RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
335 And if she tries to run away, the author pulls her back using the strategy of his authorial hand. When Lawrence marries Kate legally to Cipriano the implication is clear: even though Kate has apparently decided to return to Europe after the marriage, there is for her the link of her legal marriage which may inevitably bring her back to Mexico. And it is after the marriage that Lawrence, again unable to really convince himself that he is a chauvinist and that all he wants is to put the woman at the feet of the male, puts Kate in a terrible battle with herself. She becomes a divided woman who has a self that craves for submission and another self that desires her freedom. This is seen in her decision to return to Europe: The moment she has admitted the necessity, she realised it was a certain duplicity in herself. It was as if she had two selves, one, a new one, which belonged to Cipriano and Ramon, and which was her sensitive, desirous self: the other hard and finished, belonging to her mother, her children, England, her whole past. This old accomplished self was curiously invulnerable and insentient, curiously hard and "free". In it, she was an individual and.her own mistress. The other self was vulnerable, and organically connected with Cipriano, even with Ramon and Teresa, and was not "free" at all (p.470). Kate feels that her old self was a "prison" because it demands that she have a strong self-responsibility that perhaps she is tired of. The other self does not demand any responsibility because, being a submissive woman, all she has to do is to acquiesce to her master (the conflict seems exactly the same as March's in "The Fox") and this she is not so sure if she wants it or not. I would say that Kate had better look for another self, perhaps in the middle of these two extreme selves. This certainly is very much linked with Lawrence's personality
336 because he really is an author who is unable to juxtapose extreme feelings in a place where there is no extremity. He is always dual: it is either body or soul; domination or submission, etc. He cannot find a point of equilibrium in his duality. All his novels present this duality and The Plumed Serpent has shown that Lawrence could not, even though fiercely desiring it, put the woman down, or make her entirely submissive. Kate's two selves show clearly Lawrence's conflict. Ramon as the soul, Cipriano as the body also reinforce the impossibility of a point of equilibrium. The end of the novel, which will be closely examined in the conclusion of this dissertation, shows that Kate in fact does not really decide whether she will go away or not. The ending marks the continuity of the conflict of which relation is more important: the man-to-man or the man-to-woman. What we gather is that Lawrence feels really unable to force Kate to stay in Mexico and be in peace with her submissive new self. There is a play with words by the end of the novel, as we will see later, which deliberately blurs the nature of her final decision. To make a short summary here, I would say that although this novel attempted to destroy the woman's personality, making of her a mere vessel of receptivity in relation to the male supremacy, Lawrence has once more failed. Or rather the rhetorician and prophet has failed, but perhaps the artist has succeeded, i.e., the tale has proved wiser than the teller. Kate is seen as a dual woman because the author forced her to be like this. In splitting Kate's self into two, Lawrence's intention was to make her new self overcome her old and free self. However, the more he tried the less his intentional
- Page 293 and 294: 284 owner of the house for in the m
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336<br />
because he really is an author who is unable to juxtapose<br />
extreme feelings in a place where there is no extremity.<br />
He is<br />
always dual: it is either body or soul; domination or submission,<br />
etc. He cannot find a point of equilibrium in his duality. All<br />
his novels present this duality and The Plumed Serpent has shown<br />
that Lawrence could not, even though fiercely desiring it, put<br />
the woman down, or make her entirely submissive.<br />
Kate's two<br />
selves show clearly Lawrence's conflict.<br />
Ramon as the soul,<br />
Cipriano as the body also reinforce the impossibility of a point<br />
of equilibrium.<br />
The end of the novel, which will be closely examined in<br />
the conclusion of this dissertation, shows that Kate in fact<br />
does not really decide whether she will go away or not.<br />
The<br />
ending marks the continuity of the conflict of which relation is<br />
more important: the man-to-man or the man-to-woman.<br />
What we<br />
gather is that Lawrence feels really unable to force Kate to<br />
stay in Mexico and be in peace with her submissive new self.<br />
There is a play with words by the end of the novel, as we will<br />
see later, which deliberately blurs the nature of her final<br />
decision.<br />
To make a short summary here, I would say that although<br />
this novel attempted to destroy the woman's personality, making<br />
of her a mere vessel of receptivity in relation to the male<br />
supremacy, Lawrence has once more failed.<br />
Or rather the<br />
rhetorician and prophet has failed, but perhaps the artist has<br />
succeeded, i.e., the tale has proved wiser than the teller.<br />
Kate is seen as a dual woman because the author forced her to<br />
be like this.<br />
In splitting Kate's self into two, Lawrence's<br />
intention was to make her new self overcome her old and free<br />
self.<br />
However, the more he tried the less his intentional