RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
295 'honest' so as not to 'hurt' her. In their return to the house March's face looks different: she "had a delicate look on her face; she wanted to hide her face, to screen it, to let it not be seen" (p.140). (Is there a suggestion of a: veil like an Arabian woman, submissive to her male?). To be with a man makes her now feel pleased: She wished she could stay with him. She wished she had married him already, and it was all over. For oh, she felt suddenly so safe with him. She felt so strangely safe and peaceful in his presence. If she only could sleep in his shelter, not with Jill... (p^l41). She rejects the repressive Banford and "she wanted the boy to save her" (ibid). The following day Henry returns to his camp in Salisbury Plain. His marriage with March is arranged for Christmas. However, nine days after his leave, March writes him a letter breaking the engagement. Banford has got March back to her: "... when I am along with Jill I seem to come to my own senses and realize what a fool I am making of myself, and how I am treating you unfairly ... I don't see on what grounds I am going to marry you..." (pp.142-3). March seems sure that she has much more in common with Banford who "is ten times more real to me. I know her and I'm awfully fond of her... We have a life together. And even if it can't last for ever, it is a life while it does last" (p.143). Banford is her choice because with her March feels free whereas with Henry she cannot see any of the prospects she has with Banford. She chooses Banford because with her, the world is familiar. Here we have again the battle between an old and familiar self versus the new unknown self. The dark part of herself - her femaleness - shrinks from this acknowledgement. Being manly near Banford is much more familiar
296 to March. With Henry she will have to assimilate the female part of herself which in the letter she denies. Of course Banford is physiologically the same, another woman, while Henry is 'sexually' other. Despite March's reasons, Henry does not give up. He knows that Banford is responsible for March's refusal of him: In his mind was one thing - Banford. He took no heed of all March's outpouring: none. One thorn rankled, stuck in his mind. Banford. In his mind, in his soul, in his whole being one thorn rankling to insanity. And he would have to get it out. He would have to get the thorn of Banford out of his life, if he died for it (p.144 - My underlining). Having decided to make Banford vanish from his life Henry asks for a leave of absence to solve the matter. He then rides madly on a bicycle to get to Bailey Farm. At the farm March is busy trying to cut a dead tree. This is the third main idea of this analysis, the one which I intend to take as my final point. Summarizing the first two: one is related to March's manly appearance in which she disguised her divided self. tendencies' The other idea refers to March's 'unsatisfied which culminates in her trance when she discovered her female side through the fox and then through Henry. These first ideas are solved, one may say, by the time March finally blossoms in the scene of the dress she wears and which revedls her womanly forms - external and internal. The last idea, which refers to the cutting of the dead tree, leads to the total recognition in March of her hidden femininity and the destruction of her masculine side. The cutting of this tree implies several things which deserve some consideration. Firstly, the tree relates to March's masculinity. It has, as the tree, died in the summer, just before the fox's coming. March's masculinity
- Page 253 and 254: 244 as alternatives to the relation
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296<br />
to March.<br />
With Henry she will have to assimilate the female<br />
part of herself which in the letter she denies.<br />
Of course<br />
Banford is physiologically the same, another woman, while Henry<br />
is 'sexually' other.<br />
Despite March's reasons, Henry does not give up.<br />
He knows<br />
that Banford is responsible for March's refusal of him:<br />
In his mind was one thing - Banford. He took no<br />
heed of all March's outpouring: none. One thorn<br />
rankled, stuck in his mind. Banford. In his mind,<br />
in his soul, in his whole being one thorn<br />
rankling to insanity. And he would have to get<br />
it out. He would have to get the thorn of Banford<br />
out of his life, if he died for it (p.144 - My<br />
underlining).<br />
Having decided to make Banford vanish from his life Henry asks<br />
for a leave of absence to solve the matter.<br />
He then rides madly<br />
on a bicycle to get to Bailey Farm.<br />
At the farm March is busy trying to cut a dead tree.<br />
This<br />
is the third main idea of this analysis, the one which I intend<br />
to take as my final point.<br />
Summarizing the first two: one is<br />
related to March's manly appearance in which she disguised her<br />
divided self.<br />
tendencies'<br />
The other idea refers to March's 'unsatisfied<br />
which culminates in her trance when she discovered<br />
her female side through the fox and then through Henry.<br />
These<br />
first ideas are solved, one may say, by the time March finally<br />
blossoms in the scene of the dress she wears and which revedls<br />
her womanly forms - external and internal.<br />
The last idea, which<br />
refers to the cutting of the dead tree, leads to the total<br />
recognition in March of her hidden femininity and the destruction<br />
of her masculine side.<br />
The cutting of this tree implies several<br />
things which deserve some consideration.<br />
Firstly, the tree<br />
relates to March's masculinity.<br />
It has, as the tree, died in<br />
the summer, just before the fox's coming.<br />
March's masculinity