T H E S I S

More documents

Recommendations

Info

Love "conventional morality is under a »ban1, as the lovers a- chieve more than conventional sexual intercourse in mutual anal caresses.”(BOD 102) But let's not forget that the critics have stated this clearly, and not Lawrence. The texts of the novels are always foggy and the reason for this obscurity was evidently still Lawrence’s puritanism, which prevented him from facing conventional morality. I suggest that contemporary mores would not permit him to speak openly about “dark sex11 yet.
Chapter V LAURENCE AND PORNOGRAPHY (Critical Essays) 1 His (Lawrence’s) essays and 'philosophy* always came after he had worked out his ideas in fiction or poetry“(SLC 18), says H»T.Moore in Sex,, Literature, and Censor ship? and the author said that 1the novels and poems come unwatched out of one’s pen.**(FTU15) This seems to be the reason why his middle-period critical essays Psychoanalysis and the Unconscious and Fantasia of the Unconscious came after his principal novels. And after his last novel he wrote his two last and most important critical essayss Pornography and Obscenity and A Propos of Lady Chatterley's Lover, in 1929. The second contains a profound critical explanation of the moral case raised by the "scandal'5 of Lady Chatterley. It was written in defence of the novel and its subject, an attack on the "censormorons", is a ratification of all his pronouncements on the subject of sex, literature, and censorship, and a repetition of the ideas presented in Lady Chatterley. The first essay, Pornography and Obscenity, is also a confirmation of his theories, but there are some fine arguments and fresh ideas about pornography and it seems to have been written to challenge the censors too. It is a very polemical essay. But the final Lawrence is the Lawrence of Ladv Chatterlev's Lover. Nothing he wrote after that novel re-
Page 1 and 2:
Mo ï»e THESIS D. H0 IAWBENGE: SEX
Page 3 and 4:
Esta Tese foi julgada adequada para
Page 5 and 6:
TABLE OF CONTENTS Abbreviations Mbs
Page 7 and 8: vil PGB - Portrait of a Genius« Bu
Page 9 and 10: R E S U M O D« H. Lawrence fez do
Page 11 and 12: Chapter I INTRODUCTION A, A, Victor
Page 13 and 14: 3 misunderstood sexual theme, is go
Page 15 and 16: 5 identical reasoning: nThere can s
Page 17 and 18: 7 attitudes. In this respect, it is
Page 19 and 20: 9 rence ’s works in his book The
Page 21 and 22: Chapter II PURITANISM DEFINED Histo
Page 23 and 24: 33 The actual meaning we find in di
Page 25 and 26: 15 and lie alone right. Having run
Page 27 and 28: 17 presents the Freudian imbroglio
Page 29 and 30: 19 it is perhaps worth noticing tha
Page 31 and 32: 21 but in many other parts of the b
Page 33 and 34: or inhibited action we are tempted
Page 35 and 36: 25 And about Cyril (himself) he sai
Page 37 and 38: 27 The tall meadow-sweet was in bud
Page 39 and 40: 29 genitals. Certainly Lawrence's p
Page 41 and 42: 31 Of course, one can imagine how i
Page 43 and 44: 33 'Good Lord, Emily! But he is dea
Page 45 and 46: 35 cock just quoted in the two prev
Page 47 and 48: 37 frustrated: Mr, and Mrs. Beardsa
Page 49 and 50: 39 So far, Lawrence’s early views
Page 51 and 52: hi rainbow arch; it is the “toget
Page 53 and 54: ^3 Lawrence said in his defence: "T
Page 55 and 56: ubbing passage of The White Peacock
Page 57: eautiful."(TRB 238) Why afraid? Bec
Page 61 and 62: 51 sions then is Freud’s theory o
Page 63 and 64: 53 male, in a negative or sundering
Page 65 and 66: 55 he directly faced the censors an
Page 67 and 68: 57 "the whole question of pornograp
Page 69 and 70: 59 Girordias, (11) famous editor an
Page 71 and 72: 61 secret".; Neither can be of any
Page 73 and 74: 63 by January 1928 and is now widel
Page 75 and 76: 65 So the general subject matter of
Page 77 and 78: 67 The real theme, which recurs in
Page 79 and 80: 69 built of rusticated sandstone an
Page 81 and 82: 71 who want to dominate them, Mello
Page 83 and 84: 73 question Lawrence puts to himsel
Page 85 and 86: 75 the mechanical images are deflec
Page 87 and 88: 77 lies, navels, and breasts* (It h
Page 89 and 90: 79 Maybe they are the truth some cr
Page 91 and 92: 81 heave her loins, and throw the m
Page 93 and 94: 83 ’'darkness” is present in M
Page 95 and 96: 85 11ty shook her to her foundation
Page 97 and 98: 87 some kind of ’'arrest'** In al
Page 99 and 100: Chapter ¥11 CONCLUSIONS Host of th
Page 101 and 102: 91 in a passionate love affair and
Page 103 and 104: 93 distinguished from normal conduc
Page 105 and 106: 95 presentative of most people's ex
Page 107 and 108: 97 easy to say* I think that he has
Page 109 and 110:
APPENDIX NOTES 1 Title of the work
Page 111 and 112:
BIBLIOGRAPHY •* Aldington^ Richar
Page 113 and 114:
103 Lawrence, D«E., (cont.) -"SunJ
show all

T H E S I S

Create successful ePaper yourself

Delete template?

Save as template?