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GENERAL BIBLIOGRAPHY Beal, Anthony, (ed) D.H. Lawrence - Selected Literary Criticism, London: Dawson Rossiter, 1973. Beauvoir, Simone de. The Second Sex, New York: Knopf, 1957. Coombes, H. (ed) D. H. Lawrence - A Critical Anthology, Harmondsworth, Middlesex, England: Penguin Books Ltd, 197 4. Daleski, H.M. The Forked Flame - A Study of D.H. Lawrence, London: Faber and Faber, 19 65. Ford, George H. Double Measure - A Study of the Novels and Stories of D.H. Lawrence, New York: Norton Library, 1969. Hamalian, Leo (ed) New York: 197 3. D.H. Lawrence - A Collection of Criticism, Holderness, Graham. D. H. Lawrence - History, Ideology and Fiction. New Jersey: Gill and MacMillan Humanities Press,1982. Hough, Graham. The Dark Sun - A Study of D.H. Lawrence, London: Compton Printing Ltd, 1970. Lawrence, D.H. The Trespasser, Harmondsworth, Middlesex, England: Penguin Books Ltd, 19 61.
386 Lawrence, D.H. Sons and Lovers, Harmondsworth, Middlesex, England: Penguin Books Ltd, 1981. ______ The Rainbow, Harmondsworth, Middlesex, England: Penguin Books Ltd, 1981. ______ Women in Love, Harmondsworth, Middlesex, England: Penguin Books Ltd, 1980. ______ "The Fox" in Three Novellas, Harmondsworth, Middlesex, England: Penguin Books Ltd, 1980. ______ The Plumed Serpent, New York: Vintage Books, 195 9. ______ Lady Chatterley's Lover, New York: Bantam Books, 1983. ______ Selected Letters, Penguin Books Ltd, 1971. Harmondsworth, Middlesex, England: Lederer, Wolgang. Jovanovich, Inc., 1968. The Fear of Women, New York: Harcourt Brace Mailer, Norman. Company, 1971. The Prisoner of Sex, Boston: Little, Brown and Millet, Kate. Sexual Politics, New York: Avon Books, 1971. Moore, H.T. The Priest of Love - A Life of D.H. Lawrence, Harmondsworth, Middlesex, England: Penguin Books Ltd, 1981. Moore, H.T. and Roberts,. W. D.H. Lawrence and His World, London: Dawson Rossiter Ltd, 19 66. ______ (ed) "Prologue to Women in Love" in Phoenix II - Uncollected Writings by D.H. Lawrence, New York: The Viking Press, 1970. Moynaham, Julian. D.H. Lawrence, Press, 197 2. The Deed of Life - The Novels and Tales of Princeton, New Jersey: Princeton University Pritchard, R.E. D.H. Lawrence: Body of Darkness, Pittsburgh: University of Pittsburgh Press, 1971.
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UNIVERSIDADE FEDERAL DE SANTA CATAR
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iii A todas as pessoas que ainda a-
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V AGRADECIMENTO ESPECIAL Ao Profess
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vii relationships. Yet, the partner
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ix Lawrence mostra uma tentativa de
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CHAPTER I STATEMENT OF PROBLEM When
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3 because of this, this phase is co
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5 The views of these above mentione
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7 female reader will remember herse
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Millets' tendentious criticism stat
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11 Everyone who writes on Lawrence
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13 As for homosexuality (which Moor
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15 two thirds of the book [Huxley]
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17 in this dissertation. Vivas' vie
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19 lack of evidence to prove his po
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21 text and supported by the text.
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23 kind of bridge for her search. H
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25 As for the affair between Gudrun
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27 a position Lawrence could not de
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29 the love of the powerful mother,
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31 can be associated with Dr Franks
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33 indifferent to human life. Yet h
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35 he says "Yet at the end, when Ci
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37 spiritual, or aggressive women a
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CHAPTER II THE PATTERN OF CONFLICT
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41 and mind superiority. She is wha
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43 father was serving beer in a pub
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45 the control the whole family wit
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eturning home drunken and certainly
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to reconcile the children with the
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more persuasive to her sons in the
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succeed in life. This is an unconsc
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to strengthen the relation. This me
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eally wants. He goes from one decis
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prefers to think of death instead o
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61 mutual acceptance between them.
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63 implies definitely the mother's
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65 William. He dies. Mrs Morel's li
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67 reserve. And on such occasions h
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69 to go out of it and he has on on
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71 failure. She is losing her son t
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73 more are related to his impotenc
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75 Clara. The idea is that through
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77 was the marital failure? Who was
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he can have pleasure. Miriam is for
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who she is and what she wants. The
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This is like Paul's passion for Cla
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operate on her, since her heart wou
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87 'Let's make a sacrifice of Arabe
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characteristics as she had. in what
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My last point about Sons and Lovers
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93 relation unbearable up to the po
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95 teacher Siegmund. He is a marrie
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97 and strong, and fully fruited, h
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99 though Siegmund wants her, she r
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101 an analogy for Helena. Siegmund
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103 any of the relationships, nor c
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105 Helena's sharpness, and will-to
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107 like him: She glanced up at Sie
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109 Siegmund, usually a bad swimmer
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Ill the moon:"Rocked thus on his st
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113 connotation in his mind) . In f
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115 is to warn Siegmund of the dang
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117 ... For centuries a certain typ
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119 she alone will not bear the gui
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121 The idea which is implicit here
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123 not see it. He bowed in obedien
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125 laurels of having given Siegmun
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128 as always, is not aware of Sieg
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130 on her hat, her eyes, gazing he
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132 to perforin the action. The nar
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134 extreme splits of soul/body. 'B
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136 prepares the path to the other.
