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them in towards him in a frenzy, quivering motionless in<br />

the rain. Then suddenly he tipped her up and fell with her<br />

on the path, in the roaring silence of the rain, and short<br />

and sharp, he took her, short and sharp and finished, like<br />

an animal®“ (LCL 231)<br />

Of course the passage is ambiguous but I am not forcing on<br />

it any conclusion to which critics like Dale ski, Ford, and Pritchard<br />

have not already come»<br />

Daleski has several objections to the way in which Lawrence<br />

presents this sort of buggery in LCL, but he also argues that<br />

“the experience is overtly presented as a necessary purifications<br />

the ’sensual fire*, and we note how fire images recur<br />

throughout the passage, burns out ’false shames’ and<br />

smelts out ’the heaviest ore of the body into purity’«”<br />

(TFF 305)<br />

But where is Connie’s participation in the '•purification’*?<br />

Mellors is only interested in her Mposteriors11 and finishes “like<br />

an animal” «■ Odd enough, because given a choice, animals prefer<br />

the other opening, I do not see how this passage helps Lawrence<br />

in his attempt to purify human relationships through the sex relation.<br />

This time Mellors seems to be one of those persons Law~<br />

rence so vehemently denounces as a case of nsex in the head”.<br />

And it is generally agreed that Mellors stands for Lawrence in<br />

LCL.<br />

A second passage presents anality less ambiguously though<br />

it too is often obscures<br />

”It was a night of sensual passion, in which she was a<br />

little startled and almost unwilling: yet pierced again<br />

with piercing thrills of sensuality, different, sharper,<br />

more terrible than the thrills of tenderness, but, at the<br />

moment, more desirable. Though a little frightened, she<br />

let him have his way, and the reckless, shameless sensua-

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