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100 16 The name "Lady Crystabel11 probably derives from Coleridge’s unfinished poem ’Chris tabel" whose heroine is bitten by a "lamia" or snake-woman in a quasi-lesbian encounter«. Thus? Christabel becomes herself a kind of vampire. The -undertone of perversion in this allusion seems clear. 17 Since an authorized German edition of Freud’s works is not available, 1 used different editions in English, Spanish,and Portuguese; the last one (as it can be seen in the following bibliography) is the standard edition translated directly from James Strachey’s English edition«’ 18 Lawrence. Jovce and Powys. Essays in Criticism, p. 11; quoted by H.MeDaleski3 op.cit., p. 305. ■ 19 The Concise Oxford Dictionary, 5th* ed., Oxford, 1966. 20 In the following alphabetical order I am referring to pages in this thesis. « 21 Although we cannot talk about incestuous sexual acts in Lawrence {s own case. 22 Both Lawrence and Freud were "vitalistic" thinkers, that is, they were influenced by a stream of thought which began with Nietzsche and Schopenhauers called '’vitalism” and was later on developed by Bergson in his Jalan Vital, This doctrine is based on Nietzsche's dictum *’God is dead” and preaches that life originates from a vital principle distinct from chemical and other physical forces. 23 This is from one of his last letters, quoted from The Collected Letters of P. 5.Lawrence« edited by H.T.Moore, Heinemann, 1962, vol. II, p. 726.
BIBLIOGRAPHY •* Aldington^ Richard? Portrait of a Genius, But«,„», London, Eeinemann Ltd», 1950 Bandeira, Manuel, Estrela da 7ida Inteira» Poesias Reunidas, Rio de Janeiro, Liv0 Jose Olympio Editora, 1966 Beal, Anthony, D»E«Lawrence«, Writers and Critics Series, translated by Octavio Alves Velho, Rio de Janeiro, Editora Civilização Brasileira, 1966 Chambers, Jessie (EeT«)s D»H.Lawrence - A Personal Record by E,T*, London, Frank Cass & Co„ Ltd.,2nd, ed*, 1965 Ford, George H*, Double Measure-A Study of the Novels and Stories of D«H„Lawrence, New York, W,W,Norton, 1965 Freud, Sigmund, A General Introduction to PsychoanalysisB New York, Pocket Books, 2*fth* ed«, 1972 “ Obras Completas de Freud, (in Spanish), 3 vols*, Madrid^ Editorial Biblioteca Efueva, translated directly from German and English originals by Luis Lopes Ballesteros Y de Torres, 19*f8* vols. 1 and 2; and by Ramon Rey Ardid, 1968, vol.3 « Edição Standard Brasileira das Obras Completas de Sigmund Freudg 12 vols*, translated directly from the standard ed* by James Strachey, London, Rio de Janeiro, Imago Ed*,1972s vol. b t A Interpretação de Sonhos, part I vol* 5j A Interpretação de Sonhos, part II Sobre os Sonhos vol«. 7j Fragmento da Analise de um Caso de Histeria Três Ensaios sobre a Teoria da Sexualidade
Page 1 and 2:
Mo ï»e THESIS D. H0 IAWBENGE: SEX
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Esta Tese foi julgada adequada para
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TABLE OF CONTENTS Abbreviations Mbs
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vil PGB - Portrait of a Genius« Bu
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R E S U M O D« H. Lawrence fez do
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Chapter I INTRODUCTION A, A, Victor
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3 misunderstood sexual theme, is go
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5 identical reasoning: nThere can s
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7 attitudes. In this respect, it is
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9 rence ’s works in his book The
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Chapter II PURITANISM DEFINED Histo
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33 The actual meaning we find in di
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15 and lie alone right. Having run
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17 presents the Freudian imbroglio
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19 it is perhaps worth noticing tha
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21 but in many other parts of the b
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or inhibited action we are tempted
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25 And about Cyril (himself) he sai
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27 The tall meadow-sweet was in bud
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29 genitals. Certainly Lawrence's p
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31 Of course, one can imagine how i
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33 'Good Lord, Emily! But he is dea
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35 cock just quoted in the two prev
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37 frustrated: Mr, and Mrs. Beardsa
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39 So far, Lawrence’s early views
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hi rainbow arch; it is the “toget
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^3 Lawrence said in his defence: "T
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ubbing passage of The White Peacock
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eautiful."(TRB 238) Why afraid? Bec
Page 59 and 60: Chapter V LAURENCE AND PORNOGRAPHY
Page 61 and 62: 51 sions then is Freud’s theory o
Page 63 and 64: 53 male, in a negative or sundering
Page 65 and 66: 55 he directly faced the censors an
Page 67 and 68: 57 "the whole question of pornograp
Page 69 and 70: 59 Girordias, (11) famous editor an
Page 71 and 72: 61 secret".; Neither can be of any
Page 73 and 74: 63 by January 1928 and is now widel
Page 75 and 76: 65 So the general subject matter of
Page 77 and 78: 67 The real theme, which recurs in
Page 79 and 80: 69 built of rusticated sandstone an
Page 81 and 82: 71 who want to dominate them, Mello
Page 83 and 84: 73 question Lawrence puts to himsel
Page 85 and 86: 75 the mechanical images are deflec
Page 87 and 88: 77 lies, navels, and breasts* (It h
Page 89 and 90: 79 Maybe they are the truth some cr
Page 91 and 92: 81 heave her loins, and throw the m
Page 93 and 94: 83 ’'darkness” is present in M
Page 95 and 96: 85 11ty shook her to her foundation
Page 97 and 98: 87 some kind of ’'arrest'** In al
Page 99 and 100: Chapter ¥11 CONCLUSIONS Host of th
Page 101 and 102: 91 in a passionate love affair and
Page 103 and 104: 93 distinguished from normal conduc
Page 105 and 106: 95 presentative of most people's ex
Page 107 and 108: 97 easy to say* I think that he has
Page 109: APPENDIX NOTES 1 Title of the work
Page 113 and 114: 103 Lawrence, D«E., (cont.) -"SunJ
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