29.12.2013 Views

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

270<br />

emotionally.<br />

This may be because she is in conflict over the<br />

duplicity of her being: she stands for the man, she has to be<br />

strong; on the other hand, she is a "sleeping princess" waiting<br />

for a man to come to her and awaken her femininity.<br />

Thus, her<br />

fragile emotions are in conflict with her strong physique.<br />

On one of these evenings of early winter, the girls are in<br />

the kitchen after tea:<br />

March is crocheting and Banford is<br />

staring at the fire and listening to the sounds outside.<br />

Then a<br />

stranger arrives surreptitiously like an animal looking for a<br />

prey.<br />

The mystery of his coming is described by Lawrence in<br />

such a way that it seems easy to see March's dominance over<br />

Banford:<br />

Suddenly both girls started, and lifted their<br />

heads. They heard a footstep - distinctly a<br />

footstep. Banford recoiled in fear. March stood<br />

listening. Then rapidly she approached the door<br />

that led into the kitchen. At the same time<br />

they heard the footsteps approach the back door.<br />

They waited a second. The back door opened<br />

softly... (p.92).<br />

The moment the young man enters the kitchen there are<br />

several points which deserve special attention.<br />

For instance,<br />

there is a kind of balance between what he says and the answers<br />

he gets from March.<br />

First of all, this young man has a soft<br />

voice. This is noted when he greets the girls. Then "March<br />

recoiled, and took a gun from a corner" (ibid).<br />

Next, she cries<br />

in a sharp voice and the answer from the boy is again soft and<br />

vibrating.<br />

March continues her harsh tones whereas he goes on<br />

with his melodious voice.<br />

Later on they are simply talking.<br />

Banford is by this time hidden in fear till she understands that<br />

the youth is not a tramp.<br />

The second point to consider is that<br />

this young man has no name in the beginning.<br />

He is considered<br />

as 'a young soldier', 'the young man', someone who is 'boyish',

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!