RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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275 graceful young man's, piqued him. Her dark eyes made something rise in his soul, with a curious elate excitement, when he looked into them, an excitement he was afraid to let be seen, it was so keen, and secret. And then her odd, shrewd speech made him laugh outright. He felt he must go further, he was inevitably impelled (ibid). Then the reader is caught up by the cold intentions of this youth who (though he looks like a boy) seems much more experienced than the two girls of thirty: he wants the farm which belonged to his grandfather, and to get it back, he simply decides he will marry March. He does not consider feelings, love, anything. But why does he choose March? I believe that this is because he may have realized her weakness, her doublesided personality; whereas Banford, though delicate, is stronger than March and she does not look like one who is in conflict with herself. She is not divided. Also it could be said that Henry's choice of March means a kind of challenge for him. The way he decides he must have this manly woman may imply that for Henry to become a man he must go through the ordeal of killing the masculine side of this woman. Destroying her masculinity, he will be fully completed and initiated in life (or he may also be killing the female side of himself). And the fact that she is older than he does not seem to matter: Why not marry March? He stood still in the middle of the field for some moments, the dead rabbit hanging still in his hand, arrested by this thought. His mind waited in amazement - it seemed to calculate - and then he smiled curiously to himself in acquiescence^ Why not? Why not indeed? It was a good idea. What if it was ridiculous? What.did it matter? What if she was older than he? It did not matter. When he thought of the dark, startled vulnerable eyes he smiled subtly to himself. He was older than she. He was master of her (pp.103-4 - My underlining).

The underlined sentences are the key to this interpretation. First of all Henry is a person who seems to decide his attitudes through thinking - calculation is the best word. calculate something you do not put feelings in it. And when you You simply behave as coldly and detachedly as possible. Secondly, he knows March's vulnerability, for he thinks of her eyes which express her undecisive self-knowledge. He knows that what her appearance shows is not what her inner self is. And, finally, he knows, that because of this he is older than she. He has also decided he is her master. Too simple. No feelings are involved here. It is as if March meant a kind of mathematical equation that needs an exact solution. And Henry decides he knows it. It seems, however, that Henry only uses the farm as a rationalization for going after March. His attraction (not love) for her seems, therefore, deeper than mere greed. When we read that "He scarcely admitted his intention even to himself" (p.104) we feel that at the depths Henry is not so evil as he appears to be. Since he hides his intentions from his conscious self it may be possible that he does not really want to be aware of this evil. It is as if Lawrence meant that people develop evil only within the subconscious. The moment it comes to the surface of the person's conscience s/he can be destroyed. The passage which describes how Henry will hunt March does not come really from his skillful mind. It is from the author's point of view that the hunting is described step by step. There is a clear interference from Lawrence at this point of the narrative. It is not Henry speaking: there are no quotation marks. Lawrence uses, instead, the present tense which proves his interference. The author describes even the risks Henry will run. March at this point becomes a deer - a deer is a very

275<br />

graceful young man's, piqued him. Her dark eyes<br />

made something rise in his soul, with a curious<br />

elate excitement, when he looked into them, an<br />

excitement he was afraid to let be seen, it was<br />

so keen, and secret. And then her odd, shrewd<br />

speech made him laugh outright. He felt he must<br />

go further, he was inevitably impelled (ibid).<br />

Then the reader is caught up by the cold intentions of this<br />

youth who (though he looks like a boy) seems much more<br />

experienced than the two girls of thirty: he wants the farm<br />

which belonged to his grandfather, and to get it back, he simply<br />

decides he will marry March.<br />

He does not consider feelings,<br />

love, anything. But why does he choose March? I believe that<br />

this is because he may have realized her weakness, her doublesided<br />

personality; whereas Banford, though delicate, is stronger<br />

than March and she does not look like one who is in conflict<br />

with herself.<br />

She is not divided.<br />

Also it could be said that Henry's choice of March means a<br />

kind of challenge for him.<br />

The way he decides he must have this<br />

manly woman may imply that for Henry to become a man he must go<br />

through the ordeal of killing the masculine side of this woman.<br />

Destroying her masculinity, he will be fully completed and<br />

initiated in life (or he may also be killing the female side of<br />

himself).<br />

And the fact that she is older than he does not seem<br />

to matter:<br />

Why not marry March? He stood still in the middle<br />

of the field for some moments, the dead rabbit<br />

hanging still in his hand, arrested by this<br />

thought. His mind waited in amazement - it<br />

seemed to calculate - and then he smiled curiously<br />

to himself in acquiescence^ Why not? Why not<br />

indeed? It was a good idea. What if it was<br />

ridiculous? What.did it matter? What if she was<br />

older than he? It did not matter. When he<br />

thought of the dark, startled vulnerable eyes<br />

he smiled subtly to himself. He was older than<br />

she. He was master of her (pp.103-4 - My<br />

underlining).

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