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65<br />

So the general subject matter of LCL may be broken down in~<br />

to two major themes: the relations of men and women and the relations<br />

of men and machine. The last is the problem of the industrial<br />

structure and its effects on men and nature. In fact,<br />

there is a close relationship between the mechanical world of<br />

industrialism and mechanical sex, the second being a by-product<br />

of the first0; Both are condemned by Lawrence through Connie and<br />

Mellors, The first theme is much more developed and important,<br />

with the second as its background, but they are ultimately linked<br />

and as John B.Wilson points out, Lawrence ”... in effect rejected<br />

civilization and wanted men to go back to the "natural<br />

world” of instinct,” (ELS 286)<br />

Lawrence always emphasized the importance of the man-woman<br />

theme in LCL:<br />

” 1 always labour at the same thing, to make the sex relation<br />

valid and precious, instead of shameful. And this novel is<br />

the furthest I've gone. To me it is beautiful and tender<br />

and frail as the naked self is.”(LCL XV) ^3)<br />

Lawrence preaches a new doctrine, based on everything he<br />

has written up to LCL: a new relationship between man and woman<br />

which he calls ”phallic consciousness”, opposed to ”mental consciousness”,<br />

that is to say, mental life without the necessary<br />

and proper physical and sexual relations. According to J.B.Wilson,<br />

LCL was banned because "it too frankly glorified physical<br />

love”«(ELS 286) This would.be valid if the main concern of the<br />

story were "sex consciousness”, that is to say, body without<br />

mind, sex without mind. But this is certainly not true and J.B.’<br />

Wilson is one of the critics who simply joined their voices to<br />

a crowd of detractors like T.S.Eliot, without having a perfect

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