T H E S I S
T H E S I S
T H E S I S
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^3<br />
Lawrence said in his defence:<br />
"There is no more indecency or impropriety in The Rainbow<br />
than there is in this autumn morning - I who say so ought<br />
to know. And when I open my mouth let no dog bark.“ (FRL 1^5)<br />
This novel unfolds the story of three generations of a Midland<br />
family, the Brangwens. Lawrence tried to build up a study<br />
of his own beliefs in marriage based on the union of the sexes<br />
to attain an accomplished life for man and woman, Tom Brang-<br />
wen marries a Polish widow, Anna Lensky, and discovers that love<br />
must come to terms with the other forces that make up a human<br />
personality, including sex. But Ursula (Anna's grand-daughter)<br />
and Skrebensky form the couple(in the third generation) who are<br />
really striving for fulfilment in the sexual relations. The Rainbow<br />
is the least autobiographical of Lawrence’s novels and only<br />
Ursula bears something approaching an autobiographical relation to<br />
Lawrence^ according to F.R.Leavis«(FRL 137)<br />
In this novel Lawrence began to “preach" his doctrine of<br />
sex which became the cornerstone of most of his writings, especially<br />
in his last period, the critical essays and Lady Chatterley’s<br />
Lover:<br />
the supreme importance of fulfilment in the individual<br />
and a faith that the sexual fulfilment is the ultimate.<br />
Women in Love is a sequel to The Rainbow and grew out of<br />
the second part of the first draft of The Sisters«<br />
The final<br />
draft was written in 1916, but (because of The Rainbow’s fate)<br />
the publication took place only in 1920, in New York; it was published<br />
in England in 1921«<br />
Women in Love is the story of two sisters, their lives,<br />
their lovers, and the emotional conflicts they face because of<br />
the necessity for sexual fulfilment. Ursula (the same character