., fig. 47.<br />

76 Ibid., fig. 48; an -altar, according to Quagli<strong>at</strong>i.<br />

77 Ibid., fig. 63. See also Clairmont, op. cit., pl. 51, fig. 11.<br />

78 Ibid., figs. 77 and 78; cf. Studniczka, Abh. der konigl. sdchs. Gesellschaft der Wissensch.,<br />

Phil.-hist. Ki., XXX, Leipzig, 1913, p. 165, figs. 48, 49. <strong>The</strong> fact th<strong>at</strong> a pot might be placed on

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