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138 connection with the land. This
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140 Tom proposes marriage to Lydia:
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142 They looked at each other, a de
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144 of taking a mistress because "t
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and thinks of them "as if they were
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148 actualy loves or hates. The mix
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15 0 Will is an artist and his conc
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15 2 light of the moon covering Ann
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154 pleasure, but as soon as the no
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in the night they were gathering sh
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is like a dwarf without power. exul
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everything: life and death. He is c
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take hers: but in her own way" (ibi
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164 family the inarticulate sorrow
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much violence. Thus, her love for h
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168 time she walked in a confused h
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170 'separateness' is seen in Women
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172 destroying in people the creati
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174 Paul at this time, encounters t
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176 be a complete human being in th
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178 mistress and her uncle because
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180 When she leaves the school her
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182 dead. The only part of him whic
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184 Ursula first refused him cried
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186 the self Which has made Ursula
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188 compete with her. In fact Skreb
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CHAPTER IV 1 WOMEN IN LOVE: THE PRO
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192 world is a world of dust which
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194 knowledge, breaks out with hars
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up to this. One of them refers to H
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198 because he is no 'clone', no sl
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200 London bohemianism which Birkin
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202 dominant figure in the affair.
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204 course startles Gerald who cann
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206 in the expectancy to find a 'fo
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208 On the other hand, Lawrence giv
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210 they never did in Thomas Crich'
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212 "Think!" he said to her', "you
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214 life and he even apologizes to
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216 see the gate shut; then Gerald
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218 in a fierce desire to deny the
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220 and for a young doctor who was
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222 mutual hellish recognition (p.2
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224 him to be. The interesting aspe
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226 because he thinks that people,
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228 polarity', or in his words: 'Wh
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everyone develops the "river of dis
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Ursula: '... I think that a new wor
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atmosphere of something hidden betw
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disguised inner selves beneath thei
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egathers itself in the water as if
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240 (p.252 - My underlining). His a
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242 the two because somehow he acce
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244 as alternatives to the relation
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246 energy. Hermione. That is how U
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248 'finger-tips'. The couple decid
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250 as you are always saying? You t
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252 turning suddenly to catch hold
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254 exploits Loerke and vice versa.
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256 which no one can escape from. H
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258 like nothing; she is like Geral
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260 shocked,to really blame Gudrun.
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262 can only feel the 'unison in se
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264 has been marked by a whole set
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266 be sure that she will put an en
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unsatisfied tendencies" - I am temp
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270 emotionally. This may be becaus
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27 2 ♦ has a gun), unable to do a
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274 next morning he simply goes to
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The underlined sentences are the ke
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278 because she is not conscious of
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280 to see the strange glow in his
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282 top, Lawrence says that March "
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284 owner of the house for in the m
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286 relationship she is going to ha
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288 spark, and saw the shadow of th
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290 masculine identification. She w
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292 and chiffon dresses. The Banfor
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294 From this point on, March has f
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296 to March. With Henry she will h
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298 and once more the answer goes b
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300 She looked up at him with tears
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CHAPTER V THE PLUMED SERPENT - THE
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304 relations that Lawrence seems d
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306 man. But in The Plumed Serpent
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308 this fate implies punishment be
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310 and his sensuality and this see
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312 Ramon cannot be compared to Wal
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314 Carlota. The fact that Ramon wa
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316 devote special attention: the o
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i 318 ... when she remembered [Cipr
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320 my soul. Let me close my prying
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322 other kind of intimacy save for
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324 But perhaps he would be, if we
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326 general. And furthermore, if Ka
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328 black hair, which he wore rathe
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330 himself, his nakedness, his min
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332 is no beyond" and where only me
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:334 thing. She resented being made
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336 because he really is an author
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338 strong element is the meeting b
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340 novelist, deals with people in
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342 fit his own personality. More m
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344 novella analysed in this disser
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346 to that fatal place. Another fa
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348 Byrne's last speech implies tha
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350 There is a basic hostility in a
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352 him. The turning to the city al
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35 4- being. In fourth place comes
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356 Although it may seem strange to
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"358- following novels. Women in Lo
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360 The very end of the novel shows
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262 in the end of Women in Love ill
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564 that she wants a balanced relat
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366 wanted her to give herself with
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368 he can do no more in his own vo
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370 the conclusion that in Mexico t
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37-2- don't'". Her reply to this do
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37-4 the masculine side. Also, anot
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376 Ursula, in a rejected fragment
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37.8 a personality to compete with
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380 the one which shows the most su
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stories show his internal conflict
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384 perfect union in human beings
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