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98 ulating with your ears and your nose.1' (SPS 23h) DoH,Lawrence was, after all, an anti-puritanical puritan, a self-contradictory neurotic in life* But in art he transcends these limitations, fuses them in a new synthesis, and breaks them into a new dimension of writing«-
APPENDIX NOTES 1 Title of the work by George H.Ford on D.H. Lawrence 2 Title of Richard Aldingtons critical biography on D.H.Lawrence 3 H0T.Moore quotes from Father William Tiverton (D.H.Lawrence and Human Existence,1951) in which he points out that "writers on Lawrence have ... much exaggerated his Oedipus complex", if From Lynn Croft, Eastwood, on «July 30, 1908 j cited in SPS 61. 5 R0H*Poole is co-editor of D.H.Lawrence-A Selection with P.J. Shepherd«, 6 Anthony Beal quoted from A D.H.Lawrence Miscellany« edited by H.T.Moore. 7 Lawrence preferred the German terra for "blood brotherhood". 8 The original version of The White Peacock is not available now« This censored paragraph is quoted from H*T.Moore*s The Intelligent Hearts p* 1U-3« 9 Time, magazine, July 8, 197^? New York. 10 Havelock Ellis is- quoted by Irving Wallace in The Seven Minutes. 11 Maurice Girordias, ibidem, op.cit.,p«3*f2. 12 According to Bernard Jones the three versions of Lady Chatterlev*s Lover are really three novels« The critics do not a- gree with him generally. He points outs "Although Lawrence pruned the second version drastically in making Lady Chatterley*s Lover? the latter, like its predecessor, reflects a hardening and harshening of the sympathies, and, indeed, in spite of the shortening, the third version is both the harder and the harsher of the two."(TLG V9). 13 From an undated and unidentified letter cited by Richard Hoggart in his introduction to the Penguin edition of Lady Chatterlev*s Lover« (LCL XV). 1*4-A doubtful point, as we will soon see® 15 These are complementary observations of my own to Irving Wallace ‘s informations, op.cit., p. 211.
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Mo ï»e THESIS D. H0 IAWBENGE: SEX
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Esta Tese foi julgada adequada para
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TABLE OF CONTENTS Abbreviations Mbs
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vil PGB - Portrait of a Genius« Bu
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R E S U M O D« H. Lawrence fez do
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Chapter I INTRODUCTION A, A, Victor
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3 misunderstood sexual theme, is go
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5 identical reasoning: nThere can s
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7 attitudes. In this respect, it is
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9 rence ’s works in his book The
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Chapter II PURITANISM DEFINED Histo
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33 The actual meaning we find in di
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15 and lie alone right. Having run
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17 presents the Freudian imbroglio
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19 it is perhaps worth noticing tha
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21 but in many other parts of the b
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or inhibited action we are tempted
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25 And about Cyril (himself) he sai
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27 The tall meadow-sweet was in bud
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29 genitals. Certainly Lawrence's p
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31 Of course, one can imagine how i
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33 'Good Lord, Emily! But he is dea
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35 cock just quoted in the two prev
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37 frustrated: Mr, and Mrs. Beardsa
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39 So far, Lawrence’s early views
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hi rainbow arch; it is the “toget
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^3 Lawrence said in his defence: "T
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ubbing passage of The White Peacock
Page 57 and 58: eautiful."(TRB 238) Why afraid? Bec
Page 59 and 60: Chapter V LAURENCE AND PORNOGRAPHY
Page 61 and 62: 51 sions then is Freud’s theory o
Page 63 and 64: 53 male, in a negative or sundering
Page 65 and 66: 55 he directly faced the censors an
Page 67 and 68: 57 "the whole question of pornograp
Page 69 and 70: 59 Girordias, (11) famous editor an
Page 71 and 72: 61 secret".; Neither can be of any
Page 73 and 74: 63 by January 1928 and is now widel
Page 75 and 76: 65 So the general subject matter of
Page 77 and 78: 67 The real theme, which recurs in
Page 79 and 80: 69 built of rusticated sandstone an
Page 81 and 82: 71 who want to dominate them, Mello
Page 83 and 84: 73 question Lawrence puts to himsel
Page 85 and 86: 75 the mechanical images are deflec
Page 87 and 88: 77 lies, navels, and breasts* (It h
Page 89 and 90: 79 Maybe they are the truth some cr
Page 91 and 92: 81 heave her loins, and throw the m
Page 93 and 94: 83 ’'darkness” is present in M
Page 95 and 96: 85 11ty shook her to her foundation
Page 97 and 98: 87 some kind of ’'arrest'** In al
Page 99 and 100: Chapter ¥11 CONCLUSIONS Host of th
Page 101 and 102: 91 in a passionate love affair and
Page 103 and 104: 93 distinguished from normal conduc
Page 105 and 106: 95 presentative of most people's ex
Page 107: 97 easy to say* I think that he has
Page 111 and 112: BIBLIOGRAPHY •* Aldington^ Richar
Page 113 and 114: 103 Lawrence, D«E., (cont.) -"SunJ
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