RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
86 her suffering. She is now depending on other people. But the woman's strong personality makes of her an actress, for she disguises her pains with smiles. She will not give in. She is not fit for others to pity her. complete failure of her strength. If she felt it, it would be the She, in her strong will, seems to grasp life. She will not give death the chance to take hold of her. That is why she does not die quickly. Her family cannot stand her alive anymore. They feel her intense suffering and, besides this, her strong will not to die. Death means defeat for her. Death means freedom for her family. She will not give in. She belongs to that group of people who grasps life as if it meant everything. Death means the total darkness, seeing nobody, controlling nobody. It is chaos. Hence, even dying, she will take hold of the last breath as a way to remain alive torturing her family: 'And she won't die. She can't. Mrs Renshaw, the parson, was in the other day. "Think!" he said to her; "you will have your mother and father, and your sisters, and your son, in the Other Land." And she said: "I have done without them for a long time, and can do without them now. It is the living I want, not the dead."She wants to live even now1 (p.471 - My underlining). So says Paul to Clara. Paul is the one who most suffers from his mother's illness. The fact that she is gradually getting worse and worse, ceasing to exist, makes him want feverishly her death. It is as if she were broken into pieces, like Annie's doll which Paul broke when he was a child. At that time Paul felt guilty: he hated and suffered seeing Arabella in pieces. He felt impotent to restore it. Thus he proposed to burn it as if it were a sacrifice: a sacrifice because it could not be mended. Arabella could then be safe from her mutilation:
87 'Let's make a sacrifice of Arabella,' he said. 'Let's burn her.' [Annie] was horrified, yet rather fascinated. She wanted to see what the boy would do. He made an altar of bricks, pulled some of the shavings out of Arabella's body, put the waxen fragments into the hollow face, poured on a little paraffin, and set the whole thing alight. He watched with wicked satisfaction the drops of wax melt off the broken forehead of Arabella, and drop like sweat into flame. 'That's the sacrifice of Missis Arabella,' he said. 'An'I'm glad there's nothing left of her’ (pp.75-6). The same idea is brought out when Paul is mad with torment with his mother's suffering. He tells Annie he will give an overdose of morphine to their mother so that she will cease suffering and die peacefully, freeing them of the hard task to take care of an invalid mother whom they love. Annie is horrified and fascinated at the same time, but she agrees. Paul smashes all the morphine pills and puts the powder in a glass of milk. After taking this decision Paul and Annie "laughed together like two conspiring children. On the top of all horror flickered this little sanity" (p.47 9). The mother, even after having drunk her potion of death, resists till the next day. Finally she dies. One may be horrified with Paul and Annie's attitude because they do not feel guilty. It has been for the sake of freeing both mother and family. It was simply a sacrifice like Arabella's. Is the family really free now that the mother is dead? Walter Morel is more humble and pure than ever, as he tells Gertrude's 'superior' people: He had striven all his life to do what he could for her, and he'd nothing to reproach himself with. She was gone, but he'd done his best for her... He'd nothing to reproach himself for, he repeated. All his life he'd done his best for her (p.488).
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- Page 51 and 52: 41 and mind superiority. She is wha
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86<br />
her suffering. She is now depending on other people. But the<br />
woman's strong personality makes of her an actress, for she<br />
disguises her pains with smiles. She will not give in. She is<br />
not fit for others to pity her.<br />
complete failure of her strength.<br />
If she felt it, it would be the<br />
She, in her strong will, seems<br />
to grasp life.<br />
She will not give death the chance to take hold<br />
of her. That is why she does not die quickly. Her family cannot<br />
stand her alive anymore.<br />
They feel her intense suffering and,<br />
besides this, her strong will not to die. Death means defeat for<br />
her. Death means freedom for her family. She will not give in.<br />
She belongs to that group of people who grasps life as if it meant<br />
everything.<br />
Death means the total darkness, seeing nobody,<br />
controlling nobody. It is chaos. Hence, even dying, she will<br />
take hold of the last breath as a way to remain alive torturing<br />
her family:<br />
'And she won't die. She can't. Mrs Renshaw, the<br />
parson, was in the other day. "Think!" he said to<br />
her; "you will have your mother and father, and<br />
your sisters, and your son, in the Other Land."<br />
And she said: "I have done without them for a long<br />
time, and can do without them now. It is the<br />
living I want, not the dead."She wants to live even<br />
now1 (p.471 - My underlining).<br />
So says Paul to Clara.<br />
Paul is the one who most suffers from his mother's illness.<br />
The fact that she is gradually getting worse and worse, ceasing<br />
to exist, makes him want feverishly her death.<br />
It is as if she<br />
were broken into pieces, like Annie's doll which Paul broke when<br />
he was a child.<br />
At that time Paul felt guilty: he hated and<br />
suffered seeing Arabella in pieces.<br />
He felt impotent to restore<br />
it. Thus he proposed to burn it as if it were a sacrifice: a<br />
sacrifice because it could not be mended.<br />
Arabella could then<br />
be safe from her mutilation: