T H E S I S
T H E S I S
T H E S I S
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65<br />
So the general subject matter of LCL may be broken down in~<br />
to two major themes: the relations of men and women and the relations<br />
of men and machine. The last is the problem of the industrial<br />
structure and its effects on men and nature. In fact,<br />
there is a close relationship between the mechanical world of<br />
industrialism and mechanical sex, the second being a by-product<br />
of the first0; Both are condemned by Lawrence through Connie and<br />
Mellors, The first theme is much more developed and important,<br />
with the second as its background, but they are ultimately linked<br />
and as John B.Wilson points out, Lawrence ”... in effect rejected<br />
civilization and wanted men to go back to the "natural<br />
world” of instinct,” (ELS 286)<br />
Lawrence always emphasized the importance of the man-woman<br />
theme in LCL:<br />
” 1 always labour at the same thing, to make the sex relation<br />
valid and precious, instead of shameful. And this novel is<br />
the furthest I've gone. To me it is beautiful and tender<br />
and frail as the naked self is.”(LCL XV) ^3)<br />
Lawrence preaches a new doctrine, based on everything he<br />
has written up to LCL: a new relationship between man and woman<br />
which he calls ”phallic consciousness”, opposed to ”mental consciousness”,<br />
that is to say, mental life without the necessary<br />
and proper physical and sexual relations. According to J.B.Wilson,<br />
LCL was banned because "it too frankly glorified physical<br />
love”«(ELS 286) This would.be valid if the main concern of the<br />
story were "sex consciousness”, that is to say, body without<br />
mind, sex without mind. But this is certainly not true and J.B.’<br />
Wilson is one of the critics who simply joined their voices to<br />
a crowd of detractors like T.S.Eliot, without having a perfect