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the attic stelai - The American School of Classical Studies at Athens

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212 W. KENDRICK PRITCHETT<br />

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<strong>The</strong> economic picture which emerges from this chapter on Greek furniture is <strong>of</strong><br />

a rel<strong>at</strong>ively simple mode <strong>of</strong> life. <strong>The</strong> words <strong>of</strong> Rostovtzeff, descriptive <strong>of</strong> <strong>the</strong> l<strong>at</strong>er,<br />

Hellenistic, period, could equally well be cited for <strong>the</strong> fifth century: " House furniture<br />

was very scanty: it consisted <strong>of</strong> a. few couches, chairs, tables, and chests <strong>of</strong><br />

various forms. In rich houses, couches for example-<strong>the</strong> best known pieces <strong>of</strong><br />

furniture-were real products <strong>of</strong> art, being adorned with bronze sculptures (on <strong>the</strong><br />

legs, backs, and side-supports), inlaid with ivory and coloured glass, and covered with<br />

fine m<strong>at</strong>tresses, rugs, and pillows. But in <strong>the</strong> average houses all <strong>the</strong> articles <strong>of</strong> furniture<br />

were <strong>of</strong> plain design and cheap m<strong>at</strong>erial. Table and domestic utensils, including<br />

lamps, were mostly <strong>of</strong> clay and <strong>of</strong> compar<strong>at</strong>ively few shapes and plainly made." 6<br />

Rostovtzeff's st<strong>at</strong>ement may be compared with <strong>the</strong> opening sentence <strong>of</strong> Richter's book<br />

on Greek furniture: " When we begin to study Greek furniture nothing is more<br />

striking than <strong>the</strong> compar<strong>at</strong>ive simnplicity <strong>of</strong> <strong>the</strong> life <strong>of</strong> <strong>the</strong> Greeks." By modern standards,<br />

certainly, <strong>the</strong> Greek house must have been rel<strong>at</strong>ively empty.<br />

<strong>The</strong> present chapter can be regarded only as an approach to <strong>the</strong> study <strong>of</strong> Greek<br />

furn'iture. Probably in no o<strong>the</strong>r section <strong>of</strong> this work has <strong>the</strong> need been more obvious<br />

for an authorit<strong>at</strong>ive work defining and illustr<strong>at</strong>ing all <strong>of</strong> <strong>the</strong> words studied. <strong>The</strong><br />

present writer has <strong>of</strong> course restricted his investig<strong>at</strong>ion to those terms which occur<br />

in <strong>the</strong> Attic Stelai. But <strong>the</strong>re is unquestionably m<strong>at</strong>erial for an investig<strong>at</strong>ion <strong>of</strong> <strong>the</strong><br />

meaning <strong>of</strong> numerous rel<strong>at</strong>ed words. Present studies do not begin with <strong>the</strong> literary<br />

m<strong>at</strong>erial and are concerned for <strong>the</strong> most part with artistic represent<strong>at</strong>ions and <strong>the</strong>ir<br />

development.<br />

Miscellaneous household furnishings, like pillows, bedspreads, and curtains, have<br />

been considered with <strong>the</strong> furniture. From archaic times Greeks were fond <strong>of</strong> piling<br />

<strong>the</strong>ir couches and chairs with colored cushions, and <strong>of</strong> draping <strong>the</strong>m with rugs and<br />

tapestries.7 It may have been in his choice <strong>of</strong> furnishings th<strong>at</strong> an Attic householder<br />

6 Soc. and Ec. Hist. <strong>of</strong> Hell. World, II, pp. 1203-1204.<br />

7 See G. M. A. Richter, Ancient Furniture, Oxford, 1926, figs. 6, 7, 69, 113, 118, 121, 152, 159,<br />

161, 162, etc.

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