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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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370<br />

the conclusion that in Mexico the only possibility for a<br />

balanced relationship is the one between men.<br />

Women are<br />

secondary.<br />

The strange fact is that Kate, a woman, thinks<br />

about this as if she were an inferior being because of her sex.<br />

Finally, the man-to-man relationship, which is supposed to<br />

be the most balanced, is in itself divided since the two men who<br />

initiate themselves in the bloodbrotherhood ritual are seen in<br />

terms of one being the soul (Ramon) and the other being the<br />

body (Cipriano).<br />

Moreover, this relationship between men is an<br />

affair of the darkness since both men are married in daylight to<br />

women (especially Ramon Vho marries a submissive dark woman whom<br />

he classifies as a parasite).<br />

Also in the division between soul<br />

and body, the soul is seen in superior terms.<br />

Ramon, who<br />

represents the soul, is tall and handsome and is superior to<br />

Cipriano who, as the body, is small in stature and sinister in<br />

his deeds.<br />

Killing people is something that the soul cannot<br />

perform: the body is the executioner.<br />

I would say that the highest Lawrence could achieve in this<br />

novel is that his bloodbrotherhood is really stronger than in any<br />

other novel which develops this same theme.<br />

In The Plumed<br />

Serpent it is more successful because Ramon and Cipriano are<br />

still together by the end of the novel, in a clear reference to<br />

their communion.<br />

Neither Ramon nor Cipriano is physically dead,<br />

like Gerald was in the end of Women in Love, and this fact<br />

certainly implies a degree of success in their relation.<br />

On the<br />

other hand, both Ramon and Cipriano as characters are never as<br />

alive as Gerald and Birkin. They are'wooden1. When Kate comes<br />

to tell them her decision to stay in Mexico, Lawrence portrays<br />

her as an intruder:<br />

She had come to make a sort of submission: to<br />

say she didn't want to go away. But finding them

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