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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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15<br />

two thirds of the book [Huxley] finds the rest of<br />

it falling apart because of lawrence's lack of<br />

belief in it. Doubt had crowded in on Lawrence<br />

and 'had to be shouted down. But the louder he<br />

shouted, the less was he able to convince his<br />

hearers' (p.504).<br />

I would agree with Huxley’s view.<br />

Lawrence's lack of conviction<br />

in the novel may be one of the reasons why soon after he completed<br />

it he became severely ill.<br />

Frieda, quoted by Moore, told Mabel<br />

Luhan, 'I hope Lawrence is taking a new lease of life, that<br />

Plumed Serpent took it out of him, it almost went too far' (p.<br />

525).<br />

Mark Spilka, in his fierce defense of Lawrence, can only<br />

see the good side of this author.<br />

His most ardent defense has<br />

already been discussed in connection with Lawrence's homosexuality.<br />

However, there are other ideas about Lawrence's novels which are<br />

worth noting.<br />

One of them is related to Sons and Lovers,<br />

specifically to Paul's relationship with Clara Dawes.<br />

Paul has<br />

his first sexual intercourse with Clara outdoors, in a steep<br />

river bank.<br />

Before they make love Paul has given Clara a bunch<br />

of red flowers which after the love making are smashed and look<br />

like blood.<br />

Spilka considers that the flowers have given<br />

"benediction to the union" (p.54), and that the smashing of them<br />

means Paul's "baptism of fire in passion".<br />

On the contrary, I<br />

believe that the smashed flowers which look like "splashed drops<br />

of blood" imply Paul's sin and guilt. Firstly because Clara is a<br />

married woman and secondly because later on Paul asks her if<br />

they are not 'sinners'.<br />

Spilka fails to see this connotation.<br />

He prefers to close his eyes to such evidence.<br />

The theme of conflict in Lawrence's novels, as Moore sees<br />

it, is related basically to the author's struggle“to present the<br />

fundamental problems of human relationships in society.<br />

Women

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