RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE
257 And the next day, Gerald follows her like a shadow. They both think of quitting, but it is Gerald who seems to have no option in life apart from this exploitative relation: 'I can be free of her,' he said to himself in paroxysms of suffering... 'Where shall I go?'... 'Can you be self-sufficient?'... 'Self-sufficient'' he repeated... (p.436). Gerald in fact has no way out in his inner conflict. That old 'bubble of darkness' is returning to him ready to pop out of his eyes. He must stick to Gudrun. Or he must destroy her to be free of her. Besides this battle Loerke intermediates their relation. He is always there, haunting Gudrun, stimulating her to come and join him. Gerald realizes this sordid alliance and he and Gudrun fight: "She was afraid of Gerald, that he might kill her. But she did not intend to be killed" (p.443). It is a battle of wills, violence, perverse love-making in which they exchange their sado-masochistic roles. They finally break off the affair, but they still have a strong connection with each other. Gudrun feels her thoughts crowded with a tic-tac beating that resembles the night Gerald's father died. After having sex with Gerald, Gudrun feels as if she were becoming a machine. She feels that "Sometimes she beat her wings like a new Daphne, turning not into a tree but a machine" (p.108). In the Alps, during her conflict, she feels that Indeed, she was like a little, twelve-hour clock, vis-a-vis with the enormous clock of eternity - there she was, like Dignity and Impudence, or Impudence and Dignity... She would have got up to look in the mirror, but the thought of the sight of her own face, that was like a twelve-hour clock dial, filled her with such deep terror,that she hastened to think of something else (p.457). The problem with Gudrun is that she feels she has not a creative life and to realize this is to assert to herself that she is
258 like nothing; she is like Gerald. They are both parts of a mechanical structure, like cutting scissors. Although they have broken off their affair, Gerald and Gudrun decide to depart from the Alps together for the sake of keeping appearances. (An ironical decision because Gudrun has already told Loerke and others that she was not married at all - to Gerald.) The day before the departure Gudrun goes for a tobogganing ride with Loerke. Their strange attachment is at its apex. Gudrun has already decided to go to Dresden following Loerke. On their last morning in the Alps, they go near the cul-de-sac where Gerald is to die. Gudrun feels released because she has nothing more to do with Gerald and also because she has found a partner who is like her (or worse than her). Surrounded by the mountains of ice and snow, they talk and have fun till Gerald suddenly appears, frightening them. There is a tense atmosphere between the three. Gerald, feeling mad anger, hits Loerke. Gudrun moves forward, in self-defense and at the same time trying to defend Loerke, and "She raised her chenched hand high, and brought it down, with a great downward stroke on to the face and on to the breast of Gerald" (p.463). With this blow she makes her prophecy of the 'last blow' delivered during the Water Party become true. Gerald who did not contradict her at that time, tries to fight back and strangle her. But he gives in. He is already defeated. Like an automaton he leaves Loerke and Gudrun and lets unconsciousness gradually take hold of him: "A weakness run over his body... A fearful weakness possessed him, his joints were turned to water. He drifted, as on a wind, veered and went drifting away..." (p.464). Thus, Gerald starts his peregrination towards death. At first he wants to sleep.
- Page 215 and 216: 206 in the expectancy to find a 'fo
- Page 217 and 218: 208 On the other hand, Lawrence giv
- Page 219 and 220: 210 they never did in Thomas Crich'
- Page 221 and 222: 212 "Think!" he said to her', "you
- Page 223 and 224: 214 life and he even apologizes to
- Page 225 and 226: 216 see the gate shut; then Gerald
- Page 227 and 228: 218 in a fierce desire to deny the
- Page 229 and 230: 220 and for a young doctor who was
- Page 231 and 232: 222 mutual hellish recognition (p.2
- Page 233 and 234: 224 him to be. The interesting aspe
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- Page 237 and 238: 228 polarity', or in his words: 'Wh
- Page 239 and 240: everyone develops the "river of dis
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- Page 249 and 250: 240 (p.252 - My underlining). His a
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- Page 255 and 256: 246 energy. Hermione. That is how U
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- Page 259 and 260: 250 as you are always saying? You t
- Page 261 and 262: 252 turning suddenly to catch hold
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- Page 281 and 282: 27 2 ♦ has a gun), unable to do a
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- Page 285 and 286: The underlined sentences are the ke
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- Page 289 and 290: 280 to see the strange glow in his
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- Page 299 and 300: 290 masculine identification. She w
- Page 301 and 302: 292 and chiffon dresses. The Banfor
- Page 303 and 304: 294 From this point on, March has f
- Page 305 and 306: 296 to March. With Henry she will h
- Page 307 and 308: 298 and once more the answer goes b
- Page 309 and 310: 300 She looked up at him with tears
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257<br />
And the next day, Gerald follows her like a shadow.<br />
They both<br />
think of quitting, but it is Gerald who seems to have no option<br />
in life apart from this exploitative relation:<br />
'I can be free of her,' he said to himself<br />
in paroxysms of suffering...<br />
'Where shall I go?'...<br />
'Can you be self-sufficient?'...<br />
'Self-sufficient'' he repeated... (p.436).<br />
Gerald in fact has no way out in his inner conflict.<br />
That old<br />
'bubble of darkness' is returning to him ready to pop out of his<br />
eyes. He must stick to Gudrun. Or he must destroy her to be<br />
free of her.<br />
Besides this battle Loerke intermediates their<br />
relation.<br />
He is always there, haunting Gudrun, stimulating her<br />
to come and join him.<br />
Gerald realizes this sordid alliance and<br />
he and Gudrun fight: "She was afraid of Gerald, that he might<br />
kill her. But she did not intend to be killed" (p.443). It is<br />
a battle of wills, violence, perverse love-making in which they<br />
exchange their sado-masochistic roles.<br />
They finally break off<br />
the affair, but they still have a strong connection with each<br />
other.<br />
Gudrun feels her thoughts crowded with a tic-tac beating<br />
that resembles the night Gerald's father died.<br />
After having sex<br />
with Gerald, Gudrun feels as if she were becoming a machine. She<br />
feels that "Sometimes she beat her wings like a new Daphne,<br />
turning not into a tree but a machine" (p.108).<br />
In the Alps,<br />
during her conflict, she feels that<br />
Indeed, she was like a little, twelve-hour clock,<br />
vis-a-vis with the enormous clock of eternity -<br />
there she was, like Dignity and Impudence, or<br />
Impudence and Dignity... She would have got up<br />
to look in the mirror, but the thought of the<br />
sight of her own face, that was like a twelve-hour<br />
clock dial, filled her with such deep terror,that<br />
she hastened to think of something else (p.457).<br />
The problem with Gudrun is that she feels she has not a creative<br />
life and to realize this is to assert to herself that she is