RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
293 Then Henry invites March to go out with him: "'I think I'll go and look if I can see the she-fox, she may he creeping round. Won't you come as well for a minute, Nellie, and see if we can see something?'" (p.135). The way March answers shows her indecisiveness when the young man addresses her: "'Me!' cried March, looking up with her startled, wondering face" (ibid). March's surprise implies that she was not expecting the invitation. The 'she-fox' Henry says is no other than March herself who now dresses as a woman. It is interesting to notice that except for the surprising 'Me!' March does not say anything anymore. Banford is the one who questions Henry as if she were March's proprietor: "'I should think you're never going out at this time at night, Nellie!'" (ibid). Henry takes March's turn to answer in a declared fight with Banford. March is as if she had no voice, no will, nothing: 'Yes, just for a minute,' said the boy, looking round on her and speaking with an odd, sharp yelp in his voice. March looked from one to another, as if confused, vague. Banford rose to her feet for battle. 'Why, it's ridiculous. It's bitter cold. You'll catch your death in that frock. And in those slippers. You're not going to do any such thing.' There was a moment's pause. Banford turtled up like a little fighting cock, facing March and the boy. 'Oh, I don't think you need worry yourself,' he replied. 'A moment under the stars won't do any damage, I'll get the rug off the sofa in the dining room. You're coming, Nellie' (ibid). Banford and Henry act as if they were competing owners of March's will. It is as if she were dumb or a little child whose parents are arguing about it, trying to decide whether the child must or must not play: "His voice had so much anger and contempt and fury in it as he spoke to Banford: and so much tenderness and proud authority as he spoke to March, that the latter answered: 'Yes, I'm coming' .(pp.135-6).
294 From this point on, March has fallen completely under the power of the youth. She does not reply logically anymore. She mechanically obeys him. And though she seems repented of going out and wants to go back to the weeping Banford, Henry holds her tightly, forbidding her to go. He makes a sort of plea to her that sounds not like pleading but rather like blackmail and March submits to him, impotent to fight against his powerful authority over her. Henry's intelligence acts upon March as a spell, he knows how to trap her so that she cannot even have a sight of the house where Banford is: "He had put her in the corner, so that she should not look out and see the lighted window of the house across the dark garden. He tried to keep her all there inside the shed with him" (p.137). The fact that Henry does not make love to March in the shed puzzles me: he has her under his power; she has submitted to him and the atmosphere favors him. However, he seems to reject love-making. It is as if he had realized something deeper in her which makes him run away from her. It seems that he has suddenly realized that she was much more than what he expected her to be. The idea of March being "a woman, and vulnerable, accessible..." makes him "shrank from any such \ performance, almost with fear" (p.138). Henry seems to be seeing in March a different kind of person and that "She was the woman, and he was responsible for the strange vulnerability..." in her. It seems that this sudden realization makes him shrink from her as if he were afraid of hurting her because she is not like other girls "nice enough for a bit of play". It may be that March is only fit for marriage, not for an affair. This forbids him to have sex with her. Probably if he makes love to her he will feel guilty as a Victorian puritan. He therefore must be
- Page 251 and 252: 242 the two because somehow he acce
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- Page 255 and 256: 246 energy. Hermione. That is how U
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- Page 259 and 260: 250 as you are always saying? You t
- Page 261 and 262: 252 turning suddenly to catch hold
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- Page 265 and 266: 256 which no one can escape from. H
- Page 267 and 268: 258 like nothing; she is like Geral
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- Page 309 and 310: 300 She looked up at him with tears
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293<br />
Then Henry invites March to go out with him: "'I think I'll go<br />
and look if I can see the she-fox, she may he creeping round.<br />
Won't you come as well for a minute, Nellie, and see if we can<br />
see something?'" (p.135).<br />
The way March answers shows her<br />
indecisiveness when the young man addresses her: "'Me!' cried<br />
March, looking up with her startled, wondering face" (ibid).<br />
March's surprise implies that she was not expecting the<br />
invitation.<br />
The 'she-fox' Henry says is no other than March<br />
herself who now dresses as a woman.<br />
It is interesting to notice<br />
that except for the surprising 'Me!' March does not say anything<br />
anymore.<br />
Banford is the one who questions Henry as if she were<br />
March's proprietor: "'I should think you're never going out at<br />
this time at night, Nellie!'" (ibid).<br />
Henry takes March's turn<br />
to answer in a declared fight with Banford.<br />
March is as if she<br />
had no voice, no will, nothing:<br />
'Yes, just for a minute,' said the boy, looking<br />
round on her and speaking with an odd, sharp yelp<br />
in his voice.<br />
March looked from one to another, as if confused,<br />
vague. Banford rose to her feet for battle.<br />
'Why, it's ridiculous. It's bitter cold.<br />
You'll catch your death in that frock. And in those<br />
slippers. You're not going to do any such thing.'<br />
There was a moment's pause. Banford turtled up<br />
like a little fighting cock, facing March and the<br />
boy.<br />
'Oh, I don't think you need worry yourself,'<br />
he replied. 'A moment under the stars won't do<br />
any damage, I'll get the rug off the sofa in the<br />
dining room. You're coming, Nellie' (ibid).<br />
Banford and Henry act as if they were competing owners of March's<br />
will.<br />
It is as if she were dumb or a little child whose parents<br />
are arguing about it, trying to decide whether the child must<br />
or must not play: "His voice had so much anger and contempt and<br />
fury in it as he spoke to Banford: and so much tenderness and<br />
proud authority as he spoke to March, that the latter answered:<br />
'Yes, I'm coming' .(pp.135-6).