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RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

RELATIONS OF DOMINANCE AND EQUALITY IN D. H. LAWRENCE

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atmosphere of something hidden between them.<br />

Now that Birkin<br />

is sick, Gerald comes to see him, and Lawrence tells us that<br />

"The two men had a deep, uneasy feeling for each other" (p. 193).<br />

It is interesting to notice that it is almost always either<br />

Lawrence who tells us this or Birkin who observes the unadmitted<br />

love between himself and the blond Gerald.<br />

Since the opening of<br />

Women in Love this hidden attraction is gradually revealed to the<br />

reader.<br />

It is first mentioned at the wedding of Gerald's sister.<br />

After Birkin talks about his theory that it takes two to make a<br />

murder, Lawrence tells us:<br />

There was a pause of strange enmity between the<br />

two men, that was very near to love. It was always<br />

the same between them; always their talk brought<br />

them into a deadly nearness of contact, perilous<br />

intimacy which was either hate or love, or both...<br />

the heart of each burned from the other. They<br />

burned with each other, inwardly. This they would<br />

never admit... they were not going to be so unmanly<br />

and unnatural as to allow any heart-burning between<br />

them (p.28).<br />

And Lawrence goes further saying that the men could not believe<br />

”in deep relationship between men and men, and their disbelief<br />

prevented any development of their powerful but suppressed<br />

friendliness" (ibid).<br />

The trouble is that the hidden attraction<br />

is a latent tendency towards homosexuality which both men deny.<br />

This tendency is best explained in "The Prologue to Women in<br />

Love", published in Phoenix II (1970). This prologue in fact<br />

was never published.<br />

It is a discarded section of the early<br />

conception of the novel.<br />

Its importance lies in the fact that<br />

it reveals some of Lawrence's ideas at the time he was writing<br />

the novel.<br />

In the prologue Lawrence explains how Birkin comes<br />

to know Gerald: from then on Birkin develops within himself a<br />

deep desire for sensual communion with the blond Gerald.<br />

And<br />

although they are never described in intimate terms, it is clear<br />

that Birkin is often more attracted by Gerald's body (or men's

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