T H E S I S
T H E S I S T H E S I S
2 ature and his writings do not have any genre boundary. He wrote novels, tales, short stories, travel books, literary criticism, critical essays, poems, and even made some excursions into the area of painting. But he mastered above all the novel and in the novel he was considered an innovative genius* He was aware of this? “And being a novelist, I consider myself superior to the saint, the scientist, the philosopher, and the poet, who are all great masters of different bits of man alivef but never get the whole hog.”(SPS 12*f) He was not only a novelist but also a saint, sinner, scientist, wizard, philosopher, prophet, and poet, who looked for the light in the darkness and for the dark in the light. In a sense, Lawrence’s works are full of contradictions except for one things his main concern was always with human relations, with their importance and frequent falsity. On this t basis he also found "the serpent of sex coiled round the root of all our actions."(PAU 201) In pursuit of that central root of human consciousness he proposed to elevate the sexual theme, to show that it had the dignity of any other human or "spiritual” relationships. the time he was young until he was a mature man, in his last From phase as a writer, he tried to emphasizes sex as a means to improve the relationships between man and woman. Because of this he was prosecuted several times and his books were banned. He was censored all his life, even by men of such literary Influence as T.S,Eliot who talked of Lawrence’s "sexual morbidity"(FRL 22) in After Strange Gods. Lady Chatterlevfs LoverT his last novel dealing with this
3 misunderstood sexual theme, is going to be the core of my investigation, and unlike the critics in general, I have found it useful to compare and contrast the last novel with Lawrence’s first, The White Peacock. I believe that this objective complements the existing critical approaches to Lawrence's dualities: light and dark, mind and senses, brain and body, male and female, and thus, the first and the last. Al group of good critical essays belonging to his last period which embody some of his best prose philosophizing will also be examined. A Propos of Lady Chatterley's Lover? written in defence of his last novel, and Pornography and Obscenity are two excellent essays of his last year, 1929, in which he presents riot only his selfdefence, but as a dying man, his last arguments on the subject which became the touchstone of his writings; sex. ' Yet, according to many critics, Lawrence never quite came to terms with sex# His friend, biographer, and critic, Richard Aldington, says; l,Por Lawrence sex was a flowering of the mysterious life force, an unknown God who must be brought into the consciousness.'1 (PGB 105) Carrying the point a bit further, Lawrence's first girl-friend, Jessie Chambers, wrote about him in her personal records "I could not help feeling that the whole question of sex had for him the fascination of horror.(ETJ 153) There was (and still is) one sort of person who could think of sex as something ‘'mysterious*' or of having "horror*': a moralist, or better, a puritan. By exploring Lawrence's thoughts on the subject of sex I intend to examine to what extent he is a puritan and if so, what
- Page 1 and 2: Mo ï»e THESIS D. H0 IAWBENGE: SEX
- Page 3 and 4: Esta Tese foi julgada adequada para
- Page 5 and 6: TABLE OF CONTENTS Abbreviations Mbs
- Page 7 and 8: vil PGB - Portrait of a Genius« Bu
- Page 9 and 10: R E S U M O D« H. Lawrence fez do
- Page 11: Chapter I INTRODUCTION A, A, Victor
- Page 15 and 16: 5 identical reasoning: nThere can s
- Page 17 and 18: 7 attitudes. In this respect, it is
- Page 19 and 20: 9 rence ’s works in his book The
- Page 21 and 22: Chapter II PURITANISM DEFINED Histo
- Page 23 and 24: 33 The actual meaning we find in di
- Page 25 and 26: 15 and lie alone right. Having run
- Page 27 and 28: 17 presents the Freudian imbroglio
- Page 29 and 30: 19 it is perhaps worth noticing tha
- Page 31 and 32: 21 but in many other parts of the b
- Page 33 and 34: or inhibited action we are tempted
- Page 35 and 36: 25 And about Cyril (himself) he sai
- Page 37 and 38: 27 The tall meadow-sweet was in bud
- Page 39 and 40: 29 genitals. Certainly Lawrence's p
- Page 41 and 42: 31 Of course, one can imagine how i
- Page 43 and 44: 33 'Good Lord, Emily! But he is dea
- Page 45 and 46: 35 cock just quoted in the two prev
- Page 47 and 48: 37 frustrated: Mr, and Mrs. Beardsa
- Page 49 and 50: 39 So far, Lawrence’s early views
- Page 51 and 52: hi rainbow arch; it is the “toget
- Page 53 and 54: ^3 Lawrence said in his defence: "T
- Page 55 and 56: ubbing passage of The White Peacock
- Page 57 and 58: eautiful."(TRB 238) Why afraid? Bec
- Page 59 and 60: Chapter V LAURENCE AND PORNOGRAPHY
- Page 61 and 62: 51 sions then is Freud’s theory o
2<br />
ature and his writings do not have any genre boundary. He wrote<br />
novels, tales, short stories, travel books, literary criticism,<br />
critical essays, poems, and even made some excursions into the<br />
area of painting. But he mastered above all the novel and in the<br />
novel he was considered an innovative genius* He was aware of<br />
this?<br />
“And being a novelist, I consider myself superior to the<br />
saint, the scientist, the philosopher, and the poet, who<br />
are all great masters of different bits of man alivef but<br />
never get the whole hog.”(SPS 12*f)<br />
He was not only a novelist but also a saint, sinner, scientist,<br />
wizard, philosopher, prophet, and poet, who looked for the light<br />
in the darkness and for the dark in the light.<br />
In a sense, Lawrence’s works are full of contradictions except<br />
for one things his main concern was always with human relations,<br />
with their importance and frequent falsity. On this<br />
t<br />
basis he also found "the serpent of sex coiled round the root of<br />
all our actions."(PAU 201)<br />
In pursuit of that central root of human consciousness he<br />
proposed to elevate the sexual theme, to show that it had the<br />
dignity of any other human or "spiritual” relationships.<br />
the time he was young until he was a mature man, in his last<br />
From<br />
phase as a writer, he tried to emphasizes sex as a means to improve<br />
the relationships between man and woman. Because of this<br />
he was prosecuted several times and his books were banned. He<br />
was censored all his life, even by men of such literary Influence<br />
as T.S,Eliot who talked of Lawrence’s "sexual morbidity"(FRL 22)<br />
in After Strange Gods.<br />
Lady Chatterlevfs LoverT his last novel dealing with this