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102 Freud, Sigmund, (cont*) vol«' 7, Outros Trabalhos sobre a Psicoterapia A Sexualidade na Etiologia das Neuroses Tipos Psicopáticos no Palco vol. 11, Cine o liç-ões de Psicanálise Leonardo da Finei e uma Lembrança de sua Infância Perspectivas da Terapêutica Psicanalítica Contribuições a Psicologia do Amor Psicanálise Silvestre e Outros Trabalhos Garcíag Eugene Current, and Patrick, Walton R., What is the Short Story?, Glenview, 111«, Scott, Foresman & Co», 1961 Hough, Graham, The Dark Stm-A Study of D.E*Lawrence, London, Gerald Duckworth & Co. Ltd«, 1970 Jones, Bernard,"The Three Ladies Chatterley^ essay published in 18Books and Bookmen”, magazine, issue n. 222, March, London, Hanson Books, 197^ Lawrence, D^H«, A Propos of Lady Chatterley *s Lover, Earmondsworth, Middlesex, Penguin Books, 1961 ” Fantasia of the Unconscious, idem, 1971 - Întroduction to his Paintings”, idem, 1961 - ’Întroduction to Pansieá’(poems), idem, 1961 - Lady Chatterley’s Lover, idem, 1971 - "Morality and the Noveí’, essay, published in R*H*Poole and P«J«,Shepherd8s D«B»Lawrence-“A Selection - Pornography and Obscenity, Penguin Books, 1961 ” Psychoanalysis and the Unconscious, idem, 1971 ~ Sexa Literature, and Censorship, edited by H.T.Moore, New York, Viking Press, 1959 » Sons and Lovers, Pengtxin Books, 1970
103 Lawrence, D«E., (cont.) -"SunJ a story, published in R.E.Poole and P. J".Shepherd’s D. E.Lawrence-A Selection “ The Rainbow« Penguin Books, 1972 “ The White Peacock» idem, 1971 -MTwo Blue Birdsg a short story, published in Eugene Current- García and Walton R. Patrick’s What is the Short Story? “ ôoen in Lore, Penguin Books, 1970 Leavis, F.R., P.H.Lawrence-Novelist§ London* Chatto & Windus,l$67 Hoore, Harry T., The Intelligent Heart-The Story of D.E.Lawrence, Penguin Books, I960 - Edition^ Introduction, and Preface of Sex9 Literatureând Censorship ,by D.H.Lawrence, New York, Viking Press, 1959 Patrick, Walton R., and García, Eugene Current, Hhat is the Short Story?a Glenview, 111., Scott, Foresman & Co., 1961 Poole, R.H., and Shepherd, P„ *T., D.E.Lawrence-A Selection, London, Heinemann, 197.0 Pritchard, R.E., P.E.Lawrences Body of Darkness8 University of Pittsburgh Press, 1971 Rolph, C.H., The Trial of Lady Chatterley (the transcript of the trial of London), Penguin Books, 1961 Schorer, Mark,“introduction to Lady Chatterley*s Lover, in A. Propos of Lady Chatterley’s Lover< Penguin Books, 1961 Shepherd, P.J., and Poole, R.H., D.E.Lawrence-A Selection, London, Heinemann, 1970 Viallace, Irving, Os Sete Minutos (The Seven Minutes), translated by Milton Persson, Rio de Janeiro, Editora Nova Fronteira, 11th. ed., 1973
Page 1 and 2:
Mo ï»e THESIS D. H0 IAWBENGE: SEX
Page 3 and 4:
Esta Tese foi julgada adequada para
Page 5 and 6:
TABLE OF CONTENTS Abbreviations Mbs
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vil PGB - Portrait of a Genius« Bu
Page 9 and 10:
R E S U M O D« H. Lawrence fez do
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Chapter I INTRODUCTION A, A, Victor
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3 misunderstood sexual theme, is go
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5 identical reasoning: nThere can s
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7 attitudes. In this respect, it is
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9 rence ’s works in his book The
Page 21 and 22:
Chapter II PURITANISM DEFINED Histo
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33 The actual meaning we find in di
Page 25 and 26:
15 and lie alone right. Having run
Page 27 and 28:
17 presents the Freudian imbroglio
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19 it is perhaps worth noticing tha
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21 but in many other parts of the b
Page 33 and 34:
or inhibited action we are tempted
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25 And about Cyril (himself) he sai
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27 The tall meadow-sweet was in bud
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29 genitals. Certainly Lawrence's p
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31 Of course, one can imagine how i
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33 'Good Lord, Emily! But he is dea
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35 cock just quoted in the two prev
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37 frustrated: Mr, and Mrs. Beardsa
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39 So far, Lawrence’s early views
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hi rainbow arch; it is the “toget
Page 53 and 54:
^3 Lawrence said in his defence: "T
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ubbing passage of The White Peacock
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eautiful."(TRB 238) Why afraid? Bec
Page 59 and 60:
Chapter V LAURENCE AND PORNOGRAPHY
Page 61 and 62: 51 sions then is Freud’s theory o
Page 63 and 64: 53 male, in a negative or sundering
Page 65 and 66: 55 he directly faced the censors an
Page 67 and 68: 57 "the whole question of pornograp
Page 69 and 70: 59 Girordias, (11) famous editor an
Page 71 and 72: 61 secret".; Neither can be of any
Page 73 and 74: 63 by January 1928 and is now widel
Page 75 and 76: 65 So the general subject matter of
Page 77 and 78: 67 The real theme, which recurs in
Page 79 and 80: 69 built of rusticated sandstone an
Page 81 and 82: 71 who want to dominate them, Mello
Page 83 and 84: 73 question Lawrence puts to himsel
Page 85 and 86: 75 the mechanical images are deflec
Page 87 and 88: 77 lies, navels, and breasts* (It h
Page 89 and 90: 79 Maybe they are the truth some cr
Page 91 and 92: 81 heave her loins, and throw the m
Page 93 and 94: 83 ’'darkness” is present in M
Page 95 and 96: 85 11ty shook her to her foundation
Page 97 and 98: 87 some kind of ’'arrest'** In al
Page 99 and 100: Chapter ¥11 CONCLUSIONS Host of th
Page 101 and 102: 91 in a passionate love affair and
Page 103 and 104: 93 distinguished from normal conduc
Page 105 and 106: 95 presentative of most people's ex
Page 107 and 108: 97 easy to say* I think that he has
Page 109 and 110: APPENDIX NOTES 1 Title of the work
Page 111: BIBLIOGRAPHY •* Aldington^ Richar
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