RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
46 does not reject the father from the beginning. He is the only one who seems to belong to both father and mother: They called the baby Arthur. He was very pretty, with a mop of gold curls, and he loved his father from the first. Mrs Morel was glad this child loved the father. Hearing the miner's footsteps, the baby would put up his arms and crow. And if Morel was in a good temper, he called back immediately in his hearty, mellow voice... (p.63 - My underlining) However, this 'ceasefire' is as short as the life of a soap bubble. It really does not last any longer. A new battle begins. This time it involves the children, especially William who confronts his father because of a swollen eye Mrs Morel has got from Walter. In the confrontation he calls his father a coward, and Morel cannot stand being challenged by his own son. They become murderously aggressive: "Another word, and the men would have begun to fight. Paul hoped they would. The three children sat pale on the sofa." (p.77 - My underlining). The conflict here has a close connection with the Oedipus complex: it is the rivalry between son and father because of the mother. The fight ends with Mrs Morel's interference. The battlefield . (though the winner is already known) of the Morels'- home changes from one place to another. The family moves to another house, away from the Bottoms where they used to live. The new home brings a new element of a very deep symbolism: "In front of the house was a huge old ash tree. The west wind, sweeping away from Derbyshire, caught the houses with full force, and the tree shrieked again.” (ibid.). It means joy for Morel and hate for the children. The sound of the wind shrieking in the ash tree is like music for the father, but the children identify the noise with the coming fight of their parents. It means the father is
eturning home drunken and certainly a fight is about to happen. The children become terrified with the signalling of the tree. They think that the noise of the tree is like a bad omen. Paul is the son who senses it more painfully and he shares with his brothers and sister the terror of the parents' quarrel. The feeling of pain, expectation and desperation is so strong that they are always shaken with the terror of the fight, as if one of the parents were .going to die. The almost 'demoniacal noise' of the tree frightens the children in such a way that they cannot feel any ease at home. Morel arrives and Then [Paul] heard the booming shouts of his father, come home nearly drunk, then the sharp replies of his mother, then the bang, bang of his father's fist on the table and the nasty snarling shout as the man's voice got higher. And then the whole was drowned in a piercing medley of shrieks and cries from the great, windswept ash-tree. The children lay silent in suspense, waiting for a lull in the wind to hear what their father was doing. He might hit the mother again. There was a feeling of horror, a kind of bristling in the darkness, and a sense of blood. They lay with their hearts in the grip of an intense anguish. The wind came through the tree fiercer and fiercer. All the cords of the great harp hummed,whistled, and shrieked. And then came the horror of the sudden silence, silence everywhere, outside and downstairs. What was it? Was it a silence of blood? What had he done? (p.78) The sense created by this description is one of total horror. As if the book itself were telling a ghost story, or a murder. It may be said that there is also an association of violence and sex here. The children do not know what is going on but the idea of battle between the parents may be taken as if in sex the father were also violent with the mother. Up to now Mrs Morel has full control over the situation of the family and, although she suffers a lot, she has the children's support for "She never suffered alone any more: the children suffered with her." (p.79) What seems rather selfish
- Page 5 and 6: V AGRADECIMENTO ESPECIAL Ao Profess
- Page 7 and 8: vii relationships. Yet, the partner
- Page 9 and 10: ix Lawrence mostra uma tentativa de
- Page 11 and 12: CHAPTER I STATEMENT OF PROBLEM When
- Page 13 and 14: 3 because of this, this phase is co
- Page 15 and 16: 5 The views of these above mentione
- Page 17 and 18: 7 female reader will remember herse
- Page 19 and 20: Millets' tendentious criticism stat
- Page 21 and 22: 11 Everyone who writes on Lawrence
- Page 23 and 24: 13 As for homosexuality (which Moor
- Page 25 and 26: 15 two thirds of the book [Huxley]
- Page 27 and 28: 17 in this dissertation. Vivas' vie
- Page 29 and 30: 19 lack of evidence to prove his po
- Page 31 and 32: 21 text and supported by the text.
- Page 33 and 34: 23 kind of bridge for her search. H
- Page 35 and 36: 25 As for the affair between Gudrun
- Page 37 and 38: 27 a position Lawrence could not de
- Page 39 and 40: 29 the love of the powerful mother,
- Page 41 and 42: 31 can be associated with Dr Franks
- Page 43 and 44: 33 indifferent to human life. Yet h
- Page 45 and 46: 35 he says "Yet at the end, when Ci
- Page 47 and 48: 37 spiritual, or aggressive women a
- Page 49 and 50: CHAPTER II THE PATTERN OF CONFLICT
- Page 51 and 52: 41 and mind superiority. She is wha
- Page 53 and 54: 43 father was serving beer in a pub
- Page 55: 45 the control the whole family wit
- Page 59 and 60: to reconcile the children with the
- Page 61 and 62: more persuasive to her sons in the
- Page 63 and 64: succeed in life. This is an unconsc
- Page 65 and 66: to strengthen the relation. This me
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- Page 69 and 70: prefers to think of death instead o
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- Page 75 and 76: 65 William. He dies. Mrs Morel's li
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- Page 79 and 80: 69 to go out of it and he has on on
- Page 81 and 82: 71 failure. She is losing her son t
- Page 83 and 84: 73 more are related to his impotenc
- Page 85 and 86: 75 Clara. The idea is that through
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- Page 89 and 90: he can have pleasure. Miriam is for
- Page 91 and 92: who she is and what she wants. The
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eturning home drunken and certainly a fight is about to happen.<br />
The children become terrified with the signalling of the tree.<br />
They think that the noise of the tree is like a bad omen.<br />
Paul<br />
is the son who senses it more painfully and he shares with his<br />
brothers and sister the terror of the parents' quarrel.<br />
The<br />
feeling of pain, expectation and desperation is so strong that<br />
they are always shaken with the terror of the fight, as if one<br />
of the parents were .going to die.<br />
The almost 'demoniacal noise'<br />
of the tree frightens the children in such a way that they<br />
cannot feel any ease at home.<br />
Morel arrives and<br />
Then [Paul] heard the booming shouts of his father,<br />
come home nearly drunk, then the sharp replies of<br />
his mother, then the bang, bang of his father's<br />
fist on the table and the nasty snarling shout as<br />
the man's voice got higher. And then the whole was<br />
drowned in a piercing medley of shrieks and cries<br />
from the great, windswept ash-tree. The children<br />
lay silent in suspense, waiting for a lull in the<br />
wind to hear what their father was doing. He might<br />
hit the mother again. There was a feeling of<br />
horror, a kind of bristling in the darkness, and a<br />
sense of blood. They lay with their hearts in the<br />
grip of an intense anguish. The wind came through<br />
the tree fiercer and fiercer. All the cords of the<br />
great harp hummed,whistled, and shrieked. And then<br />
came the horror of the sudden silence, silence<br />
everywhere, outside and downstairs. What was it?<br />
Was it a silence of blood? What had he done? (p.78)<br />
The sense created by this description is one of total horror. As<br />
if the book itself were telling a ghost story, or a murder.<br />
It<br />
may be said that there is also an association of violence and<br />
sex here.<br />
The children do not know what is going on but the idea<br />
of battle between the parents may be taken as if in sex the father<br />
were also violent with the mother.<br />
Up to now Mrs Morel has<br />
full control over the situation<br />
of the family and, although she suffers a lot, she has the<br />
children's support for "She never suffered alone any more:<br />
the<br />
children suffered with her." (p.79)<br />
What seems rather selfish