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Chapter I<br />

INTRODUCTION<br />

A, A, Victorian moralist or a case of sex in the head<br />

Forty-five years after his death* D.H.Lawrence continues to<br />

exert a remarkable influencee<br />

He seems to speak to the modern<br />

reader with the same forcefulness and freshness that impressed,<br />

and sometimes shocked, his contemporaries,<br />

- The first fact to begin with is that it is impossible to<br />

separate Lawrence the man from Lawrence the writer* This iss at<br />

least in Lawrence's case, the starting point of his lifelong dualities<br />

or "double measures'1.<br />

In Lawrencefs writings there is a<br />

constant rhythm of powerful forces pulling against each other! a<br />

contradiction between the man and the writer; an attraction or a<br />

repulsion between man and woman; a struggle between life and<br />

death forces, but most of all, a forked vision of human relationships<br />

towards both the darkness and the lightness.<br />

One way to understand the quality of Lawrence’s striking<br />

achievements is simply to accept the assertion of F.R. Leavis (now recognized<br />

as authoritative), who says that Lawrence is f,a creative<br />

writer of genius”.(FRL 17)* He devoted himself entirely to liter­<br />

* Quotations in this work are indicated by a three-letter abbreviation<br />

followed by page numbers® Check work and author in the list<br />

of abbreviations at the beginning.

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