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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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322<br />

other kind of intimacy save for the meeting of the flesh.<br />

The<br />

marriage has only advantages for the male because he is in a<br />

superior position.<br />

He comes from heaven, Kate from the<br />

underworld, since she is the earth.<br />

Cipriano puts his hand on<br />

the earth which implies his strength against the passive and<br />

receptive 'earth.<br />

The submissive and powerless wife kneels and<br />

kisses 'the feet and heels' of the almighty husband which<br />

implies her blind obedience (and inferiority) to him.<br />

Again<br />

Cipriano's superior position stresses his authority and<br />

protectiveness when he only kisses her 'brow and breast'.<br />

In<br />

this marriage Kate is giving up all her rights as a female to<br />

the dark powerful male.<br />

However, this marriage is only<br />

thoroughly complete when Kate and Cipriano have sex and he<br />

denies her her sexual satisfaction:<br />

[Kate] realised, almost with wonder, the death<br />

in her of the Aphrodite of the foam. By a swift<br />

dark instinct, Cipriano drew away from this In<br />

her. When, in their love, it came back on her,<br />

the seething electric female ecstasy, which knows<br />

such spasms of delirium, he recoiled from her. It<br />

was what she used to call her "satisfaction". She<br />

had loved Joachim for this, that again, and again,<br />

he could give her this orgiastic "satisfaction",<br />

in spasms that made her cry aloucL<br />

But Cipriano would not. By a dark and powerful<br />

instinct he drew away from her as soon as this<br />

desire rose again in her, for the white ecstasy of<br />

frictional satisfaction, the throes of Aphrodite<br />

of the foam. She could see that to him, it was<br />

repulsive. He just removed himself, dark and<br />

unchangeable, away from her (p.463 - My<br />

underlining).<br />

Cipriano is the sadistic male who, as Kate Millet points out,<br />

only feels complete in this denial of Kate's orgasm.<br />

Lawrence<br />

has put the female under the worst conditions of submission and,<br />

furthermore, he makes her become a masochist accepting this<br />

violation of her potential as a female. Kate is forced to realize<br />

that "when this sort of "satisfaction" was denied her, came the<br />

knowledge that she did not really want it, that it was really

